| # | Title | Artist | Rating | Length |
|---|
| 1 | What Was I Made For?- engineer:
- Billie Eilish and FINNEAS
- additional producer:
- Mark Ronson and Andrew Wyatt
- producer:
- Billie Eilish (lead vocals [vocal production]) and FINNEAS
- assistant mixer:
- Eli Heisler
- mixer:
- Rob Kinelski
- electric bass guitar [electric bass], percussion and piano:
- FINNEAS
- synthesizer [synth]:
- Billie Eilish and FINNEAS
- vocals:
- Billie Eilish
- vocals arranger:
- FINNEAS
- orchestrator:
- Mark Ronson and Andrew Wyatt
- phonographic copyright (℗) by:
- Darkroom (in 2023) and Interscope Records (in 2023)
- mixed at:
- The Fortress of Amplitude in Los Angeles, California, United States
- music videos:
- What Was I Made For? by Billie Eilish, What Was I Made For? by Billie Eilish and What Was I Made For? by Billie Eilish
- part of:
- Grammy Award: Best Pop Solo Performance nominees (number: 2024), Grammy Award: Record of the Year nominees (number: 2024), Billboard Year-End Hot 100 singles of 2024 (number: 46) and BILLIONS CLUB
- recording of:
- What Was I Made For?
- writer:
- Billie Eilish O'Connell and Finneas O'Connell
- publisher:
- DRUP, Last Frontier, Universal Music Corp. and Warner GrandView Music
- part of:
- The 96th Academy Award for Best Original Song (number: 1), Grammy Award: Best Song Written for Visual Media nominees (number: 2024 winner), Grammy Award: Song of the Year nominees (number: 2024 winner) and Academy Award for Best Original Song (number: 2023 winner)
- part of:
- Barbie
| Billie Eilish | 3.45 | 3:40 |
| 2 | Writing’s on the Wall- assistant recording engineer:
- Gordon Davidson , Darren Heelis , Mike Horner, Toby Hulbert, Christina Paakkari and Charles Wong
- recording engineer:
- Steve Fitzmaurice , Darren Heelis and Steve Price
- additional programming:
- Steve Fitzmaurice , Guy Lawrence and Howard Lawrence
- additional producer:
- Disclosure
- producer:
- Steve Fitzmaurice , Guy Lawrence and Jimmy Napes
- mixer:
- Steve Fitzmaurice
- bass synthesizer [Korg Bass]:
- Darren Heelis
- piano:
- James Napes
- vocals:
- Sam Smith
- conductor:
- Simon Hale
- orchestrator:
- Simon Hale
- concertmaster:
- Everton Nelson
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom, RAK Studios in London , England, United Kingdom and The Pierce Rooms in Hammersmith, Hammersmith and Fulham, London , England, United Kingdom
- mixed at:
- The Pierce Rooms in Hammersmith, Hammersmith and Fulham, London , England, United Kingdom
- recording of:
- Writing’s on the Wall
- writer:
- Jimmy Napes and Sam Smith
- part of:
- The 88th Academy Award for Best Original Song (number: 1), James Bond themes and Academy Award for Best Original Song (number: 2015 winner)
| Sam Smith | 3 | 4:40 |
| 3 | I Ain’t Worried | OneRepublic | | 2:30 |
| 4 | Young and Beautiful | Lana Del Rey | | 3:58 |
| 5 | It Must Have Been Love | Roxette | 3.15 | 4:18 |
| 6 | My Sharona | The Knack | | 4:01 |
| 7 | Oh, Pretty Woman | Roy Orbison | | 2:58 |
| 8 | You Never Can Tell | Chuck Berry | | 2:43 |
| 9 | Eye of the Tiger- assistant engineer:
- Hill Swimmer
- engineer:
- Phil Bonnano and Mike Clink
- producer:
- Jim Peterik and Frankie Sullivan
- phonographic copyright (℗) by:
- Scotti Bros. Industries Inc (in 1982), Volcano Entertainment III, L.L.C. (in 1982, in 1985) and Sony Music Entertainment UK Limited (in 2016)
- recorded at:
- Rumbo Recorders in Canoga Park, Los Angeles, California, United States
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 28) and VH1: 100 Greatest Hard Rock Songs (number: 63)
- recording of:
- Eye of the Tiger
- writer:
- Jim Peterik and Frankie Sullivan
- publisher:
- Copyright Control , Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music , Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited , Warner/Chappell North America Limited , WB Music Corp. (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division , Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division , Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (from 2017-04-01 to present)
- part of:
- The 55th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1982 nominee)
| Survivor | 4.2 | 4:07 |
| 10 | Stuck in the Middle With You | Stealers Wheel | 4.1 | 3:28 |
| 11 | All Star | Smash Mouth | | 3:21 |
| 12 | Lovefool | The Cardigans | 3.65 | 3:18 |
| 13 | Murder on the Dancefloor | Sophie Ellis‐Bextor | | 3:49 |
| 14 | CAN’T STOP THE FEELING! | Justin Timberlake | | 3:58 |
| 15 | Can You Feel the Love Tonight | Elton John | | 4:02 |
| 16 | If I Can’t Have You- producer:
- Freddie Perren
- bass:
- Scott Edwards
- drums (drum set):
- James Gadson
- guitar:
- Bob Bowles
- keyboard and synthesizer:
- Freddie Perren
- percussion:
- Bob Zimmitti, Paulinho da Costa and Freddie Perren
- piano:
- Sonny Burke
- background vocals [additional background vocals] and lead vocals:
- Yvonne Elliman
- background vocals [girl-group background vocals]:
- Marti McCall , Julia Waters and Maxine Waters
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1977) and Universal International Music B.V. (in 1977)
- part of:
- Billboard Year-End Hot 100 singles of 1978 (number: 19) and Billboard: The 500 Best Pop Songs (number: 343)
- recording of:
- If I Can’t Have You
- written in:
- France
- writer:
- Barry Gibb, Maurice Gibb and Robin Gibb
- publisher:
- BMG Music, Careers Music, Inc., Crompton Songs, Gibb Brothers Music, Universal Music Publishing International MGB Ltd., Stigwood Music, Inc. (in 1978) and Unichappell Music (in 1978)
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Yvonne Elliman | 4.25 | 2:59 |
| 17 | Better When I’m Dancin’ | Meghan Trainor | | 2:55 |
| 18 | Never Ending Story | Limahl | 3.35 | 3:29 |
| 19 | Danger Zone- synthesizer [synth] programming:
- Hans Zimmer
- engineer:
- Dave Concors, Dave Connors and Tom Whitlock
- executive producer:
- Michael Dilbeck
- producer:
- Giorgio Moroder and Tom Whitlock
- mixer:
- Giorgio Moroder and Brian Reeves
- drums (drum set):
- John Robinson
- guitar:
- Dann Huff and Kenny Loggins
- keyboard:
- Giorgio Moroder
- saxophone:
- Tom Scott
- synthesizer:
- Tom Whitlock
- lead vocals:
- Kenny Loggins
- phonographic copyright (℗) by:
- CBS Inc. (in 1986), Columbia Records (in 1986), Sony Music Entertainment (in 1986) and Sony Music Entertainment Inc. (in 1986)
- recorded at:
- Oasis Recording Studios in North Hollywood, Los Angeles, California, United States
- a cappella versions:
- Danger Zone by Tufts Beelzebubs
- recording of:
- Danger Zone
- lyricist:
- Thomas Whitlock
- composer:
- Giorgio Moroder
- publisher:
- Budde Music Inc. , Neue Welt Musikverlag GmbH , Sony/ATV Harmony, Sony/ATV Harmony UK, Sony/ATV Music Publishing (Germany) GmbH , Warner Chappell Overseas Holdings Ltd., Warner/Chappell North America, WB Music Corp. , ソニー・ミュージックパブリッシング A事業部 , ヤマハミュージックエンタテインメントホールディングス , ワーナー・チャペル音楽出版 Synch事業部 , Famous Music Corporation (in 1986) and GMPC (in 1986)
| Kenny Loggins | 4.3 | 3:36 |
| 20 | (I’ve Had) The Time of My Life- recording of:
- (I’ve Had) The Time of My Life
- lyricist:
- Franke Previte
- composer:
- John DeNicola and Donald Markowitz
- publisher:
- Calspen Music, Copyright Control , EMI April Music Inc., Marcu Music Company, Inc., R U Cyrius Publishing, Sony/ATV Tunes LLC, Donald Jay Music, Ltd. (in 1987), Jemava Music Corp. (in 1987), Knockout Music Inc. (in 1987) and R.U. Cyrius Publishing (in 1987)
- sub-publisher:
- ヤマハミュージックEH(CM) (ended), Sony Music Publishing (Japan) Inc. , ソニー・ミュージックパブリッシング A事業部 and フジパシフィックミュージック
- part of:
- The 60th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1987 winner)
| Bill Medley & Jennifer Warnes | | 4:46 |
| 21 | Love Is All Around | Wet Wet Wet | 3.7 | 4:04 |
| 22 | Last Dance | Donna Summer | 3.7 | 3:19 |
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