Bach 2000: The Complete Bach Edition

~ Release by Johann Sebastian Bach (see all versions of this release, 3 available)

Annotation

Individual barcode: 639842571128

Annotation last modified on 2025-06-01 12:00 UTC.

Tracklist

1▶CD: Sacred Cantatas: BWV 1-3
2▶CD: Sacred Cantatas: BWV 4-6
3▶CD: Sacred Cantatas: BWV 7-9
4▶CD: Sacred Cantatas: BWV 10-12
5▶CD: Sacred Cantatas: BWV 13, 14, 16
6▶CD: Sacred Cantatas: BWV 17-19
7▶CD: Sacred Cantatas: BWV 20-21
8▶CD: Sacred Cantatas: BWV 22-25
9▶CD: Sacred Cantatas: BWV 26-29
10▶CD: Sacred Cantatas: BWV 30-31
11▶CD: Sacred Cantatas: BWV 32-34
12▶CD: Sacred Cantatas: BWV 35-36
13▶CD: Sacred Cantatas: BWV 37-40
14▶CD: Sacred Cantatas: BWV 41-43
15▶CD: Sacred Cantatas: BWV 44-47
16▶CD: Sacred Cantatas: BWV 48-51
17▶CD: Sacred Cantatas: BWV 52, 54-56
18▶CD: Sacred Cantatas: BWV 57-60
19▶CD: Sacred Cantatas: BWV 61-63
20▶CD: Sacred Cantatas: BWV 64-66
21▶CD: Sacred Cantatas: BWV 67-69a
22▶CD: Sacred Cantatas: BWV 70-73
23▶CD: Sacred Cantatas: BWV 74-75
24▶CD: Sacred Cantatas: BWV 76-78
25▼CD: Sacred Cantatas: BWV 79-82
#TitleRatingLength
1Cantata No. 79, "Gott der Herr ist Sonn und Schild," BWV 79 Coro: "Gott, der Herr, ist Sonn und Schild"
choir vocals:
Collegium Vocale Gent (from 1977-05-04 until 1977-05-06) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (from 1977-05-04 until 1977-05-06)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1977-05-04 until 1977-05-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1977-05-04 until 1977-05-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1977-05-04 until 1977-05-06)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": I. Coro "Gott der Herr ist Sonn und Schild" (from 1977-05-04 until 1977-05-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
5:01
2Cantata No. 79, "Gott der Herr ist Sonn und Schild," BWV 79 Aria: "Gott ist unsre Sonn und Schild!"
alto vocals:
Paul Esswood (countertenor) (from 1977-05-04 until 1977-05-06)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1977-05-04 until 1977-05-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1977-05-04 until 1977-05-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1977-05-04 until 1977-05-06)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": II. Aria (Alt) "Gott ist unser Sonn und Schild!" (from 1977-05-04 until 1977-05-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
3:40
3Cantata No. 79, "Gott der Herr ist Sonn und Schild," BWV 79 Choral: "Nun danket alle Gott"
choir vocals:
Collegium Vocale Gent (from 1977-05-04 until 1977-05-06) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (from 1977-05-04 until 1977-05-06)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1977-05-04 until 1977-05-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1977-05-04 until 1977-05-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1977-05-04 until 1977-05-06)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": III. Choral "Nun danket alle gott'" (from 1977-05-04 until 1977-05-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Martin Rinckart (German poet) (in 1636)
part of:
Breitkopf 389 Choralgesänge (number: 259)
is based on:
Nun danket alle Gott (Lutheran choral)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
2:12
4Cantata No. 79, "Gott der Herr ist Sonn und Schild," BWV 79 BRecitativo: "Gottlob, wir wissen den rechten Weg"
bass vocals:
Max van Egmond (bass-baritone) (from 1977-05-04 until 1977-05-06)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1977-05-04 until 1977-05-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1977-05-04 until 1977-05-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1977-05-04 until 1977-05-06)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": IV. Recitativo (Bass) "Gottlob, wir wissen den rechten Weg" (from 1977-05-04 until 1977-05-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
0:52
5Cantata No. 79, "Gott der Herr ist Sonn und Schild," BWV 79 Aria. Gott, ach Gott, verlaß die Deinen nimmermehr
bass vocals:
Max van Egmond (bass-baritone) (from 1977-05-04 until 1977-05-06)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1977-05-04 until 1977-05-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1977-05-04 until 1977-05-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1977-05-04 until 1977-05-06)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": V. Aria (Duetto Sopran, Bass) "Gott, ach Gott, verlaß die Deinen" (from 1977-05-04 until 1977-05-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
3:12
6Cantata No. 79, "Gott der Herr ist Sonn und Schild," BWV 79 Choral: "Erhalt uns in der Wahrheit"
choir vocals:
Collegium Vocale Gent (from 1977-05-04 until 1977-05-06) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (from 1977-05-04 until 1977-05-06)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1977-05-04 until 1977-05-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1977-05-04 until 1977-05-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1977-05-04 until 1977-05-06)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": VI. Choral "Erhalt uns in der Wahrheit" (from 1977-05-04 until 1977-05-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Ludwig Helmbold (in 1575)
part of:
Breitkopf 389 Choralgesänge (number: 267)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
0:35
7Cantata No. 80, "Ein feste Burg ist unser Gott," BWV 80 Coro: "Ein feste Burg ist unser Gott"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": I. Coro "Ein feste Burg ist unser Gott" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
is based on:
Ein feste Burg ist unser Gott
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
5:11
8Cantata No. 80, "Ein feste Burg ist unser Gott," BWV 80 Aria: "Mit unser Macht"
treble vocals:
Wilhelm Wiedl (boy soprano) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": II. Aria (Bass) con Choral (Sopran) "Alles, was von Gott geboren" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
3:42
9Cantata No. 80, "Ein feste Burg ist unser Gott," BWV 80 Recitativo. Erwäge doch, Kind Gottes
bass vocals:
Ruud van der Meer (operatic bass) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": III. Recitativo (Bass) "Erwäge doch, Kind Gottes" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
1:41
10Cantata No. 80, "Ein feste Burg ist unser Gott," BWV 80 Aria: "Komm in mein Herzenshaus"
treble vocals:
Wilhelm Wiedl (boy soprano) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": IV. Aria (Sopran) "Komm in mein Herzenshaus" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
3:08
11Cantata No. 80, "Ein feste Burg ist unser Gott," BWV 80 Choral. Und wenn die Welt voll Teufel wär
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": V. Choral "Und wenn die Welt voll Teufel wär" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
3:18
12Cantata No. 80, "Ein feste Burg ist unser Gott," BWV 80 Recitativo: "So stehe denn bei Christi blutgefärbten Fahne"
tenor vocals:
Kurt Equiluz (tenor) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VI. Recitativo (Tenor) "So stehe dann bei Christi blutgefärbten Fahne" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
1:13
13Cantata No. 80, "Ein feste Burg ist unser Gott," BWV 80 Duetto: "Wie selig sind doch die"
alto vocals:
Paul Esswood (countertenor) (from 1977-03 until 1977-05)
tenor vocals:
Kurt Equiluz (tenor) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VII. Duetto (Alt, Tenor) "Wie selig sind doch die, die Gott im Munde tragen" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
3:42
14Cantata No. 80, "Ein feste Burg ist unser Gott," BWV 80 Choral: "Das Wort sie sollen lassen stahn"
treble vocals:
Wilhelm Wiedl (boy soprano) (from 1977-03 until 1977-05)
vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VIII. Choral "Das Wort sie sollen lassen stahn" (from 1977-03 until 1977-05)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Breitkopf 389 Choralgesänge (number: 76)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
1:01
15Cantata No. 81, "Jesus schläft, was soll ich hoffen?" BWV 81 Aria. "Jesus schläft, was soll ich hoffen?"
alto vocals:
Paul Esswood (countertenor) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": I. Aria (Alt) "Jesus schläft, was soll ich hoffen?" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
4:10
16Cantata No. 81, "Jesus schläft, was soll ich hoffen?" BWV 81 Recitativo. "Herr! warum trittest du so ferne?"
tenor vocals:
Kurt Equiluz (tenor) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": II. Recitativo (Tenor) "Herr, warum trittest du so ferne?" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
0:57
17Cantata No. 81, "Jesus schläft, was soll ich hoffen?" BWV 81 Aria. "Die schäumenden Wellen von Belials Bächen"
tenor vocals:
Kurt Equiluz (tenor) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": III. Aria (Tenor) "Die schäumenden Wellen von Belials Bächen" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
3:01
18Cantata No. 81, "Jesus schläft, was soll ich hoffen?" BWV 81 Arioso. "Ihr Kleingläubigen, warum seid ihr so furchtsam?"
bass vocals:
Ruud van der Meer (operatic bass) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": IV. Arioso (Bass) "Ihr Kleingläubigen, warum seid ihr so furchtsam?" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
1:03
19Cantata No. 81, "Jesus schläft, was soll ich hoffen?" BWV 81 Aria. "Schweig, aufgetürmtes Meer!"
bass vocals:
Philippe Huttenlocher (baritone) (in 1977-03) and Ruud van der Meer (operatic bass) (in 1977-03)
orchestra:
Concentus Musicus Wien (in 1977-03)
conductor:
Nikolaus Harnoncourt (conductor) (in 1977-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1977-03, from 1977-03 until 1977-05)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": V. Aria (Bass) "Schweig, aufgetürmtes Meer!" (in 1977-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
5:17
20Cantata No. 81, "Jesus schläft, was soll ich hoffen?" BWV 81 Recitativo: "Wohl mir, mein Jesus spricht ein Wort"
alto vocals:
Paul Esswood (countertenor) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": VI. Recitativo (Alt) "Wohl mir, mein Jesus spricht ein Wort" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
0:18
21Cantata No. 81, "Jesus schläft, was soll ich hoffen?" BWV 81 Choral: "Unter deinen Schirmen"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": VII. Choral "Unter deinen Schirmen" (from 1977-03 until 1977-05)
lyricist:
Johann Franck (German poet of the 17th century)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 197)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
1:05
22Cantata No. 82, "Ich habe genug," BWV 82 BC A169: Aria: "Ich habe genung"
bass vocals:
Philippe Huttenlocher (baritone) (from 1977-04-22 until 1977-04-23)
orchestra:
Concentus Musicus Wien (from 1977-04-22 until 1977-04-23)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-04-22 until 1977-04-23)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-04-22 until 1977-04-23)
recording of:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland” (from 1977-04-22 until 1977-04-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
6:47
23Cantata No. 82, "Ich habe genug," BWV 82 BC A169: Recitativo: "Ich habe genug! Mein Trost ist nur allein"
bass vocals:
Philippe Huttenlocher (baritone) (from 1977-04-22 until 1977-04-23)
orchestra:
Concentus Musicus Wien (from 1977-04-22 until 1977-04-23)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-04-22 until 1977-04-23)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-04-22 until 1977-04-23)
recording of:
Kantate, BWV 82 "Ich habe genung": II. Recitativo (Bass) "Ich habe genung! Mein Trost ist nur allein" (from 1977-04-22 until 1977-04-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
0:56
24Cantata No. 82, "Ich habe genug," BWV 82 BC A169: Aria: "Schlummert ein, ihr matten Augen"
bass vocals:
Philippe Huttenlocher (baritone) (from 1977-04-22 until 1977-04-23)
orchestra:
Concentus Musicus Wien (from 1977-04-22 until 1977-04-23)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-04-22 until 1977-04-23)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-04-22 until 1977-04-23)
recording of:
Kantate, BWV 82 "Ich habe genung": III. Aria (Bass) "Schlummert ein, ihr matten Augen" (from 1977-04-22 until 1977-04-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
8:46
25Cantata No. 82, "Ich habe genug," BWV 82 Recitativo. "Mein Gott! wann kommt das schöne: Nun!"
bass vocals:
Philippe Huttenlocher (baritone) (from 1977-04-22 until 1977-04-23)
orchestra:
Concentus Musicus Wien (from 1977-04-22 until 1977-04-23)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-04-22 until 1977-04-23)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-04-22 until 1977-04-23)
recording of:
Kantate, BWV 82 "Ich habe genung": IV. Recitativo (Bass) "Mein Gott! wenn kömmt das schöne: Nun!" (from 1977-04-22 until 1977-04-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
0:42
26Cantata No. 82, "Ich habe genug," BWV 82 Aria: "Ich freue mich auf meinen Tod"
bass vocals:
Philippe Huttenlocher (baritone) (from 1977-04-22 until 1977-04-23)
orchestra:
Concentus Musicus Wien (from 1977-04-22 until 1977-04-23)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-04-22 until 1977-04-23)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-04-22 until 1977-04-23)
recording of:
Kantate, BWV 82 "Ich habe genung": V. Aria (Bass) "Ich freue mich auf meinen Tod" (from 1977-04-22 until 1977-04-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
3:25
26▶CD: Sacred Cantatas: BWV 83-86
27▶CD: Sacred Cantats BWV 87-90
28▶CD: Sacred Cantatas BWV 91-93
29▶CD: Sacred Cantatas BWV 94-96
30▶CD: Sacred Cantatas BWV 97-99
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Credits

Release

part of:Bach 2000 (multi-volume box set) (number: 1) (order: 1)
Bach 2000 (multi-volume box set) (number: 2) (order: 2)
Bach 2000 (multi-volume box set) (number: 3) (order: 3)
Bach 2000 (multi-volume box set) (number: 4) (order: 4)
Bach 2000 (multi-volume box set) (number: 5) (order: 5)
Bach 2000 (multi-volume box set) (number: 6) (order: 6)
Bach 2000 (multi-volume box set) (number: 7) (order: 7)
Bach 2000 (multi-volume box set) (number: 8) (order: 8)
Bach 2000 (multi-volume box set) (number: 9) (order: 9)
Bach 2000 (multi-volume box set) (number: 10) (order: 10)
Bach 2000 (multi-volume box set) (number: 11) (order: 11)
Bach 2000 (multi-volume box set) (number: 12) (order: 12)
Discogs:https://www.discogs.com/release/23209139 [info]
ASIN:US: B00001IV8B [info]
discography entry:http://www.bach-cantatas.com/Performers/H&L-Rec5.htm#D2 [info]