Going Back in Time, Volume 1: 1987 ~ 1972

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1Running in the Family
registrazione di:
Running in the Family
autore:
Wally Badarou, Phil Gould e Mark King (bass guitarist and vocalist)
Level 426:10
2Don’t Leave Me This Way
produttore:
Mike Thorne (UK producer & keyboardist)
voce:
Sarah Jane Morris
registrazione cover di:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
autore:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Communards3.44:30
3I’ll Be Good
registrazione di:
I'll Be Good
autore:
René Moore e Angela Winbush
René & Angela5:11
4Rattlesnakes
registrazione di:
Rattlesnakes
paroliere:
Lloyd Cole
compositore:
Neil Clark (Scottish guitarist, The Commotions) e Lloyd Cole
editore:
CBS Songs Ltd., Chrysalis Music Ltd. (music publisher, affiliated with PRS) e EMI April Music Inc.
Lloyd Cole and the Commotions3:25
5Straight Ahead
registrazione di:
Straight Ahead
autore:
Clifford Adams (trombonist in Kool & the Gang), Ronald Bell, George Brown (US percussionist of Kool & the Gang), Curtis Williams (keyboardist/percussionist of Kool & The Gang), Dennis Thomas (Kool & The Gang), James Bonnefond, James Taylor (US R&B vocalist for Kool & the Gang), Michael Ray (American jazz trumpeter born in 1962), Robert Bell e Claydes Smith
editore:
Delightful Music Ltd e EMI Music Publishing Ltd. (PRS‐affiliated)
Kool & the Gang3:30
6The Look of Love
tecnico:
Gary Langan
produttore:
Trevor Horn
chitarra basso :
Mark Lickley
tastiera :
Mark White (ABC/Vice Versa)
voce principale:
Martin Fry
arrangiatore archi :
Anne Dudley (English score composer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982), Mercury Records Ltd. (London) (for copyrights use only) (nel 1982), Phonogram Ltd. (not for release label use!) (nel 1982) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1982)
mixata presso:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito (nel 1982)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 4), The Downloader’s Music Source Book (numero: 73) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 43)
registrazione parziale di:
The Look of Love
autore:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton e Mark White (ABC/Vice Versa)
editore:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. e Virgin Music, Inc. (US arm of Virgin’s publishing company)
parte di:
Mantrap (ABC long-form film)
ABC3.93:29
7Don’t Stop the Music
registrazione di:
Don’t Stop the Music
autore:
Jonah Ellis, Alisa Peoples e Lonnie Simmons (producer, songwriter)
editore:
BMG Platinum Songs US e BMG Rights Management (UK) Ltd. (not for release label use! see annotation)
Yarbrough & Peoples4:06
8Funkytown
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1979), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1979) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1980)
edit di:
Funkytown (12″ version) di Lipps, Inc.
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 37)
registrazione di:
Funkytown
paroliere e compositore:
Steven Greenberg
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, Red Sea Songs, Rick S. Music (publishing company associated with Casablanca), Steven Greenberg Music, Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell Music Ltd. (1996–2019)
Lipps, Inc.4.13:57
9I Will Survive
produttore:
Dino Fekaris
produttore associato:
Freddie Perren
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1978), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1978) e Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (nel 1979)
edit di:
I Will Survive (12″ single version) di Gloria Gaynor
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 251) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 489)
registrazione di:
I Will Survive
autore:
Dino Fekaris e Freddie Perren
editore:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor3.953:13
10I Love the Nightlife
registrazione di:
I Love the Nightlife
autore:
Alicia Bridges e Susan Hutcheson
editore:
Lowery Music Co. Inc., Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Songs LLC
Alicia Bridges5:34
11Baby Come Back
diritti fonografici (℗) detenuti da:
PolyGram International Music B.V. (not for release label use!) (nel 1977) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1977)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 7) e Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 24)
registrazione di:
Baby Come Back (Player song)
autore:
Peter Beckett (lead singer of Player) e J.C. Crowley
editore:
BMG Music, Careers–BMG Music Publishing, Inc., Chappell, Crowbeck Music, Mighty Nice Music (BMI), R.S.O. Publishing, Touch of Gold Music, Inc., Unichappell Music, Inc., Universal Music Careers, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e 大洋音楽 (Taiyō Music)
Player4.354:09
12Let the Music Play
registrazione di:
Let the Music Play
paroliere e compositore:
Barry White
Barry White24:08
13Jive Talkin’
produttore:
Arif Mardin
basso :
Maurice Gibb (nel 1975-01)
batteria e percussione :
Dennis Bryon (Welsh drummer, author) (nel 1975-01)
chitarra [rhythm guitar] e voce principale:
Barry Gibb (nel 1975-01)
chitarra elettrica :
Alan Kendall (nel 1975-01)
pianoforte , sintetizzatore e tastiera :
Blue Weaver (nel 1975-01)
altra voce [harmony vocals] e voce di accompagnamento:
Barry Gibb (nel 1975-01), Maurice Gibb (nel 1975-01) e Robin Gibb (nel 1975-01)
remixer:
Karl Richardson
arrangiatore archi , arrangiatore corno e arrangiatore legni :
Arif Mardin
primo violino:
Gene Orloff
diritti fonografici (℗) detenuti da:
Barry Gibb (nel 1975), Maurice Gibb (nel 1975) e Robin Gibb (nel 1975)
diritti fonografici (℗) detenuti da:
PolyGram International Ltd. (nel 1975), PolyGram International Music B.V. (not for release label use!) (nel 1975), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1975), Robert Stigwood Organisation Ltd. (nel 1975) e RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (nel 1975)
registrazione di:
Jive Talkin’ (nel 1975-01)
autore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
Abigail Music, BMG Music, BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Flam Music Ltd., Gibb Brothers Music, Songs of Universal, Inc. (BMI) e Universal Music Careers
Bee Gees3.753:42
14I Shot the Sheriff
registrazione cover di:
I Shot the Sheriff
paroliere e compositore:
Bob Marley (Jamaican reggae artist)
editore:
Blackwell Fuller Music Publishing LLC, Cayman Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Blue Mountain Music (nel 1974), Cayman Music Inc (nel 1974), Fifty Six Hope Road Music Limited (nel 1974) e Odnil Music Ltd. (nel 1974)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Eric Clapton4:18
15The Morning After
registrazione di:
The Morning After (from "The Poseidon Adventure")
autore:
Joel Hirschhorn (songwriter) e Al Kasha (composer, songwriter and arranger)
editore:
Fox Fanfare Music e Twentieth Century Music Corp.
parte di:
The 45th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1972 winner)
Maureen McGovern2:17
16Walkin’ in the Rain With the One I Love
registrazione di:
Walking in the Rain With the One I Love
paroliere e compositore:
Barry White
editore:
January Music, Sa‐Vette Music Co. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Love Unlimited4:29

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