Complete Edition

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

1▶CD: Brandenburg Concertos 1–3 BWV 1046-1048
2▶CD: Brandenburg Concertos 4–6 BWV1049-1051
3▶CD: Orchestral Suites 1, 2 & 3 BWV 1066, BWV 1067 & 1068
4▶CD: Violin Concerti BWV 1042, BWV 1041, BWV 1052, BWV 1056 & BWV 1043
5▶CD: Harpsichord Concertos BWV 1052-1055
6▶CD: Harpsichord Concertos BWV 1056-1057-1058-1060-1065
7▶CD: Concertos for 2 & 3 Harpsichords BWV 1061-1064
8▶CD: Triple Concerto BWV 1044, Concerto for Oboe D'amore BWV 1055R, Concerto for 3 Violins BWV 1064
9▶CD: Sonatas and Partitas for Solo Violin BWV 1001-1003
10▶CD: Sonatas and Partitas for Solo Violin BWV 1004-1006
11▶CD: Cello Suites 1, 3 & 5
12▶CD: Cello Suites 2, 4 & 6
13▶CD: Flute Sonatas BWV 1013, 1030, 1032 & 1034-1035
14▶CD: Flute Sonatas BWV 1038-1039 / Ein Musikalisches Opfer
15▶CD: Lute,BWV 996, BWV 998 & BWV 995
16▶CD: Lute,BWV 997, BWV 1006a, BWV 999 & BWV 1000
17▶CD: Gamba sonatas, BWV 1028, BWV 1027 & BWV1029
18▶CD: Musikalisches Opfer
19▶CD: Violin Sonatas BWV 1014-1016
20▶CD: Violin Sonatas BWV 1017-1019
21▶CD: Notenbüchlein für Anna Magdalena Bach
22▶CD: BWV 1023 / BWV 1021 / BWV 1039 / BWV 1038
23▶CD: The Well Tempered Clavier, Book I: BWV 846 - BWV 857
24▶CD: The Well Tempered Clavier, Book I: BWV 858 - BWV 869
25▶CD: The Well Tempered Clavier, Book II: BWV 870 - BWV 881
26▶CD: The Well Tempered Clavier, Book II: BWV 882 - BWV 893
27▶CD: Partitas BWV 825 / BWV 826 / BWV 830
28▶CD: Partitas BWV 827 / BWV 828 / BWV 829
29▶CD: Keyboard Works 1700-1710
30▶CD: Keyboard Works 1700-1710
31▶CD: Keyboard Works 1700-1710
32▶CD: Italian Concerto BWV 971 / French Overture BWV 831 / Chromatic Fantasy and Fugue BWV 903
33▶CD: Goldberg Variations BWV 988
34▶CD: English Suites BWV 806 / BWV 807 / BWV 808
35▶CD: English Suites BWV 809 / BWV 810 / BWV 811
36▶CD: Concerto Transcriptions
37▶CD: Concerto Transcriptions
38▶CD: French Suites BWV 812 / BWV 813 / BWV 814 / BWV 815
39▶CD: French Suites BWV 816 / BWV 817 / Suites BWV 819 / BWV 818
40▶CD: Toccatas BWV 913 - 916
41▶CD: Die Kunst Der Fuge: beginning
42▶CD: Die Kunst der Fuge: conclusion
43▶CD: Sonatas, Suites & Fantasias
44▶CD: Suites, Fantasias, Preludes & Fuges
45▶CD: Inventions & Sinfonias
46▶CD: Cantatas: BWV 1 / BWV 3 / BWV 5
47▶CD: Cantatas: BWV 2 / BWV 4 / BWV 6 / BWV 8
48▶CD: Cantatas: BWV 7 / BWV 9 / BWV 10
49▶CD: Cantatas: BWV 12 / BWV 13 / BWV 14
50▶CD: Cantatas: BWV 16 / BWV 17 / BWV 18 / BWV 19
51▶CD: Cantatas: BWV 20 / BWV 21 / BWV 23
52▶CD: Cantatas: BWV 22 / BWV 24 / BWV 25 / BWV 26 / BWV 27
53▶CD: Cantatas: BWV 28 / BWV 29 / BWV 30
54▶CD: Cantatas: BWV 31 / BWV 32 / BWV 33
55▶CD: Cantatas: BWV 34 / BWV 35 / BWV 36
56▶CD: Cantatas: BWV 37 / BWV 38 / BWV 39 / BWV 40
57▶CD: Cantatas: BWV 41 / BWV 42 / BWV 43
58▶CD: Cantatas: BWV 44 / BWV 45 / BWV 46 / BWV 47
59▶CD: Cantatas: BWV 48 / BWV 49 / BWV 50 / BWV 51
60▶CD: Cantatas: BWV 54 / BWV 55 / BWV 56 / BWV 57 / BWV 59
61▶CD: Cantatas: BWV 58 / BWV 60 / BWV 61 / BWV 63
62▶CD: Cantatas: BWV 62 / BWV 64 / BWV 65 / BWV 67
63▶CD: Cantatas: BWV 66 / BWV 68 / BWV 69 / BWV 71
64▶CD: Cantatas: BWV 70 / BWV 72 / BWV 73 / BWV 74
65▶CD: Cantatas: BWV 75 / BWV 76 / BWV 77
66▶CD: Cantatas: BWV 78 / BWV 79 / BWV 80 / BWV 81
67▶CD: Cantatas: BWV 82 / BWV 83 / BWV 84 / BWV 85
68▶CD: Cantatas: BWV 86 / BWV 87 / BWV 88 / BWV 89 / BWV 90
69▶CD: Cantatas: BWV 91 / BWV 92 / BWV 93
70▶CD: Cantatas: BWV 94 / BWV 95 / BWV 96 / BWV 98
71▶CD: Cantatas: BWV 97 / BWV 99 / BWV 100
72▶CD: Cantatas: BWV 101 / BWV 102 / BWV 103
73▶CD: Cantatas: BWV 103 / BWV 105 / BWV 106 / BWV 107
74▶CD: Cantatas: BWV 108 / BWV 109 / BWV 110 / BWV 112
75▶CD: Cantatas: BWV 111 / BWV 113 / BWV 114
76▶CD: Cantatas: BWV115 / BWV 116 / BWV 117 / BWV 120
77▶CD: Cantatas: BWV 119 / BWV 121 / BWV 122 / BWV 123
78▶CD: Cantatas: BWV 124 / BWV 125 / BWV 126 / BWV 127
79▶CD: Cantatas: BWV 128 / BWV 129 / BWV 130 / BWV 131
80▶CD: Cantatas: BWV 132 / BWV 133 / BWV 134 / BWV 135
81▶CD: Cantatas: BWV 136 / BWV 137 / BWV 138 / BWV 140
82▶CD: Cantatas: BWV 139 / BWV 143 / BWV 145 / BWV 146
83▶CD: Cantatas: BWV 144 / BWV 147 / BWV 148 / BWV 150
84▶CD: Cantatas: BWV 149 / BWV 151 / BWV 152 / BWV 153
85▶CD: Cantatas: BWV 154 / BWV 155 / BWV 156 / BWV 157 / BWV 159
86▶CD: Cantatas: BWV 158 / BWV 161 / BWV 162 / BWV 163 / BWV 164
87▶CD: Cantatas: BWV 165 / BWV 166 / BWV 167 / BWV 169
88▶CD: Cantatas: BWV 168 / BWV 170 / BWV 171 / BWV 172
89▶CD: Cantatas: BWV 173 / BWV 174 / BWV 175 / BWV 177
90▶CD: Cantatas: BWV 176 / BWV 178 / BWV 179 / BWV 180
91▶CD: Cantatas: BWV 181 / BWV 182 / BWV 183 / BWV 84
92▶CD: Cantatas: BWV 185 / BWV 186 / BWV 187
93▶CD: Cantatas: BWV 188 / BWV 192 / BWV 194
94▶CD: Cantatas: BWV 195 / BWV 196 / BWV 197
95▶CD: Cantatas: BWV 198 / BWV 199 / BWV 200
96▶CD: h-Moll-Messe: Kyrie / Gloria
97▶CD: h-Moll-Messe: Credo / Sanctus / Osanna...
98▶CD: Messen, BWV 233 & 234
99▶CD: Messen, BWV 235 & 236
100▶CD: Geistliche Lieder und Arien aus "Musicalisches Gesangbuch G.C. Schemelli", BWV 439-507 (disc 1)
101▶CD: Geistliche Lieder und Arien aus "Musicalisches Gesangbuch G.C. Schemelli", BWV 439-507 (disc 2)
102▶CD: Motetten BWV 225 - 230
103▶CD: Oster-Oratorium, BWV 249 / Magnificat D-Dur, BWV 243
104▶CD: Secular Cantatas: Schwingt freudig euch empor BWV 36c / Non sa che sia dolore BWV 209 / Amore traditore BWV 203
105▶CD: Secular Cantata, BWV 201; Geschwinde, ihr wirbelnden Winde - Der Streit zwischen Phoebus und Pan
106▶CD: Zwei Hochzeitskantaten, BWV 202 & 210
107▶CD: Secular Cantatas, BWV 204 & 208; Was mir behagt, ist nur die muntre Jagd / Ich bin in mir vergnügt
108▶CD: Secular Cantatas, BWV 205 & 207: Zerreißet, zersprenget, zertrümmert die Gruft / Vereinigte Zwietracht der wechselnden Saiten
109▶CD: Secular Cantatas, BWV 206 & 215: Schleicht, spielende Wellen / Preise dein Glücke, gesegnetes Sachsen
110▼CD: Secular Cantatas, BWV 211 & 212: Schweigt stille, plaudert nicht (Kaffee-Kantate) / Mehr hahn en neue Oberkeet (Bauernkantate)
#TitleRatingLength
1Cantata, BWV 211 "Schweigt stille, plaudert nicht": I. Rezitativo (Tenore): "Schweigt stille, plaudert nicht"
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": I. Recitativo (Tenor) "Schweigt stille, plaudert nicht" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
0:44
2Cantata, BWV 211 "Schweigt stille, plaudert nicht": II. Aria (Schlendrian): "Hat man nicht mit seinen Kindern"
bass vocals:
Siegfried Lorenz (baritone)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": II. Aria (Bass) "Hat man nicht mit seinen Kindern" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
3:21
3Cantata, BWV 211 "Schweigt stille, plaudert nicht": III. Rezitativo (Schlendrian, Liesgen): "Du böses Kind, du loses Mädchen"
bass vocals:
Siegfried Lorenz (baritone)
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": III. Recitativo (Bass, Sopran) "Du böses Kind, du loses Mädchen" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
0:42
4Cantata, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria (Liesgen): "Ei! wie schmeckt der Coffee süße"
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria (Sopran) "Ei, wie schmeckt der Coffee süße" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
4:51
5Cantata, BWV 211 "Schweigt stille, plaudert nicht": V. Rezitativo (Schlendrian, Liesgen): "Wenn du mir nicht den Coffee läßt"
bass vocals:
Siegfried Lorenz (baritone)
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": V. Recitativo (Bass, Sopran) "Wenn du mir nicht den Coffee läßt" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
1:12
6Cantata, BWV 211 "Schweigt stille, plaudert nicht": VI. Arie (Schlendrian): "Mädchen, die von harten Sinnen"
bass vocals:
Siegfried Lorenz (baritone)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VI. Aria (Bass) "Mädchen, die von harten Sinnen" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
3:06
7Cantata, BWV 211 "Schweigt stille, plaudert nicht": VII. Rezitativ (Schlendrian, Liesgen):" Nun folge, was dein Vater spricht"
bass vocals:
Siegfried Lorenz (baritone)
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VII. Recitativo (Bass, Sopran) "Nun folge, was dein Vater spricht" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
0:54
8Cantata, BWV 211 "Schweigt stille, plaudert nicht": VIII. Arie (Liesgen): "Heute noch, heute noch!"
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VIII. Aria (Sopran) "Heute noch, lieber Vater, tut es doch" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
7:25
9Cantata, BWV 211 "Schweigt stille, plaudert nicht": IX. Rezitativ (Tenore): "Nun geht und sucht der alte Schlendrian"
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IX. Recitativo (Tenor) "Nun geht und sucht der alte Schlendrian" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
0:47
10Cantata, BWV 211 "Schweigt stille, plaudert nicht": X. Chor: Terzetto "Die Katze läßt das Mausen nicht"
bass vocals:
Theo Adam (German classical bass-baritone) and Siegfried Lorenz (baritone)
soprano vocals:
Edith Mathis (soprano)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": X. Chorus (Sopran, Tenor, Bass) "Die Katze läßt das Mausen nicht" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
5:55
11Cantata, BWV 212 "Mer hahn ein neue Oberkeet": I. Sinfonia
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": I. Ouvertüre (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
2:34
12Cantata, BWV 212 "Mer hahn ein neue Oberkeet": II. Aria. Duetto (Soprano, Basso): "Mer hahn ein neue Oberkeet"
bass vocals:
Siegfried Lorenz (baritone)
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": II. Aria (Duetto Sopran, Bass) "Mer hahn en neue Oberkeet" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:38
13Cantata, BWV 212 "Mer hahn ein neue Oberkeet": III. Rezitative (Basso, Soprano): "Nu, Mieke, gib dein Guschel immer her"
bass vocals:
Siegfried Lorenz (baritone)
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": III. Recitativo (Sopran, Bass) "Nu, Mieke, gib dein Guschel immer her" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:56
14Cantata, BWV 212 "Mer hahn ein neue Oberkeet": IV. Aria (Soprano): "Ach, es schmeckt doch gar zu gut"
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IV. Aria (Sopran) "Ach, es schmeckt doch gar zu gut" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
1:00
15Cantata, BWV 212 "Mer hahn ein neue Oberkeet": V. Rezitativo (Basso): "Der Herr ist gut"
bass vocals:
Siegfried Lorenz (baritone)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": V. Recitativo (Bass) "Der Herr ist gut" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:21
16Cantata, BWV 212 "Mer hahn ein neue Oberkeet": VI. Aria (Basso) "Ach, Herr Schösser, geht nicht gar zu schlimm"
bass vocals:
Siegfried Lorenz (baritone)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VI. Aria (Bass) "Ach, Herr Schösser, geht nicht gar zu schlimm" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
1:13
17Cantata, BWV 212 "Mer hahn ein neue Oberkeet": VII. Rezitativ (Soprano): "Es bleibt dabei"
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VII. Recitativo (Sopran) "Es bleibt dabei" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:25
18Cantata, BWV 212 "Mer hahn ein neue Oberkeet": VIII. Aria (Soprano): "Unser trefflicher lieber Kammerherr"
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VIII. Aria (Sopran) "Unser trefflicher, lieber Kammerherr" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
is based on:
Folia
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
2:06
19Cantata, BWV 212 "Mer hahn ein neue Oberkeet": IX. Rezitative (Basso, Soprano): "Er hilft uns allen, alt und jung"
bass vocals:
Siegfried Lorenz (baritone)
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IX. Recitativo (Sopran, Bass) "Er hilft uns allen, alt und jung" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:29
20Cantata, BWV 212 "Mer hahn ein neue Oberkeet": X. Aria (Soprano): "Das ist galant"
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": X. Aria (Sopran) "Das ist galant" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
1:17
21Cantata, BWV 212 "Mer hahn ein neue Oberkeet": XI. Rezitativo (Basso): "Und unsre gnäd'ge Frau"
bass vocals:
Siegfried Lorenz (baritone)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XI. Recitativo (Bass) "Und unsre gnädge Frau" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:42
22Cantata, BWV 212 "Mer hahn ein neue Oberkeet": XII. Aria (Basso): "Fünfzig Taler bares Geld"
bass vocals:
Siegfried Lorenz (baritone)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XII. Aria (Bass) "Fünfzig Taler bares Geld" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:47
23Cantata, BWV 212 "Mer hahn ein neue Oberkeet": XIII. Rezitative (Soprano): "Im Ernst kein Wort!"
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIII. Recitativo (Sopran) "Im Ernst ein Wort" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:31
24Cantata, BWV 212 "Mer hahn ein neue Oberkeet": XIV. Aria (Soprano): "Klein-Zschocher müsse so zart und süße"
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIV. Aria (Sopran) "Klein-Zschocher müsse" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
6:53
25Cantata, BWV 212 "Mer hahn ein neue Oberkeet": XV. Rezitative (Basso): "Das ist zu klug vor dich"
bass vocals:
Siegfried Lorenz (baritone)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XV. Recitativo (Bass) "Das ist zu klug vor dich" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:19
26Cantata, BWV 212 "Mer hahn ein neue Oberkeet": XVI. Aria (Basso): "Es nehme zehntausend Dukaten"
bass vocals:
Siegfried Lorenz (baritone)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVI. Aria (Bass) "Es nehme zehntausend Dukaten" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:38
27Cantata, BWV 212 "Mer hahn ein neue Oberkeet": XVII. Rezitative (Soprano): "Das klingt zu liederlich"
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVII. Recitativo (Sopran) "Das klingt zu liederlich" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:22
28Cantata, BWV 212 "Mer hahn ein neue Oberkeet": XVIII. Aria (Soprano): "Gib, Schöne, viel Söhne"
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVIII. Aria (Sopran) "Gib, Schöne, viel Söhne" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:48
29Cantata, BWV 212 "Mer hahn ein neue Oberkeet": XIX. Rezitative (Basso): "Du hast wohl recht"
bass vocals:
Siegfried Lorenz (baritone)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIX. Recitativo (Bass) "Du hast wohl recht" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:19
30Cantata, BWV 212 "Mer hahn ein neue Oberkeet": XX. Aria (Basso): "Dein Wachstum sei feste"
bass vocals:
Siegfried Lorenz (baritone)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XX. Aria (Bass) "Dein Wachstum sei feste und lache vor Lust" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
6:24
31Cantata, BWV 212 "Mer hahn ein neue Oberkeet": XXI. Rezitative (Soprano, Basso): "Und damit sei es auch genug"
bass vocals:
Siegfried Lorenz (baritone)
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXI. Recitativo (Sopran, Bass) "Und damit sei es auch genug" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:19
32Cantata, BWV 212 "Mer hahn ein neue Oberkeet": XXII. Aria (Soprano): "Und daß ihr's alle wißt"
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXII. Aria (Sopran) "Und daß ihrs alle wißt" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:51
33Cantata, BWV 212 "Mer hahn ein neue Oberkeet": XXIII. Rezitative (Basso, Soprano): "Mein Schatz, erraten!"
bass vocals:
Siegfried Lorenz (baritone)
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIII. Recitativo (Sopran, Bass) "Mein Schatz! erraten" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:34
34Cantata, BWV 212 "Mer hahn ein neue Oberkeet": XXIV. Chor, Duetto (Soprano, Basso): "Wir gehn nun, wo der Tudelsack"
bass vocals:
Siegfried Lorenz (baritone)
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIV. Chor (Sopran, Bass) "Wir gehn nun, wo der Tudelsack" (in 1975-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
1:25
111▶CD: Secular Cantatas, BWV 213 & 241; Laßt uns sorgen, laßt uns wachen, Herkules auf dem Scheidewege / Tönet ihr Pauken! Erschallet, Trompeten!
112▶CD: Matthäus-Passion, BWV 244 disc 1
113▶CD: Matthäus-Passion, BWV 244 disc 2
114▶CD: Matthäus-Passion, BWV 244 disc 3
115▶CD: Johannes-Passion, BWV 245 disc 1
116▶CD: Johannes-Passion, BWV 245 disc 2
117▶CD: Weihnachtsoratorium, BWV 248: Teil I, II
118▶CD: Weihnachtsoratorium, BWV 248: Teil II, IV
119▶CD: Weihnachtsoratorium, BWV 248: Teil V, VI
120▶CD: Himmelfahrts-Oratorium, BWV 11; Ich habe genug, BWV 82a; Sanctus, BWV 238
121▶CD: Tilge, Höchster, meine Sünden, BWV 1083 (nach Pergolesis's Stabat Mater), BWV 1083; BWV 118, 200, 231
122▶CD: Choräle disc 1
123▶CD: Choräle disc 2
124▶CD: Choräle disc 3
125▶CD: Choräle disc 4
126▶CD: Choräle disc 5
127▶CD: Choräle disc 6
128▶CD: Organ music 1
129▶CD: Organ music 2
130▶CD: organ music 3
131▶CD: Organ music 4
132▶CD: Organ music 5
133▶CD: Organ music 6
134▶CD: Organ music 7
135▶CD: Organ music 8
136▶CD: Organ music 9
137▶CD: Organ music 10
138▶CD: Organ music 11
139▶CD: Organ music 12
140▶CD: Organ music 13
141▶CD: Organ music 14
142▶CD: Organ music 15

Credits

Release

ASIN:US: B00L2SQVS4 [info]