The Definitive Blues Collection

~ Release by Big Joe Turner (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleRatingLength
1Flip Flop And Fly
recorded in:
New York, New York, United States (on 1955-01-28)
producer:
Ahmet Ertegun (US songwriter/producer) and Jerry Wexler
baritone saxophone:
McKinley Easton (on 1955-01-28)
bass:
Jimmy Richardson (U.S. blues bassist) (on 1955-01-28)
drums (drum set):
Red Saunders (on 1955-01-28)
guitar:
Elmore James (on 1955-01-28)
piano:
Little Johnny Jones (Chicago blues pianist) (on 1955-01-28)
trumpet:
Sonny Cohn (on 1955-01-28)
vocals:
Big Joe Turner (on 1955-01-28)
arranger:
Jesse Stone
cover recording of:
Flip, Flop & Fly (on 1955-01-28)
writer:
Charles Calhoun and Lou Willie Turner
publisher:
Hill & Range (publisher) and Unichappell Music, Inc.
52:49
2Ti-Ri-Lee
recorded in:
New York, New York, United States (on 1955-01-28)
producer:
Ahmet Ertegun (US songwriter/producer) and Jerry Wexler
baritone saxophone:
McKinley Easton (on 1955-01-28)
bass:
Jimmy Richardson (U.S. blues bassist) (on 1955-01-28)
drums (drum set):
Red Saunders (on 1955-01-28)
guitar:
Elmore James (on 1955-01-28)
piano:
Little Johnny Jones (Chicago blues pianist) (on 1955-01-28)
trumpet:
Sonny Cohn (on 1955-01-28)
vocals:
Joe Turner (on 1955-01-28)
recording of:
Ti‐Ri‐Lee (on 1955-01-28)
writer:
Ahmet Ertegun (US songwriter/producer), Big Joe Turner and Jerry Wexler
2:57
3Hide And Seek
recorded in:
New York, New York, United States (on 1955-01-28)
producer:
Ahmet Ertegun (US songwriter/producer) and Jerry Wexler
baritone saxophone:
McKinley Easton (on 1955-01-28)
bass:
Jimmy Richardson (U.S. blues bassist) (on 1955-01-28)
drums (drum set):
Red Saunders (on 1955-01-28)
guitar:
Elmore James (on 1955-01-28)
piano:
Little Johnny Jones (Chicago blues pianist) (on 1955-01-28)
trumpet:
Sonny Cohn (on 1955-01-28)
vocals:
Big Joe Turner (on 1955-01-28)
recording of:
Hide and Seek (on 1955-01-28)
writer:
Ethel Byrd and Paul Winley (songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
2:45
4The Chicken And The Hawk (Up, Up And Away)
recorded in:
New York, New York, United States
producer:
Ahmet Ertegun (US songwriter/producer) and Jerry Wexler
recording of:
The Chicken and the Hawk
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Sony/ATV Songs LLC
2:41
5Morning, Noon And Night
recorded in:
New York, New York, United States (on 1955-01-28)
producer:
Ahmet Ertegun (US songwriter/producer) and Jerry Wexler
baritone saxophone:
McKinley Easton (on 1955-01-28)
bass:
Jimmy Richardson (U.S. blues bassist) (on 1955-01-28)
drums (drum set):
Red Saunders (on 1955-01-28)
guitar:
Elmore James (on 1955-01-28)
piano:
Little Johnny Jones (Chicago blues pianist) (on 1955-01-28)
trumpet:
Sonny Cohn (on 1955-01-28)
vocals:
Big Joe Turner (on 1955-01-28)
recording of:
Morning Noon and Night (on 1955-01-28)
writer:
Charles Calhoun
2:42
6Corrine Corrina
recorded in:
New York, New York, United States (on 1956-02-04)
producer:
Ahmet Ertegun (US songwriter/producer) and Jerry Wexler
alto saxophone:
Earl Warren (on 1956-02-04)
double bass [bass]:
Lloyd Trotman (US jazz bassist) (on 1956-02-04)
drums (drum set) [drums]:
Panama Francis (US swing jazz drummer) (on 1956-02-04)
guitar:
George Barnes (on 1956-02-04) and Billy Mure (on 1956-02-04)
piano:
Ernie Hayes (American pianist, organist and arranger) (on 1956-02-04)
tenor saxophone:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (on 1956-02-04)
trumpet:
Jimmy Nottingham (on 1956-02-04) and Dick Vance (US jazz trumpeter and arranger) (on 1956-02-04)
background vocals:
The Cookies (50s girl group) (on 1956-02-04)
vocals:
Big Joe Turner (on 1956-02-04)
recording of:
Corrine, Corrina (on 1956-02-04)
lyricist:
[traditional] (special purpose artist), Armetia Chatman (blues musician, aka Bo Chatmon) (in 1929), J. Mayo ‘Ink’ Williams (in 1929) and Mitchell Parish (in 1932)
composer:
[traditional] (special purpose artist)
publisher:
Belwin-Mills Publishing Corp., EMI Music Publishing France, Progressive Music (publisher) and Gotham Music Service, Inc. (on 1932-03-18)
52:55
7Boogie Woogie Country Girl
recorded in:
New York, New York, United States (on 1955-11-03)
producer:
Ahmet Ertegun (US songwriter/producer) and Jerry Wexler
baritone saxophone:
Heywood Henry (US jazz saxophonist) (on 1955-11-03)
drums (drum set):
Connie Kay (on 1955-11-03)
piano:
Harry Van Walls (R&B pianist) (on 1955-11-03)
trombone:
Wilbur de Paris (on 1955-11-03)
vocals:
Joe Turner (on 1955-11-03)
recording of:
Boogie Woogie Country Girl (on 1955-11-03)
writer:
Reginald Ashby and Doc Pomus
publisher:
Hill & Range (publisher)
2:59
8Lipstick, Powder And Paint
recorded in:
New York, New York, United States (on 1956-02-24)
producer:
Ahmet Ertegun (US songwriter/producer) and Jerry Wexler
alto saxophone:
Earle Warren (on 1956-02-24)
bass:
Lloyd Trotman (US jazz bassist) (on 1956-02-24)
drums (drum set):
Panama Francis (US swing jazz drummer) (on 1956-02-24)
guitar:
George Barnes (on 1956-02-24) and Billy Mure (on 1956-02-24)
piano:
Ernest Hayes (American pianist, organist and arranger) (on 1956-02-24)
tenor saxophone:
Sam “The Man” Taylor (US jazz/blues saxophonist 1916-1990) (on 1956-02-24)
trumpet:
Jimmy Nottingham (on 1956-02-24) and Dick Vance (US jazz trumpeter and arranger) (on 1956-02-24)
background vocals:
The Cookies (50s girl group) (on 1956-02-24)
vocals:
Big Joe Turner (on 1956-02-24)
cover recording of:
Lipstick, Powder & Paint (on 1956-02-24)
lyricist and composer:
Jesse Stone
publisher:
Unichappell Music, Inc.
2:31
9Rock A While
recorded in:
New York, New York, United States (on 1956-02-24)
producer:
Ahmet Ertegun (US songwriter/producer) and Jerry Wexler
alto saxophone:
Earle Warren (on 1956-02-24)
bass:
Lloyd Trotman (US jazz bassist) (on 1956-02-24)
drums (drum set):
Panama Francis (US swing jazz drummer) (on 1956-02-24)
guitar:
George Barnes (on 1956-02-24) and Billy Mure (on 1956-02-24)
piano:
Ernest Hayes (American pianist, organist and arranger) (on 1956-02-24)
tenor saxophone:
Sam “The Man” Taylor (US jazz/blues saxophonist 1916-1990) (on 1956-02-24)
trumpet:
Jimmy Nottingham (on 1956-02-24) and Dick Vance (US jazz trumpeter and arranger) (on 1956-02-24)
background vocals:
The Cookies (50s girl group) (on 1956-02-24)
vocals:
Joe Turner (on 1956-02-24)
cover recording of:
Rock a While (on 1956-02-24)
composer:
Billy Nightingale
publisher:
Anne‐Rachel Music Corp.
2:04
10Midnight Special Train
recorded in:
New York, New York, United States
producer:
Ahmet Ertegun (US songwriter/producer) and Jerry Wexler
recording of:
Midnight Special Train
writer:
Ahmet Ertegun (US songwriter/producer) and Jerry Wexler
publisher:
Unichappell Music, Inc.
2:41
11Feeling Happy
recorded in:
New York, New York, United States
producer:
Ahmet Ertegun (US songwriter/producer) and Jerry Wexler
recording of:
Feeling Happy
lyricist and composer:
Big Joe Turner
2:44
12Love Roller Coaster
recorded in:
New York, New York, United States (on 1957-05-13)
producer:
Ahmet Ertegun (US songwriter/producer) and Jerry Wexler
tenor saxophone:
Choker Campbell (on 1957-05-13)
trombone:
Mel Wanzo (on 1957-05-13)
trumpet:
Phillip Guilbeau (on 1957-05-13)
vocals:
Big Joe Turner (on 1957-05-13)
recording of:
Love Roller Coaster (on 1957-05-13)
writer:
Doc Pomus, Mort Shuman (US singer, pianist & songwriter) and Big Joe Turner
1:58
13Teenage Letter
recorded in:
New York, New York, United States (on 1957-10-02)
producer:
Ahmet Ertegun (US songwriter/producer) and Jerry Wexler
alto saxophone:
Jerome Richardson (on 1957-10-02)
bass:
Lloyd Trotman (US jazz bassist) (on 1957-10-02)
drums (drum set):
Panama Francis (US swing jazz drummer) (on 1957-10-02)
guitar:
Allen Hanlon (jazz guitarist) (on 1957-10-02) and Mundell Lowe (on 1957-10-02)
piano:
Mike Stoller (on 1957-10-02)
tenor saxophone:
Sam “The Man” Taylor (US jazz/blues saxophonist 1916-1990) (on 1957-10-02)
vocals:
Big Joe Turner (on 1957-10-02)
recording of:
Teenage Letter (on 1957-10-02)
lyricist and composer:
Renald Richard
publisher:
Hill & Range (publisher)
2:30
14Jump For Joy
recorded in:
New York, New York, United States (on 1958-01-22)
producer:
Ahmet Ertegun (US songwriter/producer) and Jerry Wexler
alto saxophone:
Hilton Jefferson (on 1958-01-22)
bass:
Lloyd Trotman (US jazz bassist) (on 1958-01-22)
drums (drum set):
Panama Francis (US swing jazz drummer) (on 1958-01-22)
guitar:
George Barnes (on 1958-01-22) and Billy Mure (on 1958-01-22)
harmonica:
Michael Chimes (on 1958-01-22)
piano:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1958-01-22)
tenor saxophone:
King Curtis (saxophonist) (on 1958-01-22)
vocals:
Big Joe Turner (on 1958-01-22)
recording of:
(We’re Gonna) Jump for Joy (on 1958-01-22)
composer:
Big Joe Turner
2:11
15Tomorrow Night
recorded in:
New York, New York, United States
producer:
Jerry Leiber and Mike Stoller
cover recording of:
Tomorrow Night
writer:
Sam Coslow and Wilhelm Grosz (aka Hugh Williams)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Wilhelm Grosz Music Co
2:09

Credits

Release

manufactured in:United States
printed in:United States
manufactured by and marketed by:Rhino Entertainment Company (not for release label use!)
copyrighted (©) by and phonographic copyright (℗) by:Rhino Entertainment Company (not for release label use!) (in 2007)
Discogs:https://www.discogs.com/release/3496021 [info]
ASIN:US: B000NJLM1E [info]