Opéra baroque

~ Parution par Various Artists (afficher toutes les versions de cette parution, 1 proposée)

Liste de pistes

1▶CD : Comédie madrigalesque & madrigaux florentins
2▶DVD : L'Orfeo
3▶CD : L'incoronazione di Poppea - Disc 1
4▶CD : L'incoronazione di Poppea - Disc 2
5▶CD : L'incoronazione di Poppea - Disc 3
6▶CD : La Calisto - Disc 1
7▶CD : La Calisto - Disc 2
8▶CD : La Calisto - Disc 3
9▶CD : Griselda - Disc 1
10▶CD : Griselda - Disc 2
11▶CD : Griselda - Disc 3
12▶CD : Atys - Disc 1
13▶CD : Atys - Disc 2
14▶CD : Atys - Disc 3
15▶CD : Médée - Disc 1
16▶CD : Médée - Disc 2
17▶CD : Médée - Disc 3
18▶CD : Le Malade imaginaire
19▶CD : Idoménée - Disc 1
20▶CD : Idoménée - Disc 2
21▶CD : Idoménée - Disc 3
22▶CD : Les Indes galantes - Disc 1
23▶CD : Les Indes galantes - Disc 2
24▶CD : Les Indes galantes - Disc 3
25▶CD : Venus and Adonis
26▼CD : Dido and Aeneas
noTitreArtisteÉvaluationDurée
1Dido & Aeneas: Overture
orchestre :
Orchestra of the Age of Enlightenment
conductor :
René Jacobs (countertenor, conductor)
recording of :
Dido and Aeneas, Z. 626: Overture
compositeur :
Henry Purcell (Baroque composer) (le 1689)
éditeur :
Public Domain (refers to works that are in the public domain)
partie de :
Dido and Aeneas, Z. 626
Henry Purcell2:37
2Dido & Aeneas Act I: Shake the cloud (Belinda)
chœurs :
Choir of Clare College, Cambridge
voix de soprano :
Rosemary Joshua (soprano)
orchestre :
Orchestra of the Age of Enlightenment
conductor :
René Jacobs (countertenor, conductor)
recording of :
Dido and Aeneas, Z. 626: Act I, 1. Aria “Shake the cloud from off your brow” (Belinda) – “Banish sorrow, banish care” (Chorus)
compositeur :
Henry Purcell (Baroque composer) (le 1689)
librettiste :
Nahum Tate
partie de :
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:59
3Dido & Aeneas Act I: Ah! Belinda, I am prest (Dido)
voix de soprano :
Lynne Dawson (soprano)
orchestre :
Orchestra of the Age of Enlightenment
conductor :
René Jacobs (countertenor, conductor)
recording of :
Dido and Aeneas, Z. 626: Act I, 2. “Ah! Belinda, I am prest with torment” (Dido)
compositeur :
Henry Purcell (Baroque composer) (le 1689)
librettiste :
Nahum Tate
partie de :
Dido and Aeneas, Z. 626: Act I
Henry Purcell3:49
4Dido & Aeneas Act I: Grief increases by concealing (Belinda)
voix de soprano :
Lynne Dawson (soprano) et Rosemary Joshua (soprano)
orchestre :
Orchestra of the Age of Enlightenment
conductor :
René Jacobs (countertenor, conductor)
recording of :
Dido and Aeneas, Z. 626: Act I, 3. Recitative “Grief increases by concealing” (Belinda, Dido, Second Woman)
compositeur :
Henry Purcell (Baroque composer)
librettiste :
Nahum Tate
partie de :
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:37
5Dido & Aeneas Act I: When monarchs unite (Chorus)
chœurs :
Choir of Clare College, Cambridge
orchestre :
Orchestra of the Age of Enlightenment
conductor :
René Jacobs (countertenor, conductor)
recording of :
Dido and Aeneas, Z. 626: Act I, 4. “When monarchs unite” (Chorus)
compositeur :
Henry Purcell (Baroque composer)
librettiste :
Nahum Tate
partie de :
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:15
6Dido & Aeneas Act I: Whence could so much virtue spring? (Dido)
voix de soprano :
Lynne Dawson (soprano) et Rosemary Joshua (soprano)
orchestre :
Orchestra of the Age of Enlightenment
conductor :
René Jacobs (countertenor, conductor)
recording of :
Dido and Aeneas, Z. 626: Act I, 5. Recitative “Whence could so much virtue spring?” (Dido, Belinda, Second Woman)
compositeur :
Henry Purcell (Baroque composer) (le 1689)
librettiste :
Nahum Tate
partie de :
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:39
7Dido & Aeneas Act I: Fear no danger to ensue (Belinda, Second Woman)
chœurs :
Choir of Clare College, Cambridge
voix de soprano :
Rosemary Joshua (soprano) et María Cristina Kiehr (soprano)
orchestre :
Orchestra of the Age of Enlightenment
conductor :
René Jacobs (countertenor, conductor)
recording of :
Dido and Aeneas, Z. 626: Act I, 6. “Fear no danger to ensue” (Belinda, Second Woman, Chorus)
compositeur :
Henry Purcell (Baroque composer) (le 1689)
librettiste :
Nahum Tate
partie de :
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:26
8Dido & Aeneas Act I: See, your Royal Guest appears (Belinda)
voix de baryton :
Gerald Finley (bass-baritone)
voix de soprano :
Lynne Dawson (soprano) et Rosemary Joshua (soprano)
orchestre :
Orchestra of the Age of Enlightenment
conductor :
René Jacobs (countertenor, conductor)
recording of :
Dido and Aeneas, Z. 626: Act I, 7. Recitative “See, your royal guest appears” (Belinda, Aeneas, Dido)
compositeur :
Henry Purcell (Baroque composer) (le 1689)
librettiste :
Nahum Tate
partie de :
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:47
9Dido & Aeneas Act I: Cupid only throws the dart (Chorus)
chœurs :
Choir of Clare College, Cambridge
orchestre :
Orchestra of the Age of Enlightenment
conductor :
René Jacobs (countertenor, conductor)
recording of :
Dido and Aeneas, Z. 626: Act I, 8. “Cupid only throws the dart” (Chorus)
compositeur :
Henry Purcell (Baroque composer)
librettiste :
Nahum Tate
partie de :
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:52
10Dido & Aeneas Act I: If not for mine (Aeneas)
voix de baryton :
Gerald Finley (bass-baritone)
orchestre :
Orchestra of the Age of Enlightenment
conductor :
René Jacobs (countertenor, conductor)
recording of :
Dido and Aeneas, Z. 626: Act I, 9. Recitative “If not for mine, for empire’s sake” (Aeneas)
compositeur :
Henry Purcell (Baroque composer)
librettiste :
Nahum Tate
partie de :
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:22
11Dido & Aeneas Act I: Pursue thy conquest (Belinda)
voix de soprano :
Rosemary Joshua (soprano)
orchestre :
Orchestra of the Age of Enlightenment
conductor :
René Jacobs (countertenor, conductor)
recording of :
Dido and Aeneas, Z. 626: Act I, 10. Aria “Pursue thy conquest, love” (Belinda)
compositeur :
Henry Purcell (Baroque composer)
librettiste :
Nahum Tate
partie de :
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:47
12Dido & Aeneas Act I: To the hills and the vales (Chorus)
chœurs :
Choir of Clare College, Cambridge
orchestre :
Orchestra of the Age of Enlightenment
conductor :
René Jacobs (countertenor, conductor)
recording of :
Dido and Aeneas, Z. 626: Act I, 11. “To the hills and the vales” (Chorus)
compositeur :
Henry Purcell (Baroque composer)
librettiste :
Nahum Tate
partie de :
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:13
13Dido & Aeneas Act I: The Triumphing Dance
orchestre :
Orchestra of the Age of Enlightenment
conductor :
René Jacobs (countertenor, conductor)
recording of :
Dido and Aeneas, Z. 626: Act I, 12. The Triumphing Dance
compositeur :
Henry Purcell (Baroque composer)
éditeur :
Public Domain (refers to works that are in the public domain)
partie de :
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:11
14Dido & Aeneas Act II: Prelude for the Witches
voix de contreténor :
Dominique Visse (countertenor)
voix de soprano :
Susan Bickley (mezzo-soprano)
orchestre :
Orchestra of the Age of Enlightenment
conductor :
René Jacobs (countertenor, conductor)
recording of :
Dido and Aeneas, Z. 626: Act II, Scene I, 13. Prelude for the Witches – “Wayward sisters” (Sorceress, First Witch)
compositeur :
Henry Purcell (Baroque composer) (le 1689)
librettiste :
Nahum Tate
partie de :
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:05
15Dido & Aeneas Act II: Harm's our delight (Chorus)
chœurs :
Choir of Clare College, Cambridge
orchestre :
Orchestra of the Age of Enlightenment
conductor :
René Jacobs (countertenor, conductor)
recording of :
Dido and Aeneas, Z. 626: Act II, Scene I, 14. “Harm’s our delight” (Witches chorus)
compositeur :
Henry Purcell (Baroque composer)
librettiste :
Nahum Tate
partie de :
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:30
16Dido & Aeneas Act II: The Queen of Carthage (Sorceress)
voix de soprano :
Susan Bickley (mezzo-soprano)
orchestre :
Orchestra of the Age of Enlightenment
conductor :
René Jacobs (countertenor, conductor)
recording of :
Dido and Aeneas, Z. 626: Act II, Scene I, 15. Recitative “The Queen of Carthage, whom we hate” (Sorceress)
compositeur :
Henry Purcell (Baroque composer)
librettiste :
Nahum Tate
partie de :
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:30
17Dido & Aeneas Act II: Ho ho ho, ho ho ho! (Chorus)
chœurs :
Choir of Clare College, Cambridge
voix de contreténor :
Dominique Visse (countertenor) et Stephen Wallace (countertenor)
voix de soprano :
Susan Bickley (mezzo-soprano)
orchestre :
Orchestra of the Age of Enlightenment
conductor :
René Jacobs (countertenor, conductor)
recording of :
Dido and Aeneas, Z. 626: Act II, Scene I, 16. “Ho ho ho!” (Chorus)
compositeur :
Henry Purcell (Baroque composer)
librettiste :
Nahum Tate
partie de :
Dido and Aeneas, Z. 626: Act II
recording of :
Dido and Aeneas, Z. 626: Act II, Scene I, 17. Recitative “Ruin’d ere the set of sun?” (Two Witches, Sorceress)
compositeur :
Henry Purcell (Baroque composer)
librettiste :
Nahum Tate
partie de :
Dido and Aeneas, Z. 626: Act II
recording of :
Dido and Aeneas, Z. 626: Act II, Scene I, 18. “Ho ho ho!” (Chorus)
compositeur :
Henry Purcell (Baroque composer)
librettiste :
Nahum Tate
partie de :
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:21
18Dido & Aeneas Act II: But ere we this perform (Two Witches)
voix de contreténor :
Dominique Visse (countertenor) et Stephen Wallace (countertenor)
orchestre :
Orchestra of the Age of Enlightenment
conductor :
René Jacobs (countertenor, conductor)
recording of :
Dido and Aeneas, Z. 626: Act II, Scene I, 19. “But ere we this perform” (Two Witches)
compositeur :
Henry Purcell (Baroque composer)
librettiste :
Nahum Tate
partie de :
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:15
19Dido & Aeneas Act II: In our deep vaulted cell (Chorus)
chœurs :
Choir of Clare College, Cambridge
orchestre :
Orchestra of the Age of Enlightenment
conductor :
René Jacobs (countertenor, conductor)
recording of :
Dido and Aeneas, Z. 626: Act II, Scene I, 20. “In our deep vaulted cell” (Chorus)
compositeur :
Henry Purcell (Baroque composer)
librettiste :
Nahum Tate
partie de :
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:34
20Dido & Aeneas Act II: Echo Dance of Furies
orchestre :
Orchestra of the Age of Enlightenment
conductor :
René Jacobs (countertenor, conductor)
recording of :
Dido and Aeneas, Z. 626: Act II, Scene I, 21. Echo Dance of Furies
compositeur :
Henry Purcell (Baroque composer)
partie de :
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:03
21Dido & Aeneas Act II: Ritornelle
orchestre :
Orchestra of the Age of Enlightenment
conductor :
René Jacobs (countertenor, conductor)
recording of :
Dido and Aeneas, Z. 626: Act II, Scene II, 22. Ritornelle
compositeur :
Henry Purcell (Baroque composer)
éditeur :
Public Domain (refers to works that are in the public domain)
partie de :
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:53
22Dido & Aeneas Act II: Thanks to these lovesome vales (Belinda)
chœurs :
Choir of Clare College, Cambridge
voix de soprano :
Rosemary Joshua (soprano)
orchestre :
Orchestra of the Age of Enlightenment
conductor :
René Jacobs (countertenor, conductor)
recording of :
Dido and Aeneas, Z. 626: Act II, Scene II, 23. Aria and Chorus “Thanks to these lonesome vales” (Belinda, Chorus)
compositeur :
Henry Purcell (Baroque composer)
librettiste :
Nahum Tate
partie de :
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:43
23Dido & Aeneas Act II: Oft she visits this lov'd mountain (Second Woman)
voix de soprano :
María Cristina Kiehr (soprano)
orchestre :
Orchestra of the Age of Enlightenment
conductor :
René Jacobs (countertenor, conductor)
recording of :
Dido and Aeneas, Z. 626: Act II, Scene II, 24. Aria “Oft she visits this lone mountain” (Second Woman) / Ritornelle
compositeur :
Henry Purcell (Baroque composer) (le 1689)
librettiste :
Nahum Tate
partie de :
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:19
24Dido & Aeneas Act II: Behold, upon my bending spear (Aeneas)
voix de baryton :
Gerald Finley (bass-baritone)
voix de soprano :
Lynne Dawson (soprano)
orchestre :
Orchestra of the Age of Enlightenment
conductor :
René Jacobs (countertenor, conductor)
recording of :
Dido and Aeneas, Z. 626: Act II, Scene II, 25. Recitative “Behold, upon my bending spear” (Aeneas, Dido)
compositeur :
Henry Purcell (Baroque composer) (le 1689)
librettiste :
Nahum Tate
partie de :
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:31
25Dido & Aeneas Act II: Haste, haste to town (Belinda)
chœurs :
Choir of Clare College, Cambridge
voix de soprano :
Rosemary Joshua (soprano)
orchestre :
Orchestra of the Age of Enlightenment
conductor :
René Jacobs (countertenor, conductor)
recording of :
Dido and Aeneas, Z. 626: Act II, Scene II, 26. Aria and Chorus “Haste, haste to town” (Belinda, Chorus)
compositeur :
Henry Purcell (Baroque composer)
librettiste :
Nahum Tate
partie de :
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:43
26Dido & Aeneas Act II: Stay, Prince and hear great Jove's command (Spirit)
voix de baryton :
Gerald Finley (bass-baritone)
voix de contreténor :
Robin Blaze (countertenor)
orchestre :
Orchestra of the Age of Enlightenment
conductor :
René Jacobs (countertenor, conductor)
recording of :
Dido and Aeneas, Z. 626: Act II, Scene II, 27. Recitative “Stay, Prince, and hear great Jove’s command” (Spirit, Aeneas)
compositeur :
Henry Purcell (Baroque composer) (le 1689)
librettiste :
Nahum Tate
partie de :
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:38
27Dido & Aeneas Act II: Then since our Charmes have Sped (Chorus)
chœurs :
Choir of Clare College, Cambridge
voix de soprano :
Susan Bickley (mezzo-soprano)
orchestre :
Orchestra of the Age of Enlightenment
conductor :
René Jacobs (countertenor, conductor)
recording of :
Dido and Aeneas, Z. 626: Act II, Scene II. Chorus “Then since our charmes have sped” (Sorceress, Two Witches) (unnumbered)
compositeur :
Henry Purcell (Baroque composer)
librettiste :
Nahum Tate
partie de :
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:36
28Dido & Aeneas Act II: The Grove's Dance
orchestre :
Orchestra of the Age of Enlightenment
conductor :
René Jacobs (countertenor, conductor)
recording of :
Dido and Aeneas, Z. 626: Act II, Scene II. The Groves Dance (unnumbered, end of Act II)
compositeur :
Henry Purcell (Baroque composer)
partie de :
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:56
29Dido & Aeneas Act III: Prelude
orchestre :
Orchestra of the Age of Enlightenment
conductor :
René Jacobs (countertenor, conductor)
partiel recording of :
Dido and Aeneas, Z. 626: Act III, 28. Prelude “Come away, fellow sailors, your anchors be weighing” (First Sailor, Chorus)
compositeur :
Henry Purcell (Baroque composer) (le 1689)
librettiste :
Nahum Tate
éditeur :
Public Domain (refers to works that are in the public domain)
partie de :
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:34
30Dido & Aeneas Act III: Come away, fellow sailors (Chorus)
chœurs :
Choir of Clare College, Cambridge
voix de ténor :
John Bowen (tenor vocalist)
orchestre :
Orchestra of the Age of Enlightenment
conductor :
René Jacobs (countertenor, conductor)
partiel recording of :
Dido and Aeneas, Z. 626: Act III, 28. Prelude “Come away, fellow sailors, your anchors be weighing” (First Sailor, Chorus)
compositeur :
Henry Purcell (Baroque composer) (le 1689)
librettiste :
Nahum Tate
éditeur :
Public Domain (refers to works that are in the public domain)
partie de :
Dido and Aeneas, Z. 626: Act III
Henry Purcell0:58
31Dido & Aeneas Act III: See the flags and streamers curling (Sorceress)
voix de contreténor :
Dominique Visse (countertenor) et Stephen Wallace (countertenor)
voix de soprano :
Susan Bickley (mezzo-soprano)
orchestre :
Orchestra of the Age of Enlightenment
conductor :
René Jacobs (countertenor, conductor)
recording of :
Dido and Aeneas, Z. 626: Act III, 30. Recitative “See, the flags and streamers curling” (Sorceress, Witches)
compositeur :
Henry Purcell (Baroque composer) (le 1689)
librettiste :
Nahum Tate
partie de :
Dido and Aeneas, Z. 626: Act III
Henry Purcell0:55
32Dido & Aeneas Act III: Our next Motion (Sorceress)
voix de soprano :
Susan Bickley (mezzo-soprano)
orchestre :
Orchestra of the Age of Enlightenment
conductor :
René Jacobs (countertenor, conductor)
recording of :
Dido and Aeneas, Z. 626: Act III. Aria “Our next motion” (Sorceress) (interstitial, unnumbered, latter part of Act III, 30)
compositeur :
Henry Purcell (Baroque composer)
librettiste :
Nahum Tate
partie de :
Dido and Aeneas, Z. 626: Act III
Henry Purcell0:57
33Dido & Aeneas Act III: Destruction's our delight (Chorus)
chœurs :
Choir of Clare College, Cambridge
orchestre :
Orchestra of the Age of Enlightenment
conductor :
René Jacobs (countertenor, conductor)
recording of :
Dido and Aeneas, Z. 626: Act III, 31. “Destruction’s our delight” (Chorus)
compositeur :
Henry Purcell (Baroque composer)
librettiste :
Nahum Tate
partie de :
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:03
34Dido & Aeneas Act III: The Witches' Dance
orchestre :
Orchestra of the Age of Enlightenment
conductor :
René Jacobs (countertenor, conductor)
recording of :
Dido and Aeneas, Z. 626: Act III, 32. The Witches’ Dance
compositeur :
Henry Purcell (Baroque composer)
éditeur :
Public Domain (refers to works that are in the public domain)
partie de :
Dido and Aeneas, Z. 626: Act III
Henry Purcell2:30
35Dido & Aeneas Act III: Your counsel all is urged in vain (Dido)
voix de baryton :
Gerald Finley (bass-baritone)
voix de soprano :
Lynne Dawson (soprano) et Rosemary Joshua (soprano)
orchestre :
Orchestra of the Age of Enlightenment
conductor :
René Jacobs (countertenor, conductor)
recording of :
Dido and Aeneas, Z. 626: Act III, 33. Recitative “Your counsel all is urg’d in vain” (Dido, Belinda, Aeneas)
compositeur :
Henry Purcell (Baroque composer) (le 1689)
librettiste :
Nahum Tate
partie de :
Dido and Aeneas, Z. 626: Act III
Henry Purcell3:46
36Dido & Aeneas Act III: Great minds against themselves conspire (Chorus)
chœurs :
Choir of Clare College, Cambridge
orchestre :
Orchestra of the Age of Enlightenment
conductor :
René Jacobs (countertenor, conductor)
recording of :
Dido and Aeneas, Z. 626: Act III, 35. “Great minds against themselves conspire” (Chorus)
compositeur :
Henry Purcell (Baroque composer)
librettiste :
Nahum Tate
partie de :
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:23
37Dido & Aeneas Act III: Thy hand, Belinda (Dido)
voix de soprano :
Lynne Dawson (soprano)
orchestre :
Orchestra of the Age of Enlightenment
conductor :
René Jacobs (countertenor, conductor)
recording of :
Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido)
compositeur :
Henry Purcell (Baroque composer)
librettiste :
Nahum Tate
partie de :
Dido and Aeneas, Z. 626: Act III
Henry Purcell0:52
38Dido & Aeneas Act III: When I am laid in earth (Dido)
voix de soprano :
Lynne Dawson (soprano)
orchestre :
Orchestra of the Age of Enlightenment
conductor :
René Jacobs (countertenor, conductor)
recording of :
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido)
compositeur :
Henry Purcell (Baroque composer) (le 1689)
librettiste :
Nahum Tate
partie de :
Dido and Aeneas, Z. 626: Act III
Henry Purcell4:04
39Dido & Aeneas Act III: With dropping wings ye Cupids come (Chorus)
chœurs :
Choir of Clare College, Cambridge
orchestre :
Orchestra of the Age of Enlightenment
conductor :
René Jacobs (countertenor, conductor)
recording of :
Dido and Aeneas, Z. 626: Act III, 38. “With drooping wings” (Chorus)
compositeur :
Henry Purcell (Baroque composer) (le 1689)
librettiste :
Nahum Tate
partie de :
Dido and Aeneas, Z. 626: Act III
Henry Purcell5:18
27▶CD : Rinaldo - Disc 1
28▶CD : Rinaldo - Disc 2
29▶CD : Rinaldo - Disc 3
30▶CD : Flavio - Disc 1
31▶CD : Flavio - Disc 2
32▶DVD : Giulio Cesare - Disc 1
33▶DVD : Giulio Cesare - Disc 2
34▶CD : Ouvertüren : music for the Hamburg Opera
35▶CD : Croesus - Disc 1
36▶CD : Croesus - Disc 2
37▶CD : Croesus - Disc 3
38▶CD : Orpheus - Disc 1
39▶CD : Orpheus - Disc 2
40▶CD : Cleopatra e Cesare - Disc 1
41▶CD : Cleopatra e Cesare - Disc 2
42▶CD : Cleopatra e Cesare - Disc 3