Home to Myself / Bright Eyes / Melissa / Help Is on the Way

~ Release by Melissa Manchester (see all versions of this release, 1 available)

Tracklist

1▶CD: Home to Myself / Bright Eyes
2▼CD: Melissa / Help Is on the Way
#TitleRatingLength
1We’ve Got Time
recording engineer:
Bob Schaper
producer:
Vini Poncia
mixer:
Bill Schnee
acoustic guitar and electric guitar:
David Wolfert
bass guitar [bass]:
Cooker LoPresti
drums (drum set):
Kirk Bruner
electric piano:
James Newton Howard (American score composer)
piano and lead vocals:
Melissa Manchester
background vocals:
Melissa Manchester and Vini Poncia
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975)
mixed at:
Sound Labs in Hollywood, Los Angeles, California, United States
recording of:
We’ve Got Time
lyricist:
Carole Bayer Sager
composer:
Melissa Manchester
publisher:
Alley Music Corp., BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), EMI Blackwood Music Inc. and Trio Music Company
4?:??
2Party Music
recording engineer:
Bob Schaper
producer:
Vini Poncia
mixer:
Bill Schnee
bass guitar [bass]:
John C. LoPresti
clavinet, electric piano and synthesizer [ARP synthesizer]:
James Newton Howard (American score composer)
congas:
King Errisson (conguero)
drums (drum set) and percussion:
Kirk Bruner
electric guitar:
David Wolfert
piano and lead vocals:
Melissa Manchester
background vocals:
Lucy (Inta’) Mike (With Rhinestones)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975)
mixed at:
Sound Labs in Hollywood, Los Angeles, California, United States
recording of:
Party Music
writer:
Melissa Manchester and David Wolfert
publisher:
Rumanian Pickleworks Company (ended) and BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management)
4?:??
3Just Too Many People
recording engineer:
Bob Schaper
producer:
Vini Poncia
mixer:
Bill Schnee
acoustic guitar and electric guitar:
David Wolfert
baritone saxophone:
John Rotella (woodwind)
bass guitar [bass]:
Cooker LoPresti
drums (drum set):
Kirk Bruner
electric piano:
James Newton Howard (American score composer)
piano and lead vocals:
Melissa Manchester
tenor saxophone:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
trombone:
Lew McCreary
trumpet:
Steve Madaio
background vocals:
Melissa Manchester and Vini Poncia
conductor:
Melissa Manchester (strings)
brass [horns] arranger and strings arranger:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975)
mixed at:
Sound Labs in Hollywood, Los Angeles, California, United States
recording of:
Just Too Many People
writer:
Melissa Manchester and Vini Poncia
publisher:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management) and EMI Blackwood Music Inc.
5?:??
4Stevie’s Wonder
recording engineer:
Bob Schaper
producer:
Vini Poncia
mixer:
Bill Schnee
bass guitar [bass]:
Cooker LoPresti
cuíca, drums (drum set) and percussion:
Kirk Bruner
electric guitar:
David (Soon) Wolfert
electric piano and synthesizer [ARP synthesizer]:
James Newton Howard (American score composer)
piano, background vocals and lead vocals:
Melissa Manchester
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975)
mixed at:
Sound Labs in Hollywood, Los Angeles, California, United States
recording of:
Stevie’s Wonder
lyricist:
Carole Bayer Sager
composer:
Melissa Manchester
publisher:
Alley Music Corp., BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management) and Trio Music Company
3?:??
5This Lady’s Not Home
recording engineer:
Bob Schaper
producer:
Vini Poncia
mixer:
Bill Schnee
bass guitar [bass]:
Cooker (Loper) LoPresti
congas:
King Errisson (conguero)
drums (drum set):
Kirk Bruner
electric guitar:
David Wolfert
electric piano:
Melissa Manchester
organ:
James Newton Howard (American score composer)
soprano saxophone:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
vocals:
Melissa Manchester
strings arranger:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975)
mixed at:
Sound Labs in Hollywood, Los Angeles, California, United States
recording of:
This Lady’s Not Home
lyricist:
Carole Bayer Sager
composer:
Melissa Manchester
publisher:
Alley Music Corp., Rumanian Pickleworks Company and Trio Music Company
3?:??
6Love Having You Around
recording engineer:
Bob Schaper
producer:
Vini Poncia
mixer:
Bill Schnee
baritone saxophone:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
bass guitar [bass]:
Cooker LoPresti
clavinet and lead vocals:
Melissa Manchester
drums (drum set) and talking drum:
Kirk (Dueling Gorillas) Bruner
electric guitar:
David Wolfert
organ and piano:
James Newton Howard (American score composer)
tenor saxophone:
Gene Dinwiddie and Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
trumpet:
Steve Madaio
background vocals:
David Lasley, Melissa Manchester and Arnold McCuller
brass [horns] arranger:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975)
mixed at:
Sound Labs in Hollywood, Los Angeles, California, United States
cover recording of:
Love Having You Around
writer:
Syreeta (US singer‐songwriter active 1970s–80s) and Stevie Wonder
publisher:
Black Bull Music, Jobete Music (appears also as: Jobete Msc.) and Jobete Music Co. (in 1973)
sub-publisher:
大洋音楽 (Taiyō Music)
4?:??
7Midnight Blue
recording engineer:
Bob Schaper
producer:
Vini Poncia
mixer:
Bill Schnee
acoustic guitar and electric guitar:
David Wolfert
bass guitar [bass]:
Cooker LoPresti
drums (drum set) and percussion:
Kirk Bruner
electric piano:
James Newton Howard (American score composer)
piano and lead vocals:
Melissa Manchester
background vocals:
Melissa Manchester and Vini Poncia
strings arranger:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975)
mixed at:
Sound Labs in Hollywood, Los Angeles, California, United States
recording of:
Midnight Blue
lyricist:
Carole Bayer Sager
composer:
Melissa Manchester
publisher:
New York Times Music Corp. (publisher) (ended), Rumanian Pickleworks Company (ended), Alley Music Corp., BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management) and Trio Music Company
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4?:??
8It’s Gonna Be Alright
recording engineer:
Bob Schaper
producer:
Vini Poncia
mixer:
Bill Schnee
baritone saxophone:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
bass guitar [bass]:
Cooker LoPresti
clavinet:
James (Lil’ Jimmie) Newton Howard (American score composer)
congas:
King Errisson (conguero)
cowbell:
Don Diego Goju
drums (drum set):
Kirk Bruner
guitar:
David Wolfert
piano and lead vocals:
Melissa Manchester
tenor saxophone:
Gene Dinwiddie and Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
trumpet:
Steve Madaio
background vocals:
Melissa and “The Girls”
brass [horns] arranger:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975)
mixed at:
Sound Labs in Hollywood, Los Angeles, California, United States
recording of:
It’s Gonna Be Alright
lyricist:
Adrienne Anderson
composer:
Melissa Manchester
publisher:
Angela Music Co., BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management) and Universal Music Careers
4?:??
9I Got Eyes
recording engineer:
Bob Schaper
producer:
Vini Poncia
mixer:
Bill Schnee
acoustic guitar:
David Wolfert
bass guitar [bass]:
Cooker LoPresti
celesta and synthesizer [ARP synthesizer]:
James Newton Howard (American score composer)
electric piano and lead vocals:
Melissa Manchester
percussion:
Morton K. Salt
background vocals:
Brie, Kirk, Melissa and Vini
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975)
mixed at:
Sound Labs in Hollywood, Los Angeles, California, United States
recording of:
I Got Eyes
lyricist and composer:
Melissa Manchester
publisher:
Rumanian Pickleworks Company (ended) and BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management)
3?:??
10I Don’t Want to Hear It Anymore
recording engineer and mixer:
Bob Schaper
producer:
Vini Poncia
alto saxophone:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
piano:
Melissa Manchester
vocals:
Melissa Manchester
conductor:
Melissa Manchester (strings)
strings arranger:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
concertmaster:
Sid Sharpe
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975)
cover recording of:
I Don’t Want to Hear Anymore
lyricist and composer:
Randy Newman (American singer‐songwriter and score composer)
publisher:
EMI Unart Catalog Inc. and EMI United Partnership Ltd.
4?:??
11Talkin’ to Myself
assistant engineer:
Linda Tyler (engineer)
engineer:
Bob Schaper
producer:
Vini Poncia
soprano saxophone:
Stanley Schwartz
background vocals:
Cooker Lo Presti
vocals:
Melissa Manchester
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1976)
recorded at and mixed at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States
recording of:
Talkin’ to Myself
lyricist and composer:
Melissa Manchester
publisher:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management)
?:??
12Be Somebody
assistant engineer:
Linda Tyler (engineer)
engineer:
Bob Schaper
producer:
Vini Poncia
chimes [bell chimes]:
Kirk Bruner
electric piano:
James Newton Howard (American score composer)
electric sitar:
David Wolfert
tubular bells [orchestra bells]:
Stanley Schwartz
background vocals:
Brie Howard, Joe Bean, Steve Nelson (guitarist) and Vini Poncia
vocals:
Melissa Manchester
strings arranger:
James Newton Howard (American score composer)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1976)
recorded at and mixed at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States
recording of:
Be Somebody
writer:
Melissa Manchester, Vini Poncia and Johnny Vastano
publisher:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management) and EMI Blackwood Music Inc.
?:??
13A Fool in Love
assistant engineer:
Linda Tyler (engineer)
engineer:
Bob Schaper
producer:
Vini Poncia
additional brass [horns]:
Andrew Mackintosh (British-born saxophonist), Rich Felts, Tom Saviano and Doug Wintz
electric piano:
John Vastano
tenor saxophone:
Stanley Schwartz
background vocals:
Kirk Bruner, Lenny Castro, Cooker Lo Presti and John Vastano
vocals:
Melissa Manchester
brass [horns] arranger:
David Wolfert
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1976)
recorded at and mixed at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States
cover recording of:
A Fool in Love
writer:
Andy Fraser (English bassist, member of Free) and Frankie Miller (Scottish rock singer-songwriter)
publisher:
BMG Monarch, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Hornall Brothers Music Ltd. (limited company)
?:??
14Headlines
assistant engineer:
Linda Tyler (engineer)
engineer:
Bob Schaper
producer:
Vini Poncia
additional brass [horns]:
Rich Felts and Tom Saviano
calliope:
Stanley Schwartz
trombone:
Kirk Bruner
vocals:
Melissa Manchester
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1976)
recorded at and mixed at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States
recording of:
Headlines
lyricist and composer:
Melissa Manchester
publisher:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management)
?:??
15Help Is on the Way
assistant engineer:
Linda Tyler (engineer)
engineer:
Bob Schaper
producer:
Vini Poncia
background vocals:
Brenda L. Gooch, Theresa Hendricks, Betty Jones (backing vocalist), Jan E. Jones, Charity McCrary, Linda McCrary and Sundray Tucker
vocals:
Melissa Manchester
strings arranger:
James Newton Howard (American score composer)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1976)
recorded at and mixed at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States
recording of:
Help Is on the Way
lyricist:
Carole Bayer Sager
composer:
Melissa Manchester
publisher:
Begonia Melodies Inc. and BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management)
?:??
16Monkey See, Monkey Do
assistant engineer:
Linda Tyler (engineer)
engineer:
Bob Schaper
producer:
Vini Poncia
additional brass [horns]:
Andrew Mackintosh (British-born saxophonist), Rich Felts, Tom Saviano and Doug Wintz
tenor saxophone:
Stanley Schwartz
vocals:
Melissa Manchester
brass [horns] arranger:
Tom Saviano
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1976)
recorded at and mixed at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States
cover recording of:
Monkey See - Monkey Do
lyricist and composer:
Michael Franks
publisher:
Mississippi Mud Music Co. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
大洋音楽 (Taiyō Music)
?:??
17Dirty Work
assistant engineer:
Linda Tyler (engineer)
engineer:
Bob Schaper
producer:
Vini Poncia
background vocals:
Kirk Bruner and Lenny Castro
vocals:
Melissa Manchester
strings arranger:
James Newton Howard (American score composer)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1976)
recorded at and mixed at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States
cover recording of:
Dirty Work
writer:
Walter Becker and Donald Fagen
publisher:
American Broadcasting Music, Inc., MCA Music Ltd., Red Giant Inc., Red Giant Music, Inc., United Artists Music, Universal Music Corp. (USA, affiliated with ASCAP), Universal/MCA Music Ltd. (not for release label use!) and Wingate Music Corp.
?:??
18So’s My Old Man
assistant engineer:
Linda Tyler (engineer)
engineer:
Bob Schaper
producer:
Vini Poncia
additional brass [horns]:
Bill Petersen, Dick Hyde, Steve Madaio, Lew McCreary and Dick Nash
vibraphone:
Gary Coleman (US percussionist)
vocals:
Melissa Manchester
conductor:
Steven Cagan
orchestrator:
Steven Cagan
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1976)
recorded at and mixed at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States
recording of:
So’s My Old Man
lyricist and composer:
Melissa Manchester
publisher:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management)
?:??
19There’s More Where That Came From
assistant engineer:
Linda Tyler (engineer)
engineer:
Bob Schaper
producer:
Vini Poncia
background vocals:
Kirk Bruner and Lenny Castro
vocals:
Melissa Manchester
strings arranger:
James Newton Howard (American score composer)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1976)
recorded at and mixed at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States
recording of:
There’s More Where That Came From
lyricist:
Carole Bayer Sager
composer:
Melissa Manchester
publisher:
Alley Music Corp. and Trio Music Company
?:??
20Singing From My Soul
engineer:
Bob Schaper
producer:
Vini Poncia
harpsichord:
Stanley Schwartz
vocals:
Melissa Manchester
conductor:
Steven Cagan
orchestrator:
Steven Cagan
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1976)
recorded at:
The Burbank Studios in Burbank, California, United States
mixed at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States
recording of:
Singin’ From My Soul
lyricist:
Adrienne Anderson
writer:
Adrienne Anderson and Melissa Manchester
composer:
Melissa Manchester
publisher:
Angela Music Co., BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), EMI Longitude Music, Rumanian Pickleworks Company, Unichappell Music, Inc. and Universal Music Careers
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
?:??