Symphony no. 7 / Symphony no. 8

~ Release by Mahler; Boston Symphony Orchestra, Seiji Ozawa (see all versions of this release, 1 available)

Tracklist

1▶Blu-spec CD
2▼Blu-spec CD
#TitleArtistRatingLength
1Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus
engineer:
Henk Kooistra (dutch audio engineer) (in 1980-11)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
organ:
James Christie (US organist) (in 1980-11)
choir vocals:
Boston Boys Choir (in 1980-11) and Tanglewood Festival Chorus (in 1980-11)
solo baritone vocals:
Benjamin Luxon (baritone) (in 1980-11)
solo bass vocals:
Gwynne Howell (operatic bass) (in 1980-11)
solo contralto vocals [Alto I]:
Florence Quivar (mezzo soprano) (in 1980-11)
solo contralto vocals [Alto II]:
Lorna Myers (in 1980-11)
solo soprano vocals [Soprano I]:
Faye Robinson (soprano) (in 1980-11)
solo soprano vocals [Soprano II]:
Judith Blegen (soprano) (in 1980-11)
solo soprano vocals [Soprano III]:
Deborah Sasson (in 1980-11)
solo tenor vocals:
Kenneth Riegel (tenor) (in 1980-11)
orchestra:
Boston Symphony Orchestra (in 1980-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1980-11)
balance engineer:
Onno Scholtze (sound engineer) (in 1980-11)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-11)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus) (in 1980-11)
composer:
Gustav Mahler (Austro‐Bohemian Romantic composer) (in 1906)
librettist:
Hrabanus Maurus (Frankish Benedictine monk, theologian, poet, c. 780-856)
is based on:
Veni creator spiritus
part of:
Symphony no. 8 “Symphony of a Thousand”
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: a. Veni creator spiritus (Chor) (in 1980-11)
composer:
Gustav Mahler (Austro‐Bohemian Romantic composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler23:12
2Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: Poco adagio
engineer:
Henk Kooistra (dutch audio engineer) (in 1980-11)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
orchestra:
Boston Symphony Orchestra (in 1980-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1980-11)
balance engineer:
Onno Scholtze (sound engineer) (in 1980-11)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-11)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: a. Poco adagio (in 1980-11)
composer:
Gustav Mahler (Austro‐Bohemian Romantic composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: b. Più mosso (Allegro moderato) (in 1980-11)
composer:
Gustav Mahler (Austro‐Bohemian Romantic composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler8:52
3Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Waldung, sie schwankt heran..."
engineer:
Henk Kooistra (dutch audio engineer) (in 1980-11)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
choir vocals:
Boston Boys Choir (in 1980-11) and Tanglewood Festival Chorus (in 1980-11)
solo baritone vocals [Pater Ecstaticus]:
Benjamin Luxon (baritone) (in 1980-11)
solo bass vocals [Pater Profundus]:
Gwynne Howell (operatic bass) (in 1980-11)
orchestra:
Boston Symphony Orchestra (in 1980-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1980-11)
balance engineer:
Onno Scholtze (sound engineer) (in 1980-11)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-11)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: c. "Waldung, sie schwankt heran" (Chor und Echo) (in 1980-11)
composer:
Gustav Mahler (Austro‐Bohemian Romantic composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: d. Ewiger Wonnebrand (Pater Ecstaticus) (in 1980-11)
composer:
Gustav Mahler (Austro‐Bohemian Romantic composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus) (in 1980-11)
composer:
Gustav Mahler (Austro‐Bohemian Romantic composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor)) (in 1980-11)
composer:
Gustav Mahler (Austro‐Bohemian Romantic composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g1. "Jene Rosen, aus den Händen" (Engel - Chor) (in 1980-11)
composer:
Gustav Mahler (Austro‐Bohemian Romantic composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler13:52
4Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Uns bleibt ein Erdenrest..."
engineer:
Henk Kooistra (dutch audio engineer) (in 1980-11)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
choir vocals:
Boston Boys Choir (in 1980-11) and Tanglewood Festival Chorus (in 1980-11)
solo alto vocals:
Florence Quivar (mezzo soprano) (in 1980-11)
solo tenor vocals [Doctor Marianus]:
Kenneth Riegel (tenor) (in 1980-11)
orchestra:
Boston Symphony Orchestra (in 1980-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1980-11)
balance engineer:
Onno Scholtze (sound engineer) (in 1980-11)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-11)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g2. "Uns bleibt ein Erdenrest" (Engel - Chor mit Alto solo)) (in 1980-11)
composer:
Gustav Mahler (Austro‐Bohemian Romantic composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h1. "Ich spür' soeben" (Die jüngeren Engel - Knaben Chor)) (in 1980-11)
composer:
Gustav Mahler (Austro‐Bohemian Romantic composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h2. "Hier ist die Aussicht frei" (Doctor Marianus, Knaben Chor) (in 1980-11)
composer:
Gustav Mahler (Austro‐Bohemian Romantic composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: i. "Höchste Herrscherin der Welt" (Doctor Marianus, Chor) (in 1980-11)
composer:
Gustav Mahler (Austro‐Bohemian Romantic composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler6:19
5Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Dir, der Unberührbaren..."
engineer:
Henk Kooistra (dutch audio engineer) (in 1980-11)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
choir vocals:
Boston Boys Choir (in 1980-11) and Tanglewood Festival Chorus (in 1980-11)
solo contralto vocals [Maria Aegyptiaca]:
Lorna Myers (in 1980-11)
solo contralto vocals [Mulier Samaritana]:
Florence Quivar (mezzo soprano) (in 1980-11)
solo soprano vocals [Magna Peccatrix]:
Faye Robinson (soprano) (in 1980-11)
solo soprano vocals [Mater Gloriosa]:
Deborah Sasson (in 1980-11)
solo soprano vocals [Una Poenitentium]:
Judith Blegen (soprano) (in 1980-11)
orchestra:
Boston Symphony Orchestra (in 1980-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1980-11)
balance engineer:
Onno Scholtze (sound engineer) (in 1980-11)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-11)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium)) (in 1980-11)
composer:
Gustav Mahler (Austro‐Bohemian Romantic composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca) (in 1980-11)
composer:
Gustav Mahler (Austro‐Bohemian Romantic composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: l. "Neige, Neige, du Ohnegleiche" (Una Poenitentium) (in 1980-11)
composer:
Gustav Mahler (Austro‐Bohemian Romantic composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: m. "Er überwächst uns schon" (Knaben Chor, Una Poenitentium) (in 1980-11)
composer:
Gustav Mahler (Austro‐Bohemian Romantic composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor) (in 1980-11)
composer:
Gustav Mahler (Austro‐Bohemian Romantic composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler15:07
6Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Blicket auf..."
engineer:
Henk Kooistra (dutch audio engineer) (in 1980-11)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
choir vocals:
Boston Boys Choir (in 1980-11) and Tanglewood Festival Chorus (in 1980-11)
solo tenor vocals [Doctor Marianus]:
Kenneth Riegel (tenor) (in 1980-11)
orchestra:
Boston Symphony Orchestra (in 1980-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1980-11)
balance engineer:
Onno Scholtze (sound engineer) (in 1980-11)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-11)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor) (in 1980-11)
composer:
Gustav Mahler (Austro‐Bohemian Romantic composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler5:54
7Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche..."
engineer:
Henk Kooistra (dutch audio engineer) (in 1980-11)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
organ:
James Christie (US organist) (in 1980-11)
choir vocals:
Boston Boys Choir (in 1980-11) and Tanglewood Festival Chorus (in 1980-11)
solo baritone vocals:
Benjamin Luxon (baritone) (in 1980-11)
solo bass vocals:
Gwynne Howell (operatic bass) (in 1980-11)
solo contralto vocals [Alto I]:
Florence Quivar (mezzo soprano) (in 1980-11)
solo contralto vocals [Alto II]:
Lorna Myers (in 1980-11)
solo soprano vocals [Soprano I]:
Faye Robinson (soprano) (in 1980-11)
solo soprano vocals [Soprano II]:
Judith Blegen (soprano) (in 1980-11)
solo tenor vocals [Doctor Marianus]:
Kenneth Riegel (tenor) (in 1980-11)
orchestra:
Boston Symphony Orchestra (in 1980-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1980-11)
balance engineer:
Onno Scholtze (sound engineer) (in 1980-11)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-11)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists) (in 1980-11)
composer:
Gustav Mahler (Austro‐Bohemian Romantic composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler6:02

Credits

Release

ASIN:JP: B00PG3ULCI [info]