The Quintessence: New York - Paris - Los Angeles, 1953-1956

~ Release by Clifford Brown (see all versions of this release, 1 available)

Tracklist

1▶CD: 1953-1954
2▼CD: 1954-1956
#TitleArtistRatingLength
1Jor-Du
double bass:
George Morrow (on 1954-08-30)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1954-08-30)
piano:
Richie Powell (on 1954-08-30)
tenor saxophone:
Harold Land (US jazz tenor saxophonist) (on 1954-08-30)
trumpet:
Clifford Brown (trumpet) (on 1954-08-30)
recording of:
Jordu (on 1954-08-30)
composer:
Duke Jordan (in 1953)
The Clifford Brown–Max Roach Quintet9:51
2I Get a Kick Out of You
double bass:
George Morrow (on 1954-08-30)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1954-08-30)
piano:
Richie Powell (on 1954-08-30)
tenor saxophone:
Harold Land (US jazz tenor saxophonist) (on 1954-08-30)
trumpet:
Clifford Brown (trumpet) (on 1954-08-30)
instrumental recording of:
I Get a Kick Out of You (on 1954-08-30)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
The Clifford Brown–Max Roach Quintet8:40
3September Song
producer:
Bob Shad
double bass:
Joe Benjamin (US jazz bassist) (on 1954-12-16)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1954-12-16)
flute:
Herbie Mann (on 1954-12-16)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1954-12-16)
tenor saxophone:
Paul Quinichette (on 1954-12-16)
trumpet:
Clifford Brown (trumpet) (on 1954-12-16)
vocals:
Sarah Vaughan (on 1954-12-16)
conductor:
Ernie Wilkins (on 1954-12-16)
arranger:
Ernie Wilkins
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-12-16)
recording of:
Knickerbocker Holiday: September Song (on 1954-12-16)
lyricist:
Maxwell Anderson
composer:
Kurt Weill (composer)
publisher:
DeSylva, Brown and Henderson, Inc., Hampshire House Publishing Corp., Warner/Chappell (Warner/Chappell Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Chappell & Co. (in 1938), TRO-Hampshire House Publishing Corp. (in 1938) and Crawford Music Corp. (on 1938-09-24)
part of:
Knickerbocker Holiday (Kurt Weill musical)
Sarah Vaughan with Clifford Brown5:44
4Falling in Love With Love
cello:
Oscar Pettiford (on 1954-12-24)
drums (drum set):
Bobby Donaldson (on 1954-12-24)
flute:
Danny Bank (reeds) (on 1954-12-24)
guitar:
Barry Galbraith (on 1954-12-24)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1954-12-24)
trumpet:
Clifford Brown (trumpet) (on 1954-12-24)
vocals:
Helen Merrill (on 1954-12-24)
conductor:
Quincy Jones
arranger:
Quincy Jones
instrumental cover recording of:
Falling in Love With Love (on 1954-12-24)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Chappell & Co., Inc. (USA)
included in:
The Real Book (compilation of jazz standards, volume I)
part of:
The Boys From Syracuse
Helen Merrill with the Quincy Jones Orchestra3:53
5Stardust
double bass:
George Morrow (on 1955-01-20)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1955-01-20)
guitar:
Barry Galbraith (on 1955-01-20)
piano:
Richie Powell (on 1955-01-20)
strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1955-01-20)
trumpet:
Clifford Brown (trumpet) (on 1955-01-20)
arranger:
Neal Hefti
instrumental recording of:
Stardust (the jazz standard) (on 1955-01-20)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
Clifford Brown with Strings3:22
6Donna Lee
double bass:
Ace Tisone (on 1955-05-31)
drums (drum set):
Ellis Tollin (on 1955-05-31)
piano:
Sam Dockery (on 1955-05-31)
tenor saxophone:
Bill Root (jazz saxophonist) (on 1955-05-31)
trumpet:
Clifford Brown (trumpet) (on 1955-05-31)
instrumental recording of:
Donna Lee (on 1955-05-31)
composer:
Charles Christopher Parker, Jr (aka “Bird”, jazz alto saxophonist) and Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Atlantic Music Corp. (BMI)
Clifford Brown6:50
7I’ll Remember April
recorded in:
New York, New York, United States (on 1956-02-17)
producer:
Bob Shad
double bass:
George Morrow (on 1956-02-17)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-02-17)
piano:
Richie Powell (on 1956-02-17)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-02-17)
trumpet:
Clifford Brown (trumpet) (on 1956-02-17)
recorded at:
Capital Studios (New York) in New York, New York, United States (on 1956-02-17)
instrumental recording of:
I’ll Remember April (on 1956-02-17)
lyricist:
Patricia Johnston and Don Raye
composer:
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music Co., MCA Music Ltd., Rytvoc, Inc. (ASCAP) and Universal Music Corp. (USA, affiliated with ASCAP)
The Clifford Brown–Max Roach Quintet9:20
8What Is This Thing Called Love?
recorded in:
New York, New York, United States (on 1956-02-16)
producer:
Bob Shad
double bass:
George Morrow (on 1956-02-16)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-02-16)
piano:
Richie Powell (on 1956-02-16)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-02-16)
trumpet:
Clifford Brown (trumpet) (on 1956-02-16)
recorded at:
Capital Studios (New York) in New York, New York, United States (on 1956-02-16)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1956-02-16)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
The Clifford Brown–Max Roach Quintet7:38
9Valse Hot
recording engineer:
Rudy van Gelder
double bass:
George Morrow (on 1956-03-22)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-03-22)
piano:
Richie Powell (on 1956-03-22)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-03-22)
trumpet:
Clifford Brown (trumpet) (on 1956-03-22)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-03-22)
recording of:
Valse Hot (on 1956-03-22)
composer:
Sonny Rollins (American saxophonist)
Sonny Rollins Plus Four8:35
10Pent-Up House
recording engineer:
Rudy van Gelder
double bass:
George Morrow (on 1956-03-22)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-03-22)
piano:
Richie Powell (on 1956-03-22)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-03-22)
trumpet:
Clifford Brown (trumpet) (on 1956-03-22)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-03-22)
recording of:
Pent-Up House (on 1956-03-22)
composer:
Sonny Rollins (American saxophonist)
included in:
The Real Book (compilation of jazz standards, volume I)
Sonny Rollins Plus Four8:52