Wailin' at the Trianon

~ Release by Lionel Hampton and His Orchestra (see all versions of this release, 1 available)

Tracklist

1▼12" Vinyl
#TitleRatingLength
A1The Chase
alto saxophone:
Jay Dennis (saxophone) (on 1954-07-22)
baritone saxophone:
Oscar Estell (on 1954-07-22)
double bass:
Peter Badie (US jazz/R&B bassist) (on 1954-07-22)
drums (drum set):
Bill Eddleton (on 1954-07-22)
guitar:
Billy Mackel (on 1954-07-22)
piano:
Dwike Mitchell (on 1954-07-22)
tenor saxophone:
Edwin Frazier (on 1954-07-22) and Jay Peters (saxophone) (on 1954-07-22)
trombone:
George Cooper (trombone) (on 1954-07-22), Al Hayes (trombonist) (on 1954-07-22) and Harold Roberts (on 1954-07-22)
trumpet:
Billy Brooks (trumpet player) (on 1954-07-22), Wallace Davenport (on 1954-07-22), Ed Mullens (on 1954-07-22) and Roy Slaughter (on 1954-07-22)
woodwind:
Bobby Plater (on 1954-07-22)
orchestra:
Lionel Hampton and His Orchestra (on 1954-07-22)
phonographic copyright (℗) by:
CBS (CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia)
recorded at:
Trianon Ballroom (Chicago) in Chicago, Illinois, United States (on 1954-07-22)
?:??
A2Stardust
alto saxophone:
Jay Dennis (saxophone) (on 1954-07-22)
baritone saxophone:
Oscar Estell (on 1954-07-22)
double bass:
Peter Badie (US jazz/R&B bassist) (on 1954-07-22)
drums (drum set):
Bill Eddleton (on 1954-07-22)
guitar:
Billy Mackel (on 1954-07-22)
piano:
Dwike Mitchell (on 1954-07-22)
tenor saxophone:
Edwin Frazier (on 1954-07-22) and Jay Peters (saxophone) (on 1954-07-22)
trombone:
George Cooper (trombone) (on 1954-07-22), Al Hayes (trombonist) (on 1954-07-22) and Harold Roberts (on 1954-07-22)
trumpet:
Billy Brooks (trumpet player) (on 1954-07-22), Wallace Davenport (on 1954-07-22), Ed Mullens (on 1954-07-22) and Roy Slaughter (on 1954-07-22)
woodwind:
Bobby Plater (on 1954-07-22)
orchestra:
Lionel Hampton and His Orchestra (on 1954-07-22)
phonographic copyright (℗) by:
CBS (CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia)
recorded at:
Trianon Ballroom (Chicago) in Chicago, Illinois, United States (on 1954-07-22)
live instrumental recording of:
Stardust (the jazz standard) (on 1954-07-22)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
?:??
A3Mark VII
alto saxophone:
Jay Dennis (saxophone) (on 1954-07-22)
baritone saxophone:
Oscar Estell (on 1954-07-22)
double bass:
Peter Badie (US jazz/R&B bassist) (on 1954-07-22)
drums (drum set):
Bill Eddleton (on 1954-07-22)
guitar:
Billy Mackel (on 1954-07-22)
piano:
Dwike Mitchell (on 1954-07-22)
tenor saxophone:
Edwin Frazier (on 1954-07-22) and Jay Peters (saxophone) (on 1954-07-22)
trombone:
George Cooper (trombone) (on 1954-07-22), Al Hayes (trombonist) (on 1954-07-22) and Harold Roberts (on 1954-07-22)
trumpet:
Billy Brooks (trumpet player) (on 1954-07-22), Wallace Davenport (on 1954-07-22), Ed Mullens (on 1954-07-22) and Roy Slaughter (on 1954-07-22)
woodwind:
Bobby Plater (on 1954-07-22)
orchestra:
Lionel Hampton and His Orchestra (on 1954-07-22)
phonographic copyright (℗) by:
CBS (CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia)
recorded at:
Trianon Ballroom (Chicago) in Chicago, Illinois, United States (on 1954-07-22)
?:??
B1How High the Moon
alto saxophone:
Jay Dennis (saxophone) (on 1954-07-22)
baritone saxophone:
Oscar Estell (on 1954-07-22)
double bass:
Peter Badie (US jazz/R&B bassist) (on 1954-07-22)
drums (drum set):
Bill Eddleton (on 1954-07-22)
guitar:
Billy Mackel (on 1954-07-22)
piano:
Dwike Mitchell (on 1954-07-22)
tenor saxophone:
Edwin Frazier (on 1954-07-22) and Jay Peters (saxophone) (on 1954-07-22)
trombone:
George Cooper (trombone) (on 1954-07-22), Al Hayes (trombonist) (on 1954-07-22) and Harold Roberts (on 1954-07-22)
trumpet:
Billy Brooks (trumpet player) (on 1954-07-22), Wallace Davenport (on 1954-07-22), Ed Mullens (on 1954-07-22) and Roy Slaughter (on 1954-07-22)
woodwind:
Bobby Plater (on 1954-07-22)
orchestra:
Lionel Hampton and His Orchestra (on 1954-07-22)
phonographic copyright (℗) by:
CBS (CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia)
recorded at:
Trianon Ballroom (Chicago) in Chicago, Illinois, United States (on 1954-07-22)
live instrumental recording of:
How High the Moon (on 1954-07-22)
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
?:??
B2Love for Sale
alto saxophone:
Jay Dennis (saxophone) (on 1954-07-22)
baritone saxophone:
Oscar Estell (on 1954-07-22)
double bass:
Peter Badie (US jazz/R&B bassist) (on 1954-07-22)
drums (drum set):
Bill Eddleton (on 1954-07-22)
guitar:
Billy Mackel (on 1954-07-22)
piano:
Dwike Mitchell (on 1954-07-22)
tenor saxophone:
Edwin Frazier (on 1954-07-22) and Jay Peters (saxophone) (on 1954-07-22)
trombone:
George Cooper (trombone) (on 1954-07-22), Al Hayes (trombonist) (on 1954-07-22) and Harold Roberts (on 1954-07-22)
trumpet:
Billy Brooks (trumpet player) (on 1954-07-22), Wallace Davenport (on 1954-07-22), Ed Mullens (on 1954-07-22) and Roy Slaughter (on 1954-07-22)
woodwind:
Bobby Plater (on 1954-07-22)
orchestra:
Lionel Hampton and His Orchestra (on 1954-07-22)
phonographic copyright (℗) by:
CBS (CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia)
recorded at:
Trianon Ballroom (Chicago) in Chicago, Illinois, United States (on 1954-07-22)
live instrumental recording of:
Love for Sale (on 1954-07-22)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
?:??
B3Wailin' at the Trianon
alto saxophone:
Jay Dennis (saxophone) (on 1954-07-22)
baritone saxophone:
Oscar Estell (on 1954-07-22)
double bass:
Peter Badie (US jazz/R&B bassist) (on 1954-07-22)
drums (drum set):
Bill Eddleton (on 1954-07-22)
guitar:
Billy Mackel (on 1954-07-22)
piano:
Dwike Mitchell (on 1954-07-22)
tenor saxophone:
Edwin Frazier (on 1954-07-22) and Jay Peters (saxophone) (on 1954-07-22)
trombone:
George Cooper (trombone) (on 1954-07-22), Al Hayes (trombonist) (on 1954-07-22) and Harold Roberts (on 1954-07-22)
trumpet:
Billy Brooks (trumpet player) (on 1954-07-22), Wallace Davenport (on 1954-07-22), Ed Mullens (on 1954-07-22) and Roy Slaughter (on 1954-07-22)
woodwind:
Bobby Plater (on 1954-07-22)
orchestra:
Lionel Hampton and His Orchestra (on 1954-07-22)
phonographic copyright (℗) by:
CBS (CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia)
recorded at:
Trianon Ballroom (Chicago) in Chicago, Illinois, United States (on 1954-07-22)
?:??