The Complete Sony Recordings

~ Release by Carlo Maria Giulini (see all versions of this release, 2 available)

Tracklist

1▶CD: Symphony No. 39, K. 543 / Sinfonia Concertante, K. 297b
2▶CD: Symphonies No. 40 & 41 "Jupiter"
3▶CD: Requiem
4▶CD: Beethoven Symphonies 1 & 7
5▶CD: Beethoven Symphonies 2 & 8
6▶CD: Symphony No.3 Eroica
7▶CD: Symphonies 4 & 5
8▶CD: Symphony No. 6 "Pastoral"; Coriolan & Egmont Overtures
9▶CD: Violin Concerto / Romances For Violin And Orchestra
10▶CD: Symphonien Nr. 4 & 7 (8)
11▶CD: Symphony No. 8 (9) "The Great"
12▶CD: Missa, D 950
13▶CD: Piano Concerto
14▶CD: Symphony No.7
15▶CD: Symphony No.9 "From The New World"
16▶CD: Symphony No. 8 / Ma Mère L'oye
17▶CD: Debussy / Ravel: Orchestral Works
18▶CD: Symphony in D / Wiener Philharmoniker
19▶CD: Mussorgski: Pictures At An Exhibition Stravinsky :The Firebird Suite
20▶CD: Quattro Pezzi Sacri / Credo
21▶CD: Mass In B minor / Messe in H moll
22▼CD: Mass In B minor / Messe in H moll (2/2)
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1Symbolum Nicenum - Credo: No. 1 Chorus: "Credo in unum Deum"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:11
2Symbolum Nicenum - Credo: No. 2 Chorus: "Patrem omnipotentem"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:18
3Symbolum Nicenum - Credo: No. 3 Duet: "Et in unum Dominum"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
contralto vocals:
Jard van Nes (mezzo-soprano) (from 1994-06-02 until 1994-06-03)
soprano vocals:
Ruth Ziesak (soprano) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:10
4Symbolum Nicenum - Credo: No. 4 Chorus: "Et incarnatus est"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:33
5Symbolum Nicenum - Credo: No. 5 Chorus: "Crucifixus"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 “Weinen, Klagen, Sorgen, Zagen”: II. Coro “Weinen, Klagen, Sorgen, Zagen”
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:46
6Symbolum Nicenum - Credo: No. 6 Chorus "Et resurrexit"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:42
7Symbolum Nicenum - Credo: No. 7 Aria "Es in Spiritum Sanctum"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
bass-baritone vocals:
David Wilson‐Johnson (baritone) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:04
8Symbolum Nicenum - Credo: No. 8 Chorus: "Confiteor"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:26
9Symbolum Nicenum - Credo: No. 9 Chorus: "Et exspecto"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:18
10Chorus: "Sanctus"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:40
11Osanna, Benedictus, Agnus Dei et Dona Nobis Pacem - No. 1 Chorus I/II: "Osanna in excelsis"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:15
12Osanna, Benedictus, Agnus Dei et Dona Nobis Pacem - No. 2 Aria: "Benedictus qui venit"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
tenor vocals:
Keith Lewis (tenor) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:00
13Osanna, Benedictus, Agnus Dei et Dona Nobis Pacem - No. 3 Chorus I/II: "Osanna in excelsis" (da capo)
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:17
14Osanna, Benedictus, Agnus Dei et Dona Nobis Pacem - No. 4 Aria: "Agnus Dei"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
contralto vocals:
Jard van Nes (mezzo-soprano) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:56
15Osanna, Benedictus, Agnus Dei et Dona Nobis Pacem - No. 5 Chorus: "Dona nobis pacem"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:18

Credits

Release group

includes:Mass in B minor by Bach (Johann Sebastian Bach, German Baroque period composer & musician); Ruth Ziesak (soprano), Roberta Alexander (soprano), Jard van Nes (mezzo-soprano), Keith Lewis (tenor), David Wilson‐Johnson (baritone), Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra), Chor des Bayerischen Rundfunks (Bavarian Radio Choir), Carlo Maria Giulini (conductor)
Missa, D. 950 by Schubert (Franz Schubert, composer); Carlo Maria Giulini (conductor), Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra), Chor des Bayerischen Rundfunks (Bavarian Radio Choir), Ruth Ziesak (soprano), Andreas Schmidt (bass-baritone & teacher), Jard van Nes (mezzo-soprano), Herbert Lippert (tenor), Wolfgang Bunten (tenor)
Sacred Pieces by Vivaldi (Antonio Vivaldi, Italian baroque composer and violinist), Verdi (Giuseppe Verdi, Italian opera composer); Ernst‐Senff‐Chor, Berliner Philharmoniker (Berlin Philharmonic Orchestra), Carlo Maria Giulini (conductor)