Extraits/Excerpts: Grands Compositeurs Baroques/Great Baroque Masters

~ Veröffentlichung von Henry Purcell (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1The Fairy Queen: First Musick, Prelude / Hornpipe
recording of:
The Fairy Queen, Z. 629: First Musick, no. 1. Prelude
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
The Fairy Queen, Z. 629
recording of:
The Fairy Queen, Z. 629: First Musick, no. 2. Hornpipe (Hornpipe in g)
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
The Fairy Queen, Z. 629
2:24
2The Fairy Queen: Acte II. Choeur "May the god of Wit inspire" / Echo
Orchester:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
The Fairy Queen, Z. 629: Part II "Night and silence": "The Songsters... May the god of wit inspire"
Komponist(in):
Henry Purcell (Baroque composer) (in 1692)
Teil von:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
2:25
3The Fairy Queen: Acte II. Choeur "Now join your warbling voices all" / "Sing while we trip it" / Danse des Fées
Orchester:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
The Fairy Queen, Z. 629: Part II "Night and silence": "Echo... Now join your warbling voices all"
Komponist(in):
Henry Purcell (Baroque composer) (in 1692)
Teil von:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
2:52
4The Fairy Queen: Acte III. Dialogue entre Coridon et Mopsa
Orchester:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
The Fairy Queen, Z. 629: Act III, no. 25. Dialogue Between Coridon and Mopsa: "Now the Maids and the Men"
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
The Fairy Queen, Z. 629
3:33
5King Arthur: Acte III. Scène 2
phonographisches Urheberrecht (℗) von:
harmonia mundi s.a. (not for release label use!) (vom 1979 bis heute)
recording of:
King Arthur, Z. 628: Act III, 18. Prelude (before Act III, 19. “What ho! Thou genius of this isle”)
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
King Arthur, Z. 628: Act III
recording of:
King Arthur, Z. 628: Act III, 19. “What ho! Thou genius of this isle” (Cupid)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
John Dryden (English poet)
Teil von:
King Arthur, Z. 628: Act III
recording of:
King Arthur, Z. 628: Act III, 20. “What power art thou, who from below…” (Cold Genius)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
John Dryden (English poet)
Teil von:
King Arthur, Z. 628: Act III
recording of:
King Arthur, Z. 628: Act III, 21. “Thou doting fool” (Cupid)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
John Dryden (English poet)
Teil von:
King Arthur, Z. 628: Act III
recording of:
King Arthur, Z. 628: Act III, 22. “Great love, I know thee now” (Cold Genius)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
John Dryden (English poet)
Teil von:
King Arthur, Z. 628: Act III
recording of:
King Arthur, Z. 628: Act III, 23. “No part of my dominion shall be waste” (Cupid)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
John Dryden (English poet)
Teil von:
King Arthur, Z. 628: Act III
recording of:
King Arthur, Z. 628: Act III, 24. Prelude (before Act III, 25. “See, see, we assemble”)
Teil von:
King Arthur, Z. 628: Act III
recording of:
King Arthur, Z. 628: Act III, 25. “See, see, we assemble” (Chorus)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
John Dryden (English poet)
Teil von:
King Arthur, Z. 628: Act III
10:56
6Dido & Aeneas: Acte III. Monologue et mort de Didon
recording engineer:
Alain Duchemin (in 1985-07)
Mezzosoprangesang [Dido]:
Guillemette Laurens (mezzo-soprano) (in 1985-07)
Orchester:
Les Arts Florissants (French baroque ensemble) (in 1985-07)
conductor:
William Christie (harpsichordist and conductor) (in 1985-07)
phonographisches Urheberrecht (℗) von:
harmonia mundi s.a. (not for release label use!) (in 1986)
aufgenommen bei:
Église Saint-Martin d'Arles (Chapelle du Méjan) in Arles, Bouches-du-Rhône (Département Bouches-du-Rhône), Provence-Alpes-Côte-d'Azur, Frankreich (in 1985-07)
recording of:
Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido) (in 1985-07)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) (in 1985-07)
Komponist(in):
Henry Purcell (Baroque composer) (in 1689)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 38. “With drooping wings” (Chorus) (in 1985-07)
Komponist(in):
Henry Purcell (Baroque composer) (in 1689)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act III
8:15
7Sonate VII en mi mineur, Z.796: Adagio
Orchester:
London Baroque (founded 1978 by Charles Medlam)
recording of:
Trio Sonata of 3 parts no. 7 in E minor, Z. 796: I. Adagio
Komponist(in):
Henry Purcell (Baroque composer) (in 1683)
Teil von:
Trio Sonata in 3 parts no. 7 in E minor, Z. 796
1:35
8Sonate VII en mi mineur, Z.796: Canzona
Orchester:
London Baroque (founded 1978 by Charles Medlam)
recording of:
Trio Sonata of 3 parts no. 7 in E minor, Z. 796: II. Canzona
Komponist(in):
Henry Purcell (Baroque composer) (in 1683)
Teil von:
Trio Sonata in 3 parts no. 7 in E minor, Z. 796
1:28
9Sonate VII en mi mineur, Z.796: Largo
Orchester:
London Baroque (founded 1978 by Charles Medlam)
recording of:
Trio Sonata of 3 parts no. 7 in E minor, Z. 796: III. Largo
Komponist(in):
Henry Purcell (Baroque composer) (in 1683)
Teil von:
Trio Sonata in 3 parts no. 7 in E minor, Z. 796
1:27
10Sonate VII en mi mineur, Z.796: Grave
recording of:
Trio Sonata of 3 parts no. 7 in E minor, Z. 796: IV. Grave
Komponist(in):
Henry Purcell (Baroque composer) (in 1683)
Teil von:
Trio Sonata in 3 parts no. 7 in E minor, Z. 796
1:08
11Chacony a 4 en sol mineur, Z.730
Orchester:
London Baroque (founded 1978 by Charles Medlam)
recording of:
Chacony in G minor for 2 violins, viola and continuo, Z. 730
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
Henry Purcell: An Analytical Catalogue of His Music (Nummer: Z. 730)
4:21
12Oedipus, Z. 583 No. 2: "Music for awhile"
Bassviola und viola da gamba:
Wieland Kuijken (Belgian cellist) (in 1979-04)
Cembalo:
William Christie (harpsichordist and conductor) (in 1979-04)
Countertenorgesang:
Alfred Deller (countertenor) (in 1979-04)
recording of:
Oedipus, King of Thebes, Z. 583: II. "Music for a While" (in 1979-04)
Texter:
John Dryden (English poet)
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
Oedipus, King of Thebes, Z. 583
4:01
13King Arthur, Z. 628 No. 38: Aria "Fairest isle"
Bassviola und viola da gamba:
Wieland Kuijken (Belgian cellist) (in 1979-04)
Cembalo:
William Christie (harpsichordist and conductor) (in 1979-04)
Countertenorgesang:
Alfred Deller (countertenor) (in 1979-04)
recording of:
King Arthur, Z. 628: Act V, Scene II, 38. “Fairest Isle” (Venus) (in 1979)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
John Dryden (English poet)
Teil von:
King Arthur, Z. 628: Act V
2:45
14O Solitude, My Sweetest Choice, Z.406 (Poème Katherine Philips)
Bassviola und viola da gamba:
Jane Ryan (British classical viol player) (in 1979-04)
Orgel:
Robert Elliott (harpsichord / organist) (in 1979-04)
Countertenorgesang:
Alfred Deller (countertenor) (in 1979-04)
recording of:
O Solitude, Z. 406 (in 1979-04)
Texter:
Katherine Philips (17th century poet)
Komponist(in):
Henry Purcell (Baroque composer) (von 1684 bis 1685)
Teil von:
Henry Purcell: An Analytical Catalogue of His Music (Nummer: Z. 406)
basiert auf:
O Solitude
5:54
15Ode on St. Cecilia's Day (1683), Z.339: Ouverture
Chorgesang:
Deller Consort (UK vocal & instrumental early music ensemble) (in 1970)
Orchester:
Stour Music Festival Chamber Orchestra (in 1970)
conductor:
Alfred Deller (countertenor) (in 1970)
recording of:
Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339: Overture (in 1970)
Teil von:
Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339
2:22
16Ode on St. Cecilia's Day (1683), Z.339: Choeur "Welcome to all the pleasures"
Chorgesang:
Deller Consort (UK vocal & instrumental early music ensemble) (in 1970)
Orchester:
Stour Music Festival Chamber Orchestra (in 1970)
conductor:
Alfred Deller (countertenor) (in 1970)
recording of:
Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339: Welcome to all the Pleasures (in 1970)
Teil von:
Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339
2:12
17Ode on Queen Mary's Birthday (1692), Z.331: Ouverture
Chorgesang:
Deller Consort (UK vocal & instrumental early music ensemble) (in 1970)
Orchester:
Stour Music Festival Chamber Orchestra (in 1970)
conductor:
Alfred Deller (countertenor) (in 1970)
recording of:
Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331: Overture (in 1970)
Teil von:
Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331
4:00
18Ode on Queen Mary's Birthday (1692), Z.331: "Love's Goddess sure was blind" (alto solo)
Chorgesang:
Deller Consort (UK vocal & instrumental early music ensemble) (in 1970)
Orchester:
Stour Music Festival Chamber Orchestra (in 1970)
conductor:
Alfred Deller (countertenor) (in 1970)
recording of:
Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331: Love's goddess sure was blind (in 1970)
Teil von:
Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331
4:22
19Ode on Queen Mary's Birthday (1692), Z.331: "Sweetness of nature" (duo altos)
teilweise recording of:
Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331: Sweetness of nature / Long may she reign
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331
3:20
20Ode on Queen Mary's Birthday (1692), Z.331: "Long may she reigne" (soprano, choeur)
teilweise recording of:
Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331: Sweetness of nature / Long may she reign
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331
1:44
21Ode on Queen Mary's Birthday (1692), Z.331: "May the blest example chase" (alto solo)
Chorgesang:
Deller Consort (UK vocal & instrumental early music ensemble) (in 1970)
Orchester:
Stour Music Festival Chamber Orchestra (in 1970)
conductor:
Alfred Deller (countertenor) (in 1970)
recording of:
Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331: May her blest example chase (in 1970)
Teil von:
Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331
1:36
22Ode on Queen Mary's Birthday (1692), Z.331: "May such days" (duo altos)
Chorgesang:
Deller Consort (UK vocal & instrumental early music ensemble) (in 1970)
Orchester:
Stour Music Festival Chamber Orchestra (in 1970)
conductor:
Alfred Deller (countertenor) (in 1970)
recording of:
Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331: Many such days (in 1970)
Teil von:
Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331
2:55
23Ode on Queen Mary's Birthday (1692), Z.331: "May she to heaven late return" (choeur)
Chorgesang:
Deller Consort (UK vocal & instrumental early music ensemble) (in 1970)
Orchester:
Stour Music Festival Chamber Orchestra (in 1970)
conductor:
Alfred Deller (countertenor) (in 1970)
recording of:
Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331: May she to Heaven late return (in 1970)
Teil von:
Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331
2:47

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ASIN:US: B000NIFTDW [Info]