| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | Long, Long Journey | Leonard Feather's Esquire All-Americans | | 4:31 |
| 2 | The One That Got Away | Leonard Feather's Esquire All-Americans | | 4:23 |
| 3 | Gone With the Wind | Leonard Feather's Esquire All-Americans | | 4:35 |
| 4 | Metronome All-Out | Metronome All-Stars | | 4:16 |
| 5 | Skin Deep | Duke Ellington & His Orchestra | | 7:35 |
| 6 | How Could You Do a Thing Like That to Me? (Sultry Serenade) | Duke Ellington & His Orchestra | | 3:52 |
| 7 | Sophisticated Lady | Duke Ellington & His Orchestra | | 6:14 |
| 8 | Perdido | Duke Ellington & His Orchestra | | 4:39 |
| 9 | Caravan- alto saxophone:
- Russell Procope (am 1952-03-25) und Willie Smith (am 1952-03-25)
- baritone saxophone:
- Harry Carney (am 1952-03-25)
- Klavier:
- Duke Ellington (am 1952-03-25)
- Kontrabass:
- Wendell Marshall (am 1952-03-25)
- Posaune:
- Quentin "Butter" Jackson (am 1952-03-25) und Britt Woodman (am 1952-03-25)
- Rohrblattinstrumente:
- Jimmy Hamilton (am 1952-03-25)
- Schlagzeug:
- Louie Bellson (am 1952-03-25)
- Tenorsaxophon:
- Paul Gonzalves (am 1952-03-25)
- Trompete:
- Cat Anderson (am 1952-03-25), Willie Cook (am 1952-03-25) und Clark Terry (am 1952-03-25)
- Ventilposaune:
- Juan Tizol (am 1952-03-25)
- arranger:
- Billy Strayhorn
- aufgenommen bei:
- Civic Auditorium in Seattle, Washington, Vereinigte Staaten (am 1952-03-25)
- live recording of:
- Caravan (am 1952-03-25)
- Texter:
- Irving Mills (in 1937)
- Komponist(in):
- Duke Ellington (in 1936) und Juan Tizol (in 1936)
- publisher:
- American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. , Famous Music Corporation , Mills Music, Inc., Sony/ATV Harmony und Lafleur Music Ltd. (vom 1995-12-12 bis heute)
| Duke Ellington & His Orchestra | | 4:14 |
| 10 | Harlem Suite | Duke Ellington & His Orchestra | | 15:18 |
| 11 | The Hawk Talks | Duke Ellington & His Orchestra | | 2:53 |
| 12 | Ellington Medley: Don't Get Around Much Anymore / In a Sentimental Mood- alto saxophone:
- Russell Procope (am 1952-03-25) und Willie Smith (am 1952-03-25)
- baritone saxophone:
- Harry Carney (am 1952-03-25)
- Klavier:
- Duke Ellington (am 1952-03-25)
- Kontrabass:
- Wendell Marshall (am 1952-03-25)
- Posaune:
- Quentin "Butter" Jackson (am 1952-03-25) und Britt Woodman (am 1952-03-25)
- Rohrblattinstrumente:
- Jimmy Hamilton (am 1952-03-25)
- Schlagzeug:
- Louie Bellson (am 1952-03-25)
- Tenorsaxophon:
- Paul Gonzalves (am 1952-03-25)
- Trompete:
- Cat Anderson (am 1952-03-25), Willie Cook (am 1952-03-25) und Clark Terry (am 1952-03-25)
- Ventilposaune:
- Juan Tizol (am 1952-03-25)
- arranger:
- Billy Strayhorn
- aufgenommen bei:
- Civic Auditorium in Seattle, Washington, Vereinigte Staaten (am 1952-03-25)
- live medley including a instrumental recording of:
- (In My) Solitude (am 1952-03-25)
- Texter:
- Eddie DeLange (in 1934) und Irving Mills (in 1934)
- Komponist(in):
- Duke Ellington (in 1934)
- publisher:
- American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. und J. R. Lafleur & Son Ltd.
- live medley including a instrumental recording of:
- Don’t Get Around Much Anymore (am 1952-03-25)
- Texter:
- Bob Russell (in 1942)
- Komponist(in):
- Duke Ellington (in 1940)
- publisher:
- EMI Music , EMI Robbins Catalog Inc. , Harrison Music Corp. und Sony/ATV Harmony
- sub-publisher:
- フジパシフィックミュージック SBK事業部 und ヤマハミュージックエンタテインメントホールディングス
- übersetzte Version von:
- Æ går´ke ut så mye nu
- Version von:
- Never No Lament
- live medley including a instrumental recording of:
- I Let a Song Go Out of My Heart (am 1952-03-25)
- Texter:
- Irving Mills (in 1938), Henry Nemo (in 1938) und John Redmond (in 1938)
- Komponist(in):
- Duke Ellington (in 1938)
- enthalten in:
- The Real Book
- live medley including a instrumental recording of:
- I’m Beginning to See the Light (am 1952-03-25)
- Texter:
- Don George (in 1944)
- Verfasser(in):
- Duke Ellington
- Komponist(in):
- Duke Ellington (in 1944), Johnny Hodges (in 1944) und Harry James (in 1944)
- publisher:
- Anne‐Rachel Music Corp.
- live medley including a instrumental recording of:
- In a Sentimental Mood (am 1952-03-25)
- Texter:
- Manny Kurtz und Irving Mills
- Komponist(in):
- Duke Ellington (in 1935)
- publisher:
- American Academy of Music, Inc., Famous Music Corporation , J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music und Sony/ATV Harmony
- live medley including a instrumental recording of:
- It Don’t Mean a Thing (If It Ain’t Got That Swing) (am 1952-03-25)
- Texter:
- Irving Mills (in 1931)
- Komponist(in):
- Edward Kennedy “Duke” Ellington (in 1931-08)
- publisher:
- Duke Ellington Music und EMI Mills Music
- enthalten in:
- The Real Book
- live medley including a instrumental recording of:
- Mood Indigo (am 1952-03-25)
- Texter:
- Irving Mills (in 1930)
- Komponist(in):
- Barney Bigard (in 1930) und Duke Ellington (in 1930)
- publisher:
- Duke Ellington Music, Famous Music Corporation , Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (in 1930), EMI Music Publishing Ltd. (in 1930) und Lawrence Wright Music Co., Ltd. (in 1930)
- sub-publisher:
- ソニー・ミュージックパブリッシング CMP外国事業部 und ヤマハミュージックエンタテインメントホールディングス
- enthalten in:
- The Real Book
- live medley including a instrumental recording of:
- Prelude to a Kiss (am 1952-03-25)
- Texter:
- Irving Gordon (in 1938) und Irving Mills (in 1938)
- Komponist(in):
- Duke Ellington (in 1938)
- publisher:
- J. R. Lafleur & Son Ltd. und Lafleur Music Ltd.
| Duke Ellington & His Orchestra | | 6:55 |
| 13 | Jam With Sam | Duke Ellington & His Orchestra | | 3:40 |
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