30th Anniversary Collection: 1963-1993 (stereo)

~ Release by The Hollies (see all versions of this release, 2 available)

Annotation

Barcode (Text): 0 7777 99917 2 3
SPARS Code (Disc 1, 2): ADD
SPARS Code (Disc 3: 1, 3 to 10, 12, 18 to 20): ADD
SPARS Code (Disc 3: 2, 11, 13 to 17): AAD
Matrix / Runout (Disc 1, mirrored): 98682-2 MO RE1 (DISC1) S3513H Y 1-1-1 CAPITOL JAX
Matrix / Runout (Disc 2, mirrored): 98683-2 MO RE1 (DISC2) S3513N Y 1-1-1 CAPITOL JAX
Matrix / Runout (Disc 3, mirrored): 98684-2 MO RE1 (DISC3) S3512H Y 1-1-1 CAPITOL JAX

Annotation last modified on 2026-03-17 17:26 UTC.

Tracklist

1▶CD
2▶CD
3▼CD
#TitleRatingLength
1Dear Eloise (1993 Stereo remix)
recording of:
Dear Eloise
writer:
Allan Clarke (of The Hollies), Tony Hicks and Graham Nash
3:04
2Jennifer Eccles (1993 Stereo remix)
recording of:
Jennifer Eccles
writer:
Allan Clarke (of The Hollies) and Graham Nash
3:01
3Open Up Your Eyes (1993 Stereo remix)
recording of:
Open Up Yours Eyes
writer:
Allan Clarke (of The Hollies) and Graham Nash
2:49
4Wings (1993 Stereo remix)
recording of:
Wings
writer:
Allan Clarke (of The Hollies) and Graham Nash
3:05
5Like Everytime Before (1993 Stereo remix)
recording of:
Like Every Time Before
writer:
Allan Clarke (of The Hollies), Tony Hicks and Graham Nash
2:10
6Do the Best You Can (1993 Stereo remix)
phonographic copyright (℗) by:
The Hollies Ltd. (in 2011)
recorded at:
Chappells Studios in London (Greater London), England, United Kingdom (from 1967-05-14 until 1967-05-15)
recording of:
Do the Best You Can (from 1967-05-14 until 1967-05-15)
writer:
Allan Clarke (of The Hollies), Tony Hicks and Graham Nash
3.652:49
7Man With No Expression (1993 Stereo remix)3:25
8Listen to Me (1993 Stereo remix)
recording of:
Listen to Me
composer:
Tony Hazzard (songwriter)
2:38
9Sorry Suzanne (1993 Stereo remix)3:21
10Not That Way at All (1993 Stereo remix)
recording of:
Not That Way at All
writer:
Allan Clarke (of The Hollies)
2:50
11He Ain’t Heavy, He’s My Brother (original Stereo mix)
producer:
Ron Richards
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969) and The Hollies Ltd. (from 1969 until 1970)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1969-06-25)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 46)
cover recording of:
He Ain’t Heavy, He’s My Brother (on 1969-06-25)
writer:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) and Bobby Scott (vocals, piano, US musician & producer)
publisher:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Warner/Chappell Music Ltd. (1996–2019) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3.854:20
12Cos You Like to Love Me (1993 Stereo remix)53:00
13I Can’t Tell the Bottom From the Top (original Stereo mix)
cover recording of:
I Can't Tell the Bottom From the Top
composer:
Guy Fletcher (keyboardist) and Doug Flett (songwriter)
4:08
14Gasoline Alley Bred (original Stereo mix)
producer:
Ron Richards
phonographic copyright (℗) by:
The Hollies Ltd. (in 1970)
recording of:
Gasoline Alley Bred
composer:
Roger Cook (US‐based British singer, songwriter and producer), Roger Greenaway and Tony Macaulay
53:56
15Long Cool Woman in a Black Dress (original Stereo mix)
engineer:
John Punter
producer:
The Hollies and Ron Richards
phonographic copyright (℗) by:
The Hollies Ltd. (in 1971) and Sony BMG Music Entertainment (2004–2008) (in 1972)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1971-07-16, from 1971-07-27 until 1971-07-30)
recording of:
Long Cool Woman in a Black Dress (from 1971-07-16 until 1971-07-30)
writer:
Allan Clarke (of The Hollies), Roger Cook (US‐based British singer, songwriter and producer) and Roger Greenaway
4.153:18
16Long Dark Road (original Stereo mix)
recording of:
Long Dark Road
writer:
Tony Hicks and Kenny Lynch (English singer, songwriter, entertainer & actor)
4:17
17The Air That I Breathe (original Stereo mix)
engineer:
Mike Jarratt (recording, mixing and lacquer cutting engineer) and Alan Parsons (of The Alan Parsons Project)
producer:
The Hollies and Ron Richards
vocals:
Allan Clarke (of The Hollies) (from 1973-11-15 until 1973-11-22), Tony Hicks (from 1973-11-15 until 1973-11-22) and Terry Sylvester (singer and guitarist) (from 1973-11-15 until 1973-11-22)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012), Sony BMG Music Entertainment (2004–2008) (in 1973), The Hollies Ltd. (in 1973, in 1974, in 2008) and Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-11-15 until 1973-11-22)
cover recording of:
The Air That I Breathe (from 1973-11-15 until 1973-11-22)
writer:
Albert Hammond and Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd. and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3.84:11
18The Woman I Love (Stereo)
recording of:
The Woman I Love
lyricist and composer:
Nik Kershaw
3:36
19Nothing Else but Love (Stereo)4:09
20Purple Rain (live) (Stereo)
recorded at:
Harrogate Convention Centre in Harrogate, North Yorkshire, England, United Kingdom (in 1991)
live cover recording of:
Purple Rain (in 1991)
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Because Éditions, Controversy Music and Island Music Ltd.
5:01