The Complete Works

~ Release by Britten (see all versions of this release, 1 available)

Tracklist

1▶CD: Paul Bunyan, Op.17
2▶CD: Paul Bunyan, Op.17
3▶CD: Peter Grimes, Op.33
4▶CD: Peter Grimes, Op.33
5▶CD: The Rape of Lucretia, Op.37
6▶CD: The Rape of Lucretia, Op.37
7▶CD: Albert Herring, Op.39
8▶CD: Albert Herring, Op.39
9▶CD: Billy Budd, Op.50
10▶CD: Billy Budd, Op.50
11▶CD: Gloriana, Op.53
12▶CD: Gloriana, Op.53
13▶CD: The Turn of the Screw, Op.54
14▶CD: The Turn of the Screw, Op.54
15▶CD: A Midsummer Night's Dream, Op.64
16▼CD: A Midsummer Night's Dream, Op.64
#TitleArtistRatingLength
1A Midsummer Night's Dream, op. 64, Act 2: "Flower of this purple dye"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
baritone vocals [Demetrius]:
Thomas Hemsley (baritone) (in 1966)
countertenor vocals [Oberon]:
Alfred Deller (countertenor) (in 1966)
mezzo-soprano vocals [Hermia]:
Josephine Veasey (mezzo-soprano) (in 1966)
soprano vocals [Helena]:
Heather Harper (soprano) (in 1966)
spoken vocals [Puck]:
Stephen Terry (treble) (in 1966)
tenor vocals [Lysander]:
Peter Pears (tenor) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act II. "Flower of this purple dye" (Oberon, Puck, Lysander, Helena, Detrius, Hermia) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten6:32
2A Midsummer Night's Dream, op. 64, Act 2: "Puppet? Why so?"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
baritone vocals [Demetrius]:
Thomas Hemsley (baritone) (in 1966)
mezzo-soprano vocals [Hermia]:
Josephine Veasey (mezzo-soprano) (in 1966)
soprano vocals [Helena]:
Heather Harper (soprano) (in 1966)
spoken vocals [Puck]:
Stephen Terry (treble) (in 1966)
tenor vocals [Lysander]:
Peter Pears (tenor) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act II. "Puppet? Why so?" (Hermia, Helena, Lysander, Demetrius) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten3:05
3A Midsummer Night's Dream, op. 64, Act 2: "This is thy negligence"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
countertenor vocals [Oberon]:
Alfred Deller (countertenor) (in 1966)
spoken vocals [Puck]:
Stephen Terry (treble) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act II. "This is thy negligence" (Oberon, Puck) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten2:10
4A Midsummer Night's Dream, op. 64, Act 2: "Up and down, up and down"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
baritone vocals [Demetrius]:
Thomas Hemsley (baritone) (in 1966)
mezzo-soprano vocals [Hermia]:
Josephine Veasey (mezzo-soprano) (in 1966)
soprano vocals [Helena]:
Heather Harper (soprano) (in 1966)
spoken vocals [Puck]:
Stephen Terry (treble) (in 1966)
tenor vocals [Lysander]:
Peter Pears (tenor) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act II. "Up and down, up and down" (Puck, Lysander, Demetrius, Helena, Hermia) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten6:02
5A Midsummer Night's Dream, op. 64, Act 2: "On the ground, sleep sound"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
choir vocals:
Choir of Downside School, Purley (Purley) (in 1966) and Emanuel School Wandsworth, Boys’ Choir (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act II. "On the ground, sleep sound" (Fairies) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten3:05
6A Midsummer Night's Dream, op. 64, Act 3: "My gentle Robin, see'st thou this sweet sight?"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
countertenor vocals [Oberon]:
Alfred Deller (countertenor) (in 1966)
soprano vocals [Tytania]:
Elizabeth Harwood (soprano) (in 1966)
spoken vocals [Puck]:
Stephen Terry (treble) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "My gentle Robin, see'st thou this sweet sight?" (Oberon, Puck, Tytania) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten7:12
7A Midsummer Night's Dream, op. 64, Act 3: "Helena! Hermi! Demetrius! Lysander!"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
baritone vocals [Demetrius]:
Thomas Hemsley (baritone) (in 1966)
mezzo-soprano vocals [Hermia]:
Josephine Veasey (mezzo-soprano) (in 1966)
soprano vocals [Helena]:
Heather Harper (soprano) (in 1966)
tenor vocals [Lysander]:
Peter Pears (tenor) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "Helena! - Hermia! - Demetrius! - Lysander!" (Demetrius, Lysander, Helena, Hermia) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten4:46
8A Midsummer Night's Dream, op. 64, Act 3: "When my cue comes, call me"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
bass-baritone vocals [Bottom]:
Owen Brannigan (operatic bass) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "When my cue comes, call me" (Bottom) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten3:37
9A Midsummer Night's Dream, op. 64, Act 3: "Have you sent to Bottom's house?"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
baritone vocals [Starveling]:
Keith Raggett (in 1966)
bass vocals [Quince]:
Norman Lumsden (in 1966)
bass vocals [Snug]:
David Kelly (operatic bass) (in 1966)
bass-baritone vocals [Bottom]:
Owen Brannigan (operatic bass) (in 1966)
tenor vocals [Flute]:
Kenneth MacDonald (tenor) (in 1966)
tenor vocals [Snout]:
Robert Tear (tenor) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "Have you sent to Bottom's house?" (Rustics) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten3:10
10A Midsummer Night's Dream, op. 64, Act 3: "Now, fair Hippolyta"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
baritone vocals [Demetrius]:
Thomas Hemsley (baritone) (in 1966)
contralto vocals [Hippolyta]:
Helen Watts (contralto) (in 1966)
mezzo-soprano vocals [Hermia]:
Josephine Veasey (mezzo-soprano) (in 1966)
soprano vocals [Helena]:
Heather Harper (soprano) (in 1966)
tenor vocals [Lysander]:
Peter Pears (tenor) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "Now, fair Hyppolyta" (Theseus, Hyppolyta, Lysander, Demerius, Helena, Hermia) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten7:25
11A Midsummer Night's Dream, op. 64, Act 3: "If we offend, it is with our good will"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
baritone vocals [Demetrius]:
Thomas Hemsley (baritone) (in 1966)
baritone vocals [Starveling]:
Keith Raggett (in 1966)
bass vocals [Quince]:
Norman Lumsden (in 1966)
bass vocals [Snug]:
David Kelly (operatic bass) (in 1966)
bass-baritone vocals [Bottom]:
Owen Brannigan (operatic bass) (in 1966)
contralto vocals [Hippolyta]:
Helen Watts (contralto) (in 1966)
mezzo-soprano vocals [Hermia]:
Josephine Veasey (mezzo-soprano) (in 1966)
soprano vocals [Helena]:
Heather Harper (soprano) (in 1966)
tenor vocals [Flute]:
Kenneth MacDonald (tenor) (in 1966)
tenor vocals [Lysander]:
Peter Pears (tenor) (in 1966)
tenor vocals [Snout]:
Robert Tear (tenor) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "If we offend, it is with our good will" (Rustics) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten1:20
12A Midsummer Night's Dream, op. 64, Act 3: "Gentles, perchance you wonder at this show"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
baritone vocals [Demetrius]:
Thomas Hemsley (baritone) (in 1966)
bass vocals [Quince]:
Norman Lumsden (in 1966)
soprano vocals [Helena]:
Heather Harper (soprano) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "Gentles, perchance you wonder at this show" (Quince/Prologue) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten1:16
13A Midsummer Night's Dream, op. 64, Act 3: "In this same interlude it doth befall"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
mezzo-soprano vocals [Hermia]:
Josephine Veasey (mezzo-soprano) (in 1966)
tenor vocals [Lysander]:
Peter Pears (tenor) (in 1966)
tenor vocals [Snout]:
Robert Tear (tenor) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "In this same interlude it doth befall" (Snout/Wall) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten1:11
14A Midsummer Night's Dream, op. 64, Act 3: "O grim-look'd night, O night with hue so black"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
bass-baritone vocals [Bottom]:
Owen Brannigan (operatic bass) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "O grim-look'd night, o night with hue so black" (Bottom/Pyramus) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten1:52
15A Midsummer Night's Dream, op. 64, Act 3: "O wall, full often hast thou heard my moans"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
bass-baritone vocals [Bottom]:
Owen Brannigan (operatic bass) (in 1966)
contralto vocals [Hippolyta]:
Helen Watts (contralto) (in 1966)
tenor vocals [Flute]:
Kenneth MacDonald (tenor) (in 1966)
tenor vocals [Snout]:
Robert Tear (tenor) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "O Wall, full often hast thou heard my moans" (Flute/Thisby, Bottom/Pyramus) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten2:30
16A Midsummer Night's Dream, op. 64, Act 3: "You ladies, you whose gentle hearts do fear"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
baritone vocals [Demetrius]:
Thomas Hemsley (baritone) (in 1966)
bass vocals [Snug]:
David Kelly (operatic bass) (in 1966)
mezzo-soprano vocals [Hermia]:
Josephine Veasey (mezzo-soprano) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "You, ladies, you whose gentle hearts do fear" (Snug/Lion) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten0:47
17A Midsummer Night's Dream, op. 64, Act 3: "This lanthorn doth the horned moon present"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
baritone vocals [Demetrius]:
Thomas Hemsley (baritone) (in 1966)
baritone vocals [Starveling]:
Keith Raggett (in 1966)
bass vocals [Snug]:
David Kelly (operatic bass) (in 1966)
contralto vocals [Hippolyta]:
Helen Watts (contralto) (in 1966)
mezzo-soprano vocals [Hermia]:
Josephine Veasey (mezzo-soprano) (in 1966)
tenor vocals [Flute]:
Kenneth MacDonald (tenor) (in 1966)
tenor vocals [Lysander]:
Peter Pears (tenor) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "This lanthorn doth the hornèd Moon present" (Starveling/Moonshine, Flute/Thisby, Snug/Lion) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten1:51
18A Midsummer Night's Dream, op. 64, Act 3: "Sweet moon, I thank thee for thy sunny beams"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
baritone vocals [Demetrius]:
Thomas Hemsley (baritone) (in 1966)
bass-baritone vocals [Bottom]:
Owen Brannigan (operatic bass) (in 1966)
contralto vocals [Hippolyta]:
Helen Watts (contralto) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "Sweet Moon, I thank thee for thy sunny beams" (Bottom/Pyramus) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten1:52
19A Midsummer Night's Dream, op. 64, Act 3: "Asleep, my love?"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
bass-baritone vocals [Bottom]:
Owen Brannigan (operatic bass) (in 1966)
tenor vocals [Flute]:
Kenneth MacDonald (tenor) (in 1966)
tenor vocals [Lysander]:
Peter Pears (tenor) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "Asleep, my love?" (Flute/Thisby) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten2:32
20A Midsummer Night's Dream, op. 64, Act 3: "Come, your Bergomask"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "Come, your Bergomask" (Theseus) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten2:46
21A Midsummer Night's Dream, op. 64, Act 3: "Now the hungry lion roars"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
countertenor vocals [Oberon]:
Alfred Deller (countertenor) (in 1966)
soprano vocals [Tytania]:
Elizabeth Harwood (soprano) (in 1966)
spoken vocals [Puck]:
Stephen Terry (treble) (in 1966)
treble vocals [Fairy]:
Gordon Clark (chorus vocalist) (in 1966), Richard Dakin (in 1966), John Pryor (treble) (in 1966) and Ian Wodehouse (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "Now the hungry lion roars" (Fairies, Puck, Oberon, Tytania) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten5:04
17▶CD: Owen Wingrave, Op. 85
18▶CD: Owen Wingrave, Op. 85
19▶CD: Death in Venice, Op.88
20▶CD: Death in Venice, Op.88
21▶CD: The Beggar's Opera Realised Britten, Op. 43
22▶CD: The Beggar's Opera Realised Britten, Op. 43
23▶CD: Noye's Fludde, Op.59 / The Golden Vanity - A Vaudeville for boys & piano, Op.78
24▶CD: Curlew River, Op.71
25▶CD: The Burning Fiery Furnace, Op.77
26▶CD: The Prodigal Son - Third Parable for Church Performance
27▶CD: The Little Sweep (Let's make an opera), Op.45 / The Children's Crusade, Op.82
28▶CD: The Prince of the Pagodas, Op.57
29▶CD: The Prince of the Pagodas, Op.57 / Plymouth Town
30▶CD: Night Mail / The Tocher (Rossini Suite) / The King's Stamp / Negroes - Music from GPO Film / The Way To The Sea / Telegrams / Peace Of Britain / Men Behind The Meters / Coal Face / When You're Feeling Like Expressing Your Affection
31▶CD: Love From A Stranger / Johnson Over Jordan (Suite) / The Rescue Of Penelope
32▶CD: The Company Of Heaven / The Sword In The Stone / Russian Funeral - march for brass and percussion (1936) / / Fanfare: 'The Eagle has Two Heads' / / On The Frontier / This Way To The Tomb
33▶CD: War Requiem, Op.66
34▶CD: Spring Symphony, Op.44 / Cantata Academica, (Carmen basiliense) Op.62 / / Hymn to St. Cecilia (1942), Op.27
35▶CD: Saint Nicolas, Op.42 / 5 Flower Songs, Op. 47 / Cantata Misericordium, Op.69
36▶CD: A boy was born, Op.3 / Corpus Christi Carol / A Wealden Trio - Christmas Song of the Women / The Sycamore Tree / A Shepherd's Carol (1944) / Christ's Nativity - Christmas Suite For Chorus / Ceremony of Carols, Op.28 / The Holly and the Ivy
37▶CD
38▶CD
39▶CD
40▶CD
41▶CD
42▶CD
43▶CD
44▶CD
45▶CD
46▶CD
47▶CD
48▶CD
49▶CD
50▶CD
51▶CD
52▶CD
53▶CD
54▶CD
55▶CD
56▶CD
57▶CD
58▶CD
59▶CD
60▶CD
61▶CD
62▶CD
63▶CD
64▶CD
65▶CD: Canticle II, Abraham and Isaac, Op.51 / Songs From "Friday Afternoons", Op.7 / On this island, Op.11 / Four Cabaret Songs / Sweet Was The Song / Missa brevis, Op.63 / Piano Concerto, Op.13 / Our Hunting Fathers, Op.8
66▶DVD: The 1967 Recording Of "The Burning Fiery Furnace"