The Rock 'n' Roll Era: 1955-1956

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Rock Around the Clock
batteria :
Billy Gussak (il 1954-04-12)
chitarra :
Bill Haley (il 1954-04-12)
chitarra elettrica :
Danny Cedrone (il 1954-04-12)
chitarra steel :
William F. ‘Billy’ Williamson (il 1954-04-12)
contrabbasso :
Marshall Lytle (il 1954-04-12)
pianoforte :
Johnny Grande (il 1954-04-12)
sassofono tenore :
Joey D'Ambrosio (il 1954-04-12)
voce:
Bill Haley (il 1954-04-12)
registrazione di:
Rock Around the Clock (Bill Haley’s version) (il 1954-04-12)
paroliere e compositore:
Jimmy De Knight (nel 1952) e Max C. Freedman (American songwriter and lyricist) (nel 1952)
arrangiatore:
Harry Filler
editore:
Edward Kassner Music Co. Ltd. e Myers Music, Inc.
versione di:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley & His Comets42:13
2Long Tall Sally
batteria :
Earl Palmer (il 1956-02-07)
chitarra :
Edgar Blanchard (il 1956-02-07)
chitarra basso :
Frank Fields (il 1956-02-07)
pianoforte e voce principale:
Little Richard (il 1956-02-07)
sassofono baritono :
Alvin “Red” Tyler (American jazz saxophonist) (il 1956-02-07)
sassofono tenore :
Lee Allen (US jazz tenor saxophonist) (il 1956-02-07)
registrata presso:
J&M Music Shop in New Orleans, Louisiana, Stati Uniti (il 1956-02-07)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 13) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 56)
registrazione di:
Long Tall Sally (il 1956-02-07)
autore:
Enotris Johnson (il 1955-11-29), Richard Wayne Penniman (il 1955-11-29) e Robert Alexander Blackwell (il 1955-11-29)
editore:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music e Venice Music
Little Richard42:10
3Blue Suede Shoes
batteria :
W.S. Holland (nel 1955-12)
chitarra :
Carl Perkins (American pioneer of rockabilly music) (nel 1955-12) e Jay Perkins (nel 1955-12)
contrabbasso :
Clayton Perkins (nel 1955-12)
voce:
Carl Perkins (American pioneer of rockabilly music) (nel 1955-12)
diritti fonografici (℗) detenuti da:
Sun (US label founded in 1952) (nel 1955, dal 1956 a oggi)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 5) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 95)
registrazione di:
Blue Suede Shoes (nel 1955-12)
paroliere e compositore:
Carl Perkins (American pioneer of rockabilly music) (nel 1955)
editore:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. e Wren Music Co.
parte di:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Carl Perkins42:16
4Ain't That a Shame
produttore:
Randy Wood (producer)
voce:
Pat Boone (nel 1955-05)
direttore d'orchestra:
Billy Vaughn (nel 1955-05)
arrangiatore:
Billy Vaughn
registrata presso:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (nel 1955-05)
registrazione cover di:
Ain’t That a Shame (nel 1955-05)
autore:
Antoine Domino (Fats Domino, American singer-songwriter and pianist) e Dave Bartholomew
editore:
Commodore Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., F. Day & Hunter Ltd., Travis Music, Inc., Unart Music Corp. (nel 1955, nel 1983) e United Artists Music Ltd. (dal 1977 a oggi)
registrazione di:
Ain’t That a Shame (nel 1955)
autore:
Antoine Domino (Fats Domino, American singer-songwriter and pianist) e Dave Bartholomew
editore:
Commodore Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., F. Day & Hunter Ltd., Travis Music, Inc., Unart Music Corp. (nel 1955, nel 1983) e United Artists Music Ltd. (dal 1977 a oggi)
Pat Boone2:26
5The Great Pretender
registrata a:
Chicago, Illinois, Stati Uniti (nel 1955-09)
voce principale:
Tony Williams (lead singer for The Platters)
diritti fonografici (℗) detenuti da:
Elap Music Ltd. (a division of Pickwick Group Ltd. / a division of Carlton Home Entertainment (UK) Ltd.)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 8) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 352)
registrazione di:
The Great Pretender (nel 1955-09)
paroliere e compositore:
Buck Ram
editore:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music e Southern Music Publishing ((ASCAP) tradename Peermusic)
The Platters52:40
6Shake, Rattle and Roll
batteria :
Panama Francis (US swing jazz drummer) (il 1954-06-07)
chitarra :
Bill Haley (il 1954-06-07)
chitarra elettrica :
Danny Cedrone (il 1954-06-07)
chitarra steel :
William F. ‘Billy’ Williamson (il 1954-06-07)
contrabbasso :
Marshall Lytle (il 1954-06-07)
pianoforte :
Johnny Grande (il 1954-06-07)
sassofono tenore :
Joey D'Ambrosio (il 1954-06-07)
voce:
Bill Haley (il 1954-06-07)
registrata presso:
Pythian Temple in Lincoln Square, New York, New York, Stati Uniti (il 1954-06-07)
registrazione cover di:
Shake, Rattle and Roll (il 1954-06-07)
paroliere aggiunto:
Daryl Bosteels
autore:
Charles Calhoun e Jesse Stone
editore:
Campbell Connelly, Hill & Range (publisher), Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music e Unichappell Music, Inc.
Bill Haley & His Comets42:32
7Be Bop a Lula
batteria [drums] :
Dickie Harrell (il 1956-05-04)
chitarra [lead guitar] :
Cliff Gallup (lead guitarist for The Blue Caps) (il 1956-05-04)
chitarra [rhythm guitar] :
Willie Williams (50s rock guitarist) (il 1956-05-04)
contrabbasso [upright bass] :
Jack Neal (il 1956-05-04)
voce:
Gene Vincent (il 1956-05-04)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (dal 1956 a oggi)
registrata presso:
Owen Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, Stati Uniti (il 1956-05-04)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 9) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 102)
registrazione di:
Be‐Bop‐a‐Lula (il 1956-05-04)
autore:
Bill “Tex” Davis e Gene Vincent
editore:
Lowery Music Co. Inc.
Gene Vincent4.352:36
8Only You
pianoforte :
Buck Ram (il 1955-04-26)
voce parlata [dialogue]:
Wolfman Jack (US disc jockey) (il 1955-04-26)
voce principale:
Tony Williams (lead singer for The Platters) (il 1955-04-26)
diritti fonografici (℗) detenuti da:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (nel 1955), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1955) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1957)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 10)
registrazione di:
Only You (il 1955-04-26)
paroliere e compositore:
Buck Ram
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music e Sherwin Music (publisher) (nel 1973)
The Platters2:38
9The Saints Rock 'n' Roll
Bill Haley & His Comets3:28
10Rock With the Caveman
Tommy Steele1:56
11Tweedle Dee
Georgia Gibbs2:33
12I'll Be Home
produttore:
Randy Wood (producer)
direttore d'orchestra:
Billy Vaughn (nel 1955-12)
arrangiatore:
Billy Vaughn
registrata presso:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (nel 1955-12)
registrazione cover di:
I’ll Be Home (il 1955-12-01)
autore:
Stanley Lewis (well known 60s/70s US producer/songwriter) e Ferdinand Washington (blues and rhythm and blues songwriter)
editore:
Arc Music (U.S. rock & blues publisher), Songs of Universal, Inc. (BMI) e Spirit One Music
Pat Boone43:01
13Why Do Fools Fall in Love
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 8) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 307)
registrazione di:
Why Do Fools Fall in Love (nel 1955-11)
autore:
Morris Levy e Frankie Lymon
autore aggiunto:
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) e Herman Santiago (singer for Frankie Lymon & The Teenagers)
editore:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Frankie Lymon & The Teenagers4.52:20
14See You Later Alligator
basso :
Al Rex (il 1955-12-12)
batteria :
Ralph Jones (1950s drummer) (il 1955-12-12)
chitarra :
Bill Haley (il 1955-12-12)
chitarra elettrica :
Francis 'Franny' Beecher (il 1955-12-12)
chitarra steel :
William F. ‘Billy’ Williamson (il 1955-12-12)
pianoforte :
Johnny Grande (il 1955-12-12)
sassofono tenore :
Rudy Pompilli (il 1955-12-12)
voce:
Bill Haley (il 1955-12-12)
registrata presso:
Decca Studios (New York) in New York, New York, Stati Uniti (il 1955-12-12)
registrazione cover di:
See You Later, Alligator (il 1955-12-12)
paroliere e compositore:
Robert Guidry (nel 1955-10)
editore:
Box & Cox Publications
Bill Haley & His Comets42:47
15I'm in Love Again
produttore:
Dave Bartholomew
diritti fonografici (℗) detenuti da:
Everest Records (classical) e EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1991)
registrata presso:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans, Louisiana, Stati Uniti
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 6)
registrazione di:
I’m in Love Again (il 1955-10-15)
autore:
Antoine Dominique Domino (Fats Domino, American singer-songwriter and pianist) e Dave Bartholomew
Fats Domino52:01
16Giddy-Up-A-Ding-Dong
Freddie Bell & the Bell Boys2:01
17The Green Door
registrazione di:
Green Door
paroliere:
Marvin Moore (songwriter, best known for “Four Walls” and “The Green Door”)
compositore:
Bob Davie
Jim Lowe2:15
18Rock-A-Beatin' Boogie
Bill Haley & His Comets2:20
19Singing the Blues
diritti fonografici (℗) detenuti da:
PolyGram Special Products (for USA releases)
registrazione cover di:
Singing the Blues
paroliere e compositore:
Melvin Endsley (nel 1956)
editore:
Acuff Rose Opryland Ltd. (UK) e Acuff-Rose Music Limited (UK)
Tommy Steele42:25
20I Almost Lost My Mind
registrazione di:
I Almost Lost My Mind
paroliere e compositore:
Ivory Joe Hunter (American rhythm and blues singer, songwriter and pianist)
editore:
Hill and Range (publisher) e St. Louis Music Corp.
Pat Boone2:39
21My Prayer
registrata a:
New York, New York, Stati Uniti (nel 1956-04)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1956)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 20)
registrazione cover di:
My Prayer (nel 1956-04)
paroliere:
Jimmy Kennedy (Irish songwriter)
compositore:
Georges Boulanger (Romani-Romanian violinist, conductor, composer)
editore:
J. Albert & Son Pty. Ltd., Peter Maurice Music, Skidmore Music Co., Inc., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
si basa su:
Avant de mourir
The Platters42:45
22Rock Island Line
registrazione di:
Rock Island Line
paroliere e compositore:
Clarence Wilson
editore:
Folkways Music Publishers Inc.
parte di:
Roud Folk Song Index (numero: 15211)
Lonnie Donegan2:30
23Earth Angel
registrazione cover di:
Earth Angel (Will You Be Mine)
autore:
Jesse Belvin, Gaynel Hodge (doo-wop singer and songwriter), Curtis Williams (1950s doo-wop singer, member of The Penguins) e Dootsie Williams (band leader, record producer and record label owne)
editore:
Dootsie Williams Music (publisher) (nel 1986)
parte di:
Back to the Future: the Musical
The Crew-Cuts32:56
24Blueberry Hill
produttore:
Dave Bartholomew
diritti fonografici (℗) detenuti da:
Everest Records (classical), Liberty (a division of UMG Recordings, Inc.) (nel 1957) e EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1991)
registrata presso:
Master Recorders in Hollywood, Los Angeles, California, Stati Uniti
edit di:
Blueberry Hill (Imperial) di Fats Domino (American singer-songwriter and pianist)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 81) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 147)
registrazione cover di:
Blueberry Hill (il 1956-06-27)
paroliere:
Al Lewis (Tin Pan Alley era lyricist) e Larry Stock
autore:
Al Lewis (Tin Pan Alley era lyricist), Vincent Rose (early-20th century violinist, pianist, composer & bandleader) e Larry Stock
compositore:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company e Victoria Music Publishing Co. Ltd.
parte di:
12 Monkeys Soundtrack
Fats Domino4.652:20

Accreditamenti

Gruppo di pubblicazioni

parte di:The Rock 'n' Roll Era (Time-Life Music) (numero: TL516/07) (ordine: 66)
Discogs:https://www.discogs.com/master/404000 [info]