Tracklist

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1Lobe den Herren, den mächtigen König der Ehren, BWV 137: No. 1, Chor. "Lobe den Herren, den mächtigen König der Ehren"
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren": I. Coro "Lobe den Herren, den mächtigen König der Ehren"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Joachim Neander (in 1680)
part of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren"
Johann Sebastian Bach3:36
2Lobe den Herren, den mächtigen König der Ehren, BWV 137: No. 2, Aria. "Lobe den Herren, der alles so herrlich regieret"
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren": II. Aria (Alt) "Lobe den Herren, den mächtigen König der Ehren"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Joachim Neander (in 1680)
part of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren"
Johann Sebastian Bach4:26
3Lobe den Herren, den mächtigen König der Ehren, BWV 137: No. 3, Duett. "Lobe den Herren, der künstlich und fein dich bereitet"
bass vocals:
Kieth Engen (operatic bass)
soprano vocals:
Chloë Owen (American soprano)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren": III. Aria (Sopran, Bass) "Lobe den Herren, den mächtigen König der Ehren"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Joachim Neander (in 1680)
part of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren"
Johann Sebastian Bach4:58
4Lobe den Herren, den mächtigen König der Ehren, BWV 137: No. 4, Aria. "Lobe den Herren, der deinen Stand sichtbar gesegnet"
tenor vocals:
Gert Lutze (German tenor)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren": IV. Aria (Tenor) "Lobe den Herren, den mächtigen König der Ehren"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Joachim Neander (in 1680)
part of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren"
Johann Sebastian Bach2:59
5Lobe den Herren, den mächtigen König der Ehren, BWV 137: No. 5, Choral. "Lobe den Herren, was in mir ist, lobe den Namen"
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren": V. Choral "Lobe den Herren, den mächtigen König der Ehren"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Joachim Neander (in 1680)
part of:
Breitkopf 389 Choralgesänge (number: 230)
part of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren"
Johann Sebastian Bach1:14
6Wachet auf, ruft uns die Stimme, BWV 140: No. 1, Chor. "Wachet auf, ruft uns die Stimme"
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme”
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
adaptations:
Prelude to Peace
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach9:54
7Wachet auf, ruft uns die Stimme, BWV 140: No. 2, Rezitativ. "Er kommt, er kommt"
tenor vocals:
Gert Lutze (German tenor)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: II. Recitativo (Tenor) “Er kommt, er kommt, der Bräutgam kommt!”
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach1:07
8Wachet auf, ruft uns die Stimme, BWV 140: No. 3, Duett. "Wann kommst du, mein Heil"
bass vocals:
Kieth Engen (operatic bass)
soprano vocals:
Chloë Owen (American soprano)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: III. Aria (Sop, Bass) “Wann kömmst du, mein Heil?”
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach8:14
9Wachet auf, ruft uns die Stimme, BWV 140: No. 4, Choral. "Zion hört die Wächter singen"
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen”
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach6:12
10Wachet auf, ruft uns die Stimme, BWV 140: No. 5, Rezitativ. "So geh herein zu mir"
bass vocals:
Kieth Engen (operatic bass)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: V. Recitativo (Bass) “So geh herein zu mir”
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach2:03
11Wachet auf, ruft uns die Stimme, BWV 140: No. 6, Duett. "Mein Freund ist mein!"
bass vocals:
Kieth Engen (operatic bass)
soprano vocals:
Chloë Owen (American soprano)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VI. Aria (Sop, Bass) “Mein Freund ist mein”
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach4:39
12Wachet auf, ruft uns die Stimme, BWV 140: No. 7, Choral. "Gloria sei dir gesungen"
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VII. Choral “Gloria sei dir gesungen”
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
lyricist:
Philipp Nicolai
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 329)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach2:10
13Gott der Herr ist Sonn und Schild, BWV 79: No. 1, Chor. "Gott, der Herr, ist Sonn und Schild"
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": I. Coro "Gott der Herr ist Sonn und Schild"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach5:58
14Gott der Herr ist Sonn und Schild, BWV 79: No. 2, Aria. "Gott ist unser Sonn und Schild"
alto vocals:
Beatrice Krebs (mezzo-soprano)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": II. Aria (Alt) "Gott ist unser Sonn und Schild!"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach4:09
15Gott der Herr ist Sonn und Schild, BWV 79: No. 3, Chor. "Nun danket alle Gott"
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": III. Choral "Nun danket alle gott'"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Martin Rinckart (German poet) (in 1636)
part of:
Breitkopf 389 Choralgesänge (number: 259)
is based on:
Nun danket alle Gott (Lutheran choral)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach3:15
16Gott der Herr ist Sonn und Schild, BWV 79: No. 4, Rezitativ. "Gottlob, wir wissen den rechten Weg"
bass vocals:
Kieth Engen (operatic bass)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": IV. Recitativo (Bass) "Gottlob, wir wissen den rechten Weg"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach1:30
17Gott der Herr ist Sonn und Schild, BWV 79: No. 5, Aria. "Gott, ach Gott, verlaß die Deinen nimmermehr"
bass vocals:
Kieth Engen (operatic bass)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": V. Aria (Duetto Sopran, Bass) "Gott, ach Gott, verlaß die Deinen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach4:09
18Gott der Herr ist Sonn und Schild, BWV 79: No. 6, Choral. "Erhalt uns in der Wahrheit"
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": VI. Choral "Erhalt uns in der Wahrheit"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Ludwig Helmbold (in 1575)
part of:
Breitkopf 389 Choralgesänge (number: 267)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach1:07
19Weinen, Klagen, Sorgen, Zagen, BWV 12: No. 1, Sinfonia
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 12 “Weinen, Klagen, Sorgen, Zagen”: I. Sinfonia
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach3:06
20Weinen, Klagen, Sorgen, Zagen, BWV 12: No. 2, Chor. "Weinen, Klagen, Sorgen, Zagen"
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 12 “Weinen, Klagen, Sorgen, Zagen”: II. Coro “Weinen, Klagen, Sorgen, Zagen”
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach9:28
21Weinen, Klagen, Sorgen, Zagen, BWV 12: No. 3, Rezitativ. "Wir müssen durch viel Trübsal"
alto vocals:
Beatrice Krebs (mezzo-soprano)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": III. Recitativo (Alto) "Wir müssen durch viel Trübsal"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach1:20
22Weinen, Klagen, Sorgen, Zagen, BWV 12: No. 4, Aria. "Kreuz und Krone sind verbunden"
alto vocals:
Beatrice Krebs (mezzo-soprano)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": IV. Aria "Kreuz und Krone sind verbunden" (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": IV. Aria (Alto) "Kreuz und Krone sind verbunden"
Johann Sebastian Bach8:52
23Weinen, Klagen, Sorgen, Zagen, BWV 12: No. 5, Aria. "Ich folge Christo nach"
bass vocals:
Kieth Engen (operatic bass)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": V. Aria (Basso) "Ich folge Christo nach"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach2:42
24Weinen, Klagen, Sorgen, Zagen, BWV 12: No. 6, Aria. "Sei getreu, alle Pein"
tenor vocals:
Gert Lutze (German tenor)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VI. Aria (Tenore) "Sei getreu, alle Pein wird doch nur ein Kleines sein"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach5:06
25Weinen, Klagen, Sorgen, Zagen, BWV 12: No. 7, Choral. "Was Gott tut, das ist wohlgetan"
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VII. Choral "Was Gott tut, das ist wohlgetan"
lyricist:
Samuel Rodigast (German poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Breitkopf 389 Choralgesänge (number: 340)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach1:16
26Ich weiß, daß mein Erlöser lebt, TWV 1:877: No. 1, Aria. "Ich weiß, daß mein Erlöser lebt" (Formerly Attributed to JS Bach as BWV 160)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Cantata "Ich weiss, dass mein Erlöser lebt", TWV 1:877 : I. Aria (tenor). "Ich weiß, daß mein Erlöser lebt"
composer:
Georg Philipp Telemann (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, "Ich weiss, dass mein Erlöser lebt", TWV 1:877 (formerly BWV 160)
Johann Sebastian Bach4:02
27Ich weiß, daß mein Erlöser lebt, TWV 1:877: No. 2, Rezitativ. "Er lebt und ist von Todten auferstanden!" (Formerly Attributed to JS Bach as BWV 160)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Cantata "Ich weiss, dass mein Erlöser lebt", TWV 1:877 : II. Recitative (tenor). "Er lebt und ist von Toten auferstanden"
composer:
Georg Philipp Telemann (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, "Ich weiss, dass mein Erlöser lebt", TWV 1:877 (formerly BWV 160)
Johann Sebastian Bach4:24
28Ich weiß, daß mein Erlöser lebt, TWV 1:877: No. 3, Aria. "Gott Lob, daß mein Erlöser lebt" (Formerly Attributed to JS Bach as BWV 160)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Cantata "Ich weiss, dass mein Erlöser lebt", TWV 1:877 : III. Aria (tenor). "Gott Lob! Daß mein Erlöser lebt"
composer:
Georg Philipp Telemann (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, "Ich weiss, dass mein Erlöser lebt", TWV 1:877 (formerly BWV 160)
Johann Sebastian Bach2:43
29Ich weiß, daß mein Erlöser lebt, TWV 1:877: No. 4, Rezitativ. "So biet' ich allen Teufeln Trutz!" (Formerly Attributed to JS Bach as BWV 160)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Cantata "Ich weiss, dass mein Erlöser lebt", TWV 1:877 : IV. Recitative (tenor). "So biet ich allen Teufeln Trutz"
composer:
Georg Philipp Telemann (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, "Ich weiss, dass mein Erlöser lebt", TWV 1:877 (formerly BWV 160)
Johann Sebastian Bach1:21
30Ich weiß, daß mein Erlöser lebt, TWV 1:877: No. 5, Aria. "Nun, ich halte mich bereit" (Formerly Attributed to JS Bach as BWV 160)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Cantata "Ich weiss, dass mein Erlöser lebt", TWV 1:877 : V. Aria (tenor). "Nun, ich halte mich bereit"
composer:
Georg Philipp Telemann (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, "Ich weiss, dass mein Erlöser lebt", TWV 1:877 (formerly BWV 160)
Johann Sebastian Bach2:49
31Christ lag in Todes Banden, BWV 4: No. 1, Sinfonia
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: I. Sinfonia
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:33
32Christ lag in Todes Banden, BWV 4: No. 2, Chor. "Christ lag in Todes Banden"
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: II. Chor Versus I „Christ lag in Todes Banden“
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach4:53
33Christ lag in Todes Banden, BWV 4: No. 3, Chor. "Den Tod niemand zwingen kunnt"
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: III. Duett (Sopran, Alt) Versus II „Den Tod niemand zwingen kunnt“
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach4:34
34Christ lag in Todes Banden, BWV 4: No. 4, Chor. "Jesus Christus, Gottes Sohn"
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: IV. Arie (Tenor) Versus III „Jesus Christus, Gottes Sohn“
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:13
35Christ lag in Todes Banden, BWV 4: No. 5, Chor. "Es war ein wunderlicher Krieg"
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: V. Chor Versus IV „Es war ein wunderlicher Krieg“
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:37
36Christ lag in Todes Banden, BWV 4: No. 6, Aria. "Hier ist das rechte Osterlamm"
bass vocals:
Kieth Engen (operatic bass)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VI. Arie (Bass) Versus V „Hier ist das rechte Osterlamm“
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach4:24
37Christ lag in Todes Banden, BWV 4: No. 7, Duett. "So feiern wir das hohe Fest"
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VII. Duett (Sopran, Tenor) Versus VI „So feiern wir das hohe Fest“
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:23
38Christ lag in Todes Banden, BWV 4: No. 8, Chorale. "Wir essen und leben wohl"
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VIII. Choral Versus VII „Wir essen und leben wohl“
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 41)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:17
39Halt im Gedächtnis Jesum Christ, BWV 67: No. 1, Chor. "Halt im Gedächtnis Jesum Christ"
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1958)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1958)
recorded at:
Haus des Sports in München (Munich), Bayern (Bavaria), Germany
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": I. Coro "Halt im Gedächtnis Jesum Christ" (in 1958-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
Johann Sebastian Bach3:43
40Halt im Gedächtnis Jesum Christ, BWV 67: No. 2, Aria. "Mein Jesus ist erstanden"
tenor vocals:
Peter Pears (tenor)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1958)
recorded at:
Haus des Sports in München (Munich), Bayern (Bavaria), Germany
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": II. Aria (Tenor) "Mein Jesus ist erstanden" (in 1958-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
Johann Sebastian Bach2:42
41Halt im Gedächtnis Jesum Christ, BWV 67: No. 3, Rezitativ. "Mein Jesu, heißest du des Todes Gift"
alto vocals:
Lilian Benningsen (austrian operatic mezzo-soprano and contralto)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1958)
recorded at:
Haus des Sports in München (Munich), Bayern (Bavaria), Germany
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": III. Recitativo (Alt) "Mein Jesu, heißest du des Todes Gift" (in 1958-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
Johann Sebastian Bach0:51
42Halt im Gedächtnis Jesum Christ, BWV 67: No. 4, Chor. "Erschienen ist der herrlich Tag"
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1958)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1958)
recorded at:
Haus des Sports in München (Munich), Bayern (Bavaria), Germany
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": IV. Choral "Erschienen ist der herrlich Tag" (in 1958-04)
lyricist:
Nikolaus Herman
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 83)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
Johann Sebastian Bach0:46
43Halt im Gedächtnis Jesum Christ, BWV 67: No. 5, Rezitativ. "Doch scheinet fast"
alto vocals:
Lilian Benningsen (austrian operatic mezzo-soprano and contralto)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1958)
recorded at:
Haus des Sports in München (Munich), Bayern (Bavaria), Germany
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": V. Recitativo (Alt) "Doch scheinet fast" (in 1958-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
Johann Sebastian Bach1:21
44Halt im Gedächtnis Jesum Christ, BWV 67: No. 6, Aria & Chorus. "Friede sei mit euch"
bass vocals:
Kieth Engen (operatic bass)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1958)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1958)
recorded at:
Haus des Sports in München (Munich), Bayern (Bavaria), Germany
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": VI. Aria (Bass, Coro) "Friede sei mit euch!" (in 1958-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
Johann Sebastian Bach6:12
45Halt im Gedächtnis Jesum Christ, BWV 67: No. 7, Choral. "Du Friedefürst, Herr Jesu Christ"
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1958)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1958)
recorded at:
Haus des Sports in München (Munich), Bayern (Bavaria), Germany
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": VII. Choral "Du Friedefürst, Herr Jesu Christ" (in 1958-04)
lyricist:
Jakob Ebert (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 68)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
Johann Sebastian Bach1:03
46Es ist euch gut, daß ich hingehe, BWV 108: No. 1, Aria. "Es ist euch gut, daß ich hingehe"
bass vocals:
Kieth Engen (operatic bass)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1958)
recorded at:
Haus des Sports in München (Munich), Bayern (Bavaria), Germany
recording of:
Kantate, BWV 108 "Es ist euch gut, daß ich hingehe": I. Aria (Bass) "Es ist euch gut, daß ich hingehe" (in 1958-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 108 "Es ist euch gut, daß ich hingehe"
Johann Sebastian Bach4:24
47Es ist euch gut, daß ich hingehe, BWV 108: No. 2, Aria. "Mich kann kein Zweifel stören"
tenor vocals:
Peter Pears (tenor)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1958)
recorded at:
Haus des Sports in München (Munich), Bayern (Bavaria), Germany
recording of:
Kantate, BWV 108 "Es ist euch gut, daß ich hingehe": II. Aria (Tenor) "Mich kann kein Zweifel stören" (in 1958-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 108 "Es ist euch gut, daß ich hingehe"
Johann Sebastian Bach4:33
48Es ist euch gut, daß ich hingehe, BWV 108: No. 3, Rezitativ. "Dein Geist wird mich also regieren"
tenor vocals:
Peter Pears (tenor)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1958)
recorded at:
Haus des Sports in München (Munich), Bayern (Bavaria), Germany
recording of:
Kantate, BWV 108 "Es ist euch gut, daß ich hingehe": III. Recitativo (Tenor) "Dein Geist wird mich also regieren" (in 1958-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 108 "Es ist euch gut, daß ich hingehe"
Johann Sebastian Bach0:49
49Es ist euch gut, daß ich hingehe, BWV 108: No. 4, Chor. "Wenn aber jener, der Geist der Wahrheit"
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1958)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1958)
recorded at:
Haus des Sports in München (Munich), Bayern (Bavaria), Germany
recording of:
Kantate, BWV 108 "Es ist euch gut, daß ich hingehe": IV. Coro "Wenn aber jener, der Geist der Wahrheit" (in 1958-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 108 "Es ist euch gut, daß ich hingehe"
Johann Sebastian Bach3:28
50Es ist euch gut, daß ich hingehe, BWV 108: No. 5, Aria. "Was mein Herz von dir begehrt"
alto vocals:
Lilian Benningsen (austrian operatic mezzo-soprano and contralto)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1958)
recorded at:
Haus des Sports in München (Munich), Bayern (Bavaria), Germany
recording of:
Kantate, BWV 108 "Es ist euch gut, daß ich hingehe": V. Aria (Alt) "Was mein Herz von dir begehrt" (in 1958-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 108 "Es ist euch gut, daß ich hingehe"
Johann Sebastian Bach5:39
51Es ist euch gut, daß ich hingehe, BWV 108: No. 6, Choral. "Dein Geist, den Gott vom Himmel gibt"
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1958)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1958)
recorded at:
Haus des Sports in München (Munich), Bayern (Bavaria), Germany
recording of:
Kantate, BWV 108 "Es ist euch gut, daß ich hingehe": VI. Choral "Dein Geist, den Gott vom Himmel gibt" (in 1958-04)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Breitkopf 389 Choralgesänge (number: 224)
part of:
Kantate, BWV 108 "Es ist euch gut, daß ich hingehe"
Johann Sebastian Bach1:10
52Herr Jesu Christ, wahr' Mensch und Gott, BWV 127: No. 1, Chor. "Herr Jesu Christ, wah'r Mensch und Gott"
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1958)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1958)
recorded at:
Haus des Sports in München (Munich), Bayern (Bavaria), Germany
recording of:
Kantate, BWV 127 "Herr Jesu Christ, wahr' Mensch und Gott": III. Aria (Sopran) "Die Seelen ruht in Jesu Händen" (in 1958-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 127 "Herr Jesu Christ, wahr’ Mensch und Gott"
Johann Sebastian Bach7:08
53Herr Jesu Christ, wahr' Mensch und Gott, BWV 127: No. 2, Rezitativ. "Wenn alles sich zur letzten Zeit entsetzet"
tenor vocals:
Peter Pears (tenor)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1958)
recorded at:
Haus des Sports in München (Munich), Bayern (Bavaria), Germany
recording of:
Kantate, BWV 127 "Herr Jesu Christ, wahr' Mensch und Gott": II. Recitativo (Tenor) "Wenn alles sich zur letzten Zeit entsetzt" (in 1958-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 127 "Herr Jesu Christ, wahr’ Mensch und Gott"
Johann Sebastian Bach1:46
54Herr Jesu Christ, wahr' Mensch und Gott, BWV 127: No. 3, Aria. "Die Seele ruht in Jesu Händen"
soprano vocals:
Antonia Fahberg (soprano)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1958)
recorded at:
Haus des Sports in München (Munich), Bayern (Bavaria), Germany
recording of:
Kantate, BWV 127 "Herr Jesu Christ, wahr' Mensch und Gott": III. Aria (Sopran) "Die Seelen ruht in Jesu Händen" (in 1958-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 127 "Herr Jesu Christ, wahr’ Mensch und Gott"
Johann Sebastian Bach9:48
55Herr Jesu Christ, wahr' Mensch und Gott, BWV 127: No. 4, Rezitativ. "Wenn einstens die Posaunen schallen"
bass vocals:
Kieth Engen (operatic bass)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1958)
recorded at:
Haus des Sports in München (Munich), Bayern (Bavaria), Germany
recording of:
Kantate, BWV 127 "Herr Jesu Christ, wahr' Mensch und Gott": IV. Recitativo ed Aria (Bass) "Wenn einst die Posaunen schallen" (in 1958-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 127 "Herr Jesu Christ, wahr’ Mensch und Gott"
Johann Sebastian Bach4:19
56Herr Jesu Christ, wahr' Mensch und Gott, BWV 127: No. 5, Choral. "Ach Herr, vergieb all' unsre Schuld"
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1958)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1958)
recorded at:
Haus des Sports in München (Munich), Bayern (Bavaria), Germany
recording of:
Kantate, BWV 127 "Herr Jesu Christ, wahr' Mensch und Gott": V. Choral "Ach, Herr, vergib all unser Schuld" (in 1958-04)
lyricist:
Paul Eber
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Breitkopf 389 Choralgesänge (number: 147)
part of:
Kantate, BWV 127 "Herr Jesu Christ, wahr’ Mensch und Gott"
Johann Sebastian Bach1:01