The Ultimate Collection (cover art variant)

~ Release by Julie London (see all versions of this release, 2 available)

Tracklist

1▶CD
2▼CD
#TitleRatingLength
1Desafinado (Slightly Out of Tune)
engineer:
David Hassinger
producer:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
vocals:
Julie London (in 1962)
conductor:
Ernie Freeman (in 1962)
arranger:
Ernie Freeman
cover recording of:
Slightly Out of Tune (Hendricks/Cavanaugh version) (in 1962)
lyricist:
Jessie Cavanaugh (songwriting pseudonym used by Howie Richmond) and Jon Hendricks
composer:
Antônio Carlos Jobim
publisher:
Bendig Music Corp., Corcovado Music Corp. and Hollis Music, Inc.
translated version of:
Desafinado
2:05
2How Deep Is the Ocean?
recorded in:
Hollywood, Los Angeles, California, United States (in 1955-04)
engineer:
John Neal (engineer) (in 1955-04)
producer:
Bobby Troup
guitar:
Al Viola (in 1955-04)
vocals:
Julie London (in 1955-04)
cover recording of:
How Deep Is the Ocean? (in 1955-04)
lyricist and composer:
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. and Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
42:12
3Sentimental Journey
engineer:
John Kraus (1950s US engineer)
producer:
Si Waronker
double bass:
Don Bagley (on 1960-03-04)
drums (drum set):
Earl Palmer (on 1960-03-04)
guitar:
Al Viola (on 1960-03-04)
piano:
Jimmy Rowles (on 1960-03-04)
vibraphone:
Emil Richards (on 1960-03-04)
vocals:
Julie London (on 1960-03-04)
recorded at:
Julie London’s living room (on 1960-03-04)
cover recording of:
Sentimental Journey (on 1960-03-04)
lyricist:
Bud Green (in 1944)
composer:
Les Brown (American big band & jazz musician) (in 1944) and Ben Homer (in 1944)
publisher:
Chappell/Morris Ltd., Holliday Publishing, Morley Music Co. Inc. and Morley Music Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
2:25
4Mad About the Boy
engineer:
Ted Keep
producer:
Bobby Troup
vocals:
Julie London (from 1957-05 until 1958-11)
orchestra:
Pete King and His Orchestra (from 1957-05 until 1958-11)
cover recording of:
Mad About the Boy (from 1957-05 until 1958-11)
lyricist and composer:
Noël Coward
publisher:
Chappell & Co. and Chappell Music Ltd.
part of:
Words and Music
42:12
5Can’t Help Lovin’ That Man
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
vocals:
Julie London (in 1955-08)
cover recording of:
Can’t Help Lovin’ Dat Man (Show Boat) (in 1955-08)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
composer:
Jerome Kern (in 1927)
publisher:
T.B. Harms Co.
included in:
The Real Book (compilation of jazz standards, volume I)
medley of:
Selections from "Show boat"
part of:
Show Boat (1951 film)
part of:
Show Boat: Act I
33:13
6When I Fall in Love
engineer:
Ted Keep and Bill Putnam
producer:
Bobby Troup
vocals:
Julie London (in 1959)
conductor:
André Previn (pianist, conductor, composer, arranger) (in 1959)
arranger:
André Previn (pianist, conductor, composer, arranger)
cover recording of:
When I Fall in Love (in 1959)
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., 1968‐09‐19–1999‐11‐09)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
53:21
7Gee Baby, Ain’t I Good to You
producer:
Si Waronker
vocals:
Julie London (in 1960)
orchestra:
Orchestra and Chorus conducted by Jimmy Rowles (in 1960)
conductor:
Jimmy Rowles (in 1960)
recording of:
Gee, Baby Ain’t I Good to You (in 1960)
lyricist:
Andy Razaf
composer:
Don Redman
publisher:
Michael H. Goldsen Inc. and Razaf Music
included in:
The Real Book (compilation of jazz standards, volume I)
1:58
8Little White Lies
engineer:
Ted Keep (in 1958-07)
producer:
Bobby Troup
vocals:
Julie London (in 1958-07)
cover recording of:
Little White Lies (in 1958-07)
lyricist and composer:
Walter Donaldson
publisher:
Donaldson Publishing Co., Larry Spier Music LLC and Tobago Music Co.
32:47
9The Nearness of You
producer:
Bobby Troup
vocals:
Julie London
orchestra:
Russ Garcia & His Orchestra
conductor:
Russell Garcia
arranger:
Russell Garcia
recording of:
The Nearness of You
lyricist:
Ned Washington (in 1938)
composer:
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing LLC (1995–2020)
42:19
10I Love You
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
vocals:
Julie London (in 1955-08)
cover recording of:
I Love You (Mexican Hayride musical) (in 1955-08)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., 1968‐09‐19–1999‐11‐09)
31:51
11In the Wee Small Hours of the Morning
engineer:
John Kraus (1950s US engineer)
producer:
Si Waronker
vocals:
Julie London (in 1960-08)
conductor:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (in 1960-08)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (in 1960-08)
cover recording of:
In the Wee Small Hours of the Morning (in 1960-08)
lyricist:
Bob Hilliard
composer:
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
included in:
The Real Book (compilation of jazz standards, volume I)
52:47
12The More I See You
engineer:
Ted Keep and Bill Putnam
producer:
Bobby Troup
vocals:
Julie London (in 1959)
conductor:
André Previn (pianist, conductor, composer, arranger) (in 1959)
arranger:
André Previn (pianist, conductor, composer, arranger)
cover recording of:
The More I See You (in 1959)
lyricist:
M. Gordon
composer:
H. Warren (US composer and lyricist)
publisher:
Bregman, Vocco & Conn, Inc., Four Jays Music Co., Peermusic (UK) Limited, Warner Bros., Inc. (not for release label use!) and Warner/Chappell Music International Ltd. (UK publisher, 1996–2019)
translated version of:
The More I See You (Valli’s version with french lyrics)
52:59
13Makin’ Whoopee
engineer:
Ted Keep and Bill Putnam
producer:
Bobby Troup
vocals:
Julie London (in 1959)
conductor:
André Previn (pianist, conductor, composer, arranger) (in 1959)
arranger:
André Previn (pianist, conductor, composer, arranger)
cover recording of:
Makin’ Whoopee! (in 1959)
lyricist:
Gus Kahn
composer:
Walter Donaldson
translator:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. and WB Music Corp. (1929–2019)
42:42
14June in January
producer:
Bobby Troup
conductor:
Pete King (composer/arranger) (in 1956-05)
arranger:
Pete King (composer/arranger)
cover recording of:
June in January (in 1956-05)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Ralph Rainger
publisher:
Sony/ATV Harmony UK
42:08
15They Can’t Take That Away From Me
engineer:
Ted Keep and Bill Putnam
producer:
Bobby Troup
vocals:
Julie London (in 1959)
conductor:
André Previn (pianist, conductor, composer, arranger) (in 1959)
arranger:
André Previn (pianist, conductor, composer, arranger)
cover recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (in 1959)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., 1968‐09‐19–1999‐11‐09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1937 nominee)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
43:08
16Tired
producer:
Felix Slatkin
vocals:
Julie London (in 1961-07)
cover recording of:
Tired (in 1961-07)
writer:
Fisher and Roberts (songwriter)
2:48
17What Is This Thing Called Love
engineer:
Ted Keep (in 1958-07)
producer:
Bobby Troup
vocals:
Julie London (in 1958-07)
cover recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (in 1958-07)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
31:47
18Meaning of the Blues
engineer:
Ted Keep and Val Valentin
producer:
Bobby Troup
vocals:
Julie London
orchestra:
Russ Garcia & His Orchestra
conductor:
Russell Garcia
arranger:
Russell Garcia
recording of:
The Meaning of the Blues
lyricist:
Leah Worth
composer:
Bobby Troup
publisher:
Londontown Music, Inc. and Universal Music Corporation (USA, affiliated with ASCAP)
42:56
19Blues in the Night
engineer:
Ted Keep and Val Valentin
producer:
Bobby Troup
vocals:
Julie London (in 1957)
orchestra:
Russ Garcia & His Orchestra (in 1957)
conductor:
Russell Garcia (in 1957)
arranger:
Russell Garcia
cover recording of:
Blues in the Night (My Mama Done Tol’ Me) (in 1957)
lyricist:
Johnny Mercer (in 1941)
writer:
Harold Arlen, Johnny Mercer (songwriting duo, teaming up in 1941)
composer:
Harold Arlen (in 1941)
publisher:
Warner Bros., Inc. (not for release label use!) and WB Music Corp. (1929–2019)
part of:
The 14th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1941 nominee)
53:39
20All the Way
engineer:
Eddie Brackett and Jim Economides
producer:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
vocals:
Julie London (in 1962-03)
cover recording of:
All the Way (from “The Joker Is Wild”) (in 1962-03)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Barton Music Corporation OBO Maraville Music Corp, Maraville Music Corp., The International Music Network and Universal Music Corp. OBO Van Heusen Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
part of:
The 30th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1957 winner)
2:35
21When Your Lover Has Gone
recorded in:
Hollywood, Los Angeles, California, United States (in 1955-04)
engineer:
John Neal (engineer) (in 1955-04)
producer:
Bobby Troup
guitar:
Al Viola (in 1955-04)
vocals:
Julie London (in 1955-04)
recording of:
When Your Lover Has Gone (in 1955-04)
lyricist and composer:
Einar Aaron Swan
publisher:
Remick Music Corp., Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros., Inc. (Warner Bros. Music Division)
41:54
22A Room With a View
producer:
Bobby Troup
vocals:
Julie London (in 1957)
orchestra:
Russ Garcia & His Orchestra (in 1957)
conductor:
Russell Garcia (in 1957)
arranger:
Russell Garcia
cover recording of:
A Room With a View (in 1957)
writer:
Al Stillman and Einar Aaron Swan
42:52
23You and the Night and the Music
engineer:
John Kraus (1950s US engineer)
producer:
Si Waronker
vocals:
Julie London (in 1960-08)
conductor:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (in 1960-08)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (in 1960-08)
cover recording of:
You and the Night and the Music (in 1960-08)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Bienstock Publishing Company (ASCAP affiliated), Carlin Music Corporation, Chappell Music Ltd., Harms, Inc. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
The Band Wagon (1953 film)
42:39
24Spring Is Here
engineer:
Ted Keep (in 1958-07)
producer:
Bobby Troup
vocals:
Julie London (in 1958-07)
cover recording of:
Spring Is Here (in 1958-07)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and United Partnership Ltd.
32:06
25One for My Baby
engineer:
Ted Keep and Bill Putnam
producer:
Bobby Troup
vocals:
Julie London
conductor:
André Previn (pianist, conductor, composer, arranger)
arranger:
André Previn (pianist, conductor, composer, arranger)
cover recording of:
One for My Baby (and One More for the Road)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. and Harwin Music
part of:
The Sky’s the Limit (1943 film)
44:06
3▶CD