Karl Richter Edition: Magnificat/Kantaten

~ Release by Johann Sebastian Bach; Karl Richter (see all versions of this release, 1 available)

Tracklist

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2▼CD
#TitleArtistRatingLength
1Herr Jesu Christ, wahr' Mensch und Gott, BWV 127: I. Herr Jesu Christ, wahr' Mensch und Gott
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1958)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1958)
recorded at:
Haus des Sports in München (Munich), Bayern (Bavaria), Germany
recording of:
Kantate, BWV 127 "Herr Jesu Christ, wahr' Mensch und Gott": III. Aria (Sopran) "Die Seelen ruht in Jesu Händen" (in 1958-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 127 "Herr Jesu Christ, wahr’ Mensch und Gott"
Johann Sebastian Bach7:07
2Herr Jesu Christ, wahr' Mensch und Gott, BWV 127: II. Wenn alles sich zur letzten Zeit entsetzet
tenor vocals:
Peter Pears (tenor)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1958)
recorded at:
Haus des Sports in München (Munich), Bayern (Bavaria), Germany
recording of:
Kantate, BWV 127 "Herr Jesu Christ, wahr' Mensch und Gott": II. Recitativo (Tenor) "Wenn alles sich zur letzten Zeit entsetzt" (in 1958-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 127 "Herr Jesu Christ, wahr’ Mensch und Gott"
Johann Sebastian Bach1:46
3Herr Jesu Christ, wahr' Mensch und Gott, BWV 127: III. Die Seele ruht in Jesu Händen
soprano vocals:
Antonia Fahberg (soprano)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1958)
recorded at:
Haus des Sports in München (Munich), Bayern (Bavaria), Germany
recording of:
Kantate, BWV 127 "Herr Jesu Christ, wahr' Mensch und Gott": III. Aria (Sopran) "Die Seelen ruht in Jesu Händen" (in 1958-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 127 "Herr Jesu Christ, wahr’ Mensch und Gott"
Johann Sebastian Bach9:48
4Herr Jesu Christ, wahr' Mensch und Gott, BWV 127: IV. Wenn einstens die Posaunen schallen
bass vocals:
Kieth Engen (operatic bass)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1958)
recorded at:
Haus des Sports in München (Munich), Bayern (Bavaria), Germany
recording of:
Kantate, BWV 127 "Herr Jesu Christ, wahr' Mensch und Gott": IV. Recitativo ed Aria (Bass) "Wenn einst die Posaunen schallen" (in 1958-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 127 "Herr Jesu Christ, wahr’ Mensch und Gott"
Johann Sebastian Bach4:18
5Herr Jesu Christ, wahr' Mensch und Gott, BWV 127: V. Ach, Herr, vergib all unsre Schuld
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1958)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1958)
recorded at:
Haus des Sports in München (Munich), Bayern (Bavaria), Germany
recording of:
Kantate, BWV 127 "Herr Jesu Christ, wahr' Mensch und Gott": V. Choral "Ach, Herr, vergib all unser Schuld" (in 1958-04)
lyricist:
Paul Eber
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Breitkopf 389 Choralgesänge (number: 147)
part of:
Kantate, BWV 127 "Herr Jesu Christ, wahr’ Mensch und Gott"
Johann Sebastian Bach1:07
6Gott der Herr ist Sonn und Schild, BWV 79: I. Gott der Herr ist Sonn und Schild
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": I. Coro "Gott der Herr ist Sonn und Schild"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach5:55
7Gott der Herr ist Sonn und Schild, BWV 79: II. Gott ist unsre Sonn und Schild!
alto vocals:
Beatrice Krebs (mezzo-soprano)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": II. Aria (Alt) "Gott ist unser Sonn und Schild!"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach4:08
8Gott der Herr ist Sonn und Schild, BWV 79: III. Nun danket alle Gott
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": III. Choral "Nun danket alle gott'"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Martin Rinckart (German poet) (in 1636)
part of:
Breitkopf 389 Choralgesänge (number: 259)
is based on:
Nun danket alle Gott (Lutheran choral)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach3:16
9Gott der Herr ist Sonn und Schild, BWV 79: IV. Gottlob, wir wissen den rechten Weg zur Seligkeit
bass vocals:
Kieth Engen (operatic bass)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": IV. Recitativo (Bass) "Gottlob, wir wissen den rechten Weg"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach1:33
10Gott der Herr ist Sonn und Schild, BWV 79: V. Gott, ach Gott, verlaß die Deinen
bass vocals:
Kieth Engen (operatic bass)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": V. Aria (Duetto Sopran, Bass) "Gott, ach Gott, verlaß die Deinen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach4:11
11Gott der Herr ist Sonn und Schild, BWV 79: VI. Erhalt uns in der Wahrheit
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": VI. Choral "Erhalt uns in der Wahrheit"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Ludwig Helmbold (in 1575)
part of:
Breitkopf 389 Choralgesänge (number: 267)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach1:12
12Christ lag in Todesbanden, BWV 4: I. Sinfonia
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: I. Sinfonia
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:31
13Christ lag in Todesbanden, BWV 4: II. Christ lag in Todesbanden
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: II. Chor Versus I „Christ lag in Todes Banden“
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach4:53
14Christ lag in Todesbanden, BWV 4: III. Den tod niemand zwingen
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: III. Duett (Sopran, Alt) Versus II „Den Tod niemand zwingen kunnt“
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach4:34
15Christ lag in Todesbanden, BWV 4: IV. Jesus Christus, Gottes Sohn
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: IV. Arie (Tenor) Versus III „Jesus Christus, Gottes Sohn“
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:13
16Christ lag in Todesbanden, BWV 4: V. Es war ein wunderlicher Krieg
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: V. Chor Versus IV „Es war ein wunderlicher Krieg“
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:37
17Christ lag in Todesbanden, BWV 4: VI. Hier ist das rechte Osterlamm
bass vocals:
Kieth Engen (operatic bass)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VI. Arie (Bass) Versus V „Hier ist das rechte Osterlamm“
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach4:24
18Christ lag in Todesbanden, BWV 4: VII. So feiern wir das hohe Lied
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VII. Duett (Sopran, Tenor) Versus VI „So feiern wir das hohe Fest“
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:23
19Christ lag in Todesbanden, BWV 4: VIII. Wir essen und leben wohl
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VIII. Choral Versus VII „Wir essen und leben wohl“
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 41)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:17
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