The Complete Riverside Recordings

~ Release by Wes Montgomery (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleRatingLength
1D Natural Blues
recording engineer:
Jack Higgins (recording engineer) (on 1960-01-26)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass:
Percy Heath
double bass:
Percy Heath (on 1960-01-26)
drums (drum set):
Albert Heath (on 1960-01-26)
guitar:
Wes Montgomery (on 1960-01-26)
piano:
Tommy Flanagan (on 1960-01-26)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1960-01-26)
recording of:
D-Natural Blues (on 1960-01-26)
composer:
Wes Montgomery
3.55:24
2In Your Own Sweet Way
recording engineer:
Jack Higgins (recording engineer) (on 1960-01-26)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass:
Percy Heath
double bass:
Percy Heath (on 1960-01-26)
drums (drum set):
Albert Heath (on 1960-01-26)
guitar:
Wes Montgomery (on 1960-01-26)
piano:
Tommy Flanagan (on 1960-01-26)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1960-01-26)
recording of:
In Your Own Sweet Way (original instrumental composition) (on 1960-01-26)
composer:
Dave Brubeck (in 1952)
publisher:
Derry Music
4:54
3Mister Walker
recording engineer:
Jack Higgins (recording engineer) (on 1960-01-28)
producer:
Orrin Keepnews
double bass:
Percy Heath (on 1960-01-28)
drums (drum set):
Albert “Tootie” Heath (on 1960-01-28)
guitar:
Wes Montgomery (on 1960-01-28)
piano:
Tommy Flanagan (on 1960-01-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1960-01-28)
recording of:
Mr. Walker (Renie) (on 1960-01-28)
composer:
Wes Montgomery
4:35
4Polka Dots and Moonbeams
recording engineer:
Jack Higgins (recording engineer) (on 1960-01-28)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass:
Percy Heath
double bass:
Percy Heath (on 1960-01-26, on 1960-01-28)
drums (drum set):
Albert Heath (on 1960-01-26, on 1960-01-28)
guitar:
Wes Montgomery (on 1960-01-26, on 1960-01-28)
piano:
Tommy Flanagan (on 1960-01-26, on 1960-01-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1960-01-28)
instrumental recording of:
Polka Dots and Moonbeams (on 1960-01-26)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
ABC Music Co. (799 Sevenih Avenue, New York 1930s-1940s), Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music), My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher and Reganesque Music Company
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
instrumental recording of:
Polka Dots and Moonbeams (on 1960-01-28)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
ABC Music Co. (799 Sevenih Avenue, New York 1930s-1940s), Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music), My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher and Reganesque Music Company
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
54:45
5Gone With the Wind
recording engineer:
Jack Higgins (recording engineer) (on 1960-01-28)
producer:
Orrin Keepnews
double bass:
Percy Heath (on 1960-01-28)
drums (drum set):
Albert “Tootie” Heath (on 1960-01-28)
guitar:
Wes Montgomery (on 1960-01-28)
piano:
Tommy Flanagan (on 1960-01-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1960-01-28)
instrumental recording of:
Gone With the Wind (on 1960-01-28)
lyricist:
Herb Magidson
composer:
Herb Magidson and Allie Wrubel (US composer and songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
46:28
6Sack O'Woe
recording engineer:
Jack Higgins (recording engineer) (from 1960-01-25 until 1960-01-27)
producer:
Orrin Keepnews
cello:
Sam Jones (US jazz bassist) (from 1960-01-25 until 1960-01-27)
cornet:
Nat Adderley (from 1960-01-25 until 1960-01-27)
double bass [bass]:
Percy Heath (from 1960-01-25 until 1960-01-27)
drums (drum set):
Louis Hayes (from 1960-01-25 until 1960-01-27)
electric guitar [guitar]:
Wes Montgomery (from 1960-01-25 until 1960-01-27)
piano:
Bobby Timmons (from 1960-01-25 until 1960-01-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1960-01-25 until 1960-01-27)
recording of:
Sack o’ Woe (from 1960-01-25 until 1960-01-27)
composer:
Julian Adderley
4:26
7Work Song
recording engineer:
Jack Higgins (recording engineer) (from 1960-01-25 until 1960-01-27)
producer:
Orrin Keepnews
cello:
Sam Jones (US jazz bassist) (from 1960-01-25 until 1960-01-27)
cornet:
Nat Adderley (from 1960-01-25 until 1960-01-27)
double bass [bass]:
Percy Heath (from 1960-01-25 until 1960-01-27)
drums (drum set):
Louis Hayes (from 1960-01-25 until 1960-01-27)
electric guitar [guitar]:
Wes Montgomery (from 1960-01-25 until 1960-01-27)
piano:
Bobby Timmons (from 1960-01-25 until 1960-01-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1960-01-25 until 1960-01-27)
recording of:
Work Song (original instrumental)
writer:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
composer:
Nat Adderley
4:15
8Scrambled Egg
recording engineer:
Jack Higgins (recording engineer) (from 1960-01-25 until 1960-01-27)
producer:
Orrin Keepnews
cello:
Sam Jones (US jazz bassist) (from 1960-01-25 until 1960-01-27)
cornet:
Nat Adderley (from 1960-01-25 until 1960-01-27)
double bass [bass]:
Percy Heath (from 1960-01-25 until 1960-01-27)
drums (drum set):
Louis Hayes (from 1960-01-25 until 1960-01-27)
electric guitar [guitar]:
Wes Montgomery (from 1960-01-25 until 1960-01-27)
piano:
Bobby Timmons (from 1960-01-25 until 1960-01-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1960-01-25 until 1960-01-27)
3:22
9Pretty Memory
recording engineer:
Jack Higgins (recording engineer) (from 1960-01-25 until 1960-01-27)
producer:
Orrin Keepnews
cello:
Sam Jones (US jazz bassist) (from 1960-01-25 until 1960-01-27)
cornet:
Nat Adderley (from 1960-01-25 until 1960-01-27)
double bass [bass]:
Keter Betts (from 1960-01-25 until 1960-01-27)
drums (drum set):
Louis Hayes (from 1960-01-25 until 1960-01-27)
electric guitar [guitar]:
Wes Montgomery (from 1960-01-25 until 1960-01-27)
piano:
Bobby Timmons (from 1960-01-25 until 1960-01-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1960-01-25 until 1960-01-27)
3:52
10Fallout
recording engineer:
Jack Higgins (recording engineer) (from 1960-01-25 until 1960-01-27)
producer:
Orrin Keepnews
cello:
Sam Jones (US jazz bassist) (from 1960-01-25 until 1960-01-27)
cornet:
Nat Adderley (from 1960-01-25 until 1960-01-27)
double bass [bass]:
Keter Betts (from 1960-01-25 until 1960-01-27)
drums (drum set):
Louis Hayes (from 1960-01-25 until 1960-01-27)
electric guitar [guitar]:
Wes Montgomery (from 1960-01-25 until 1960-01-27)
piano:
Bobby Timmons (from 1960-01-25 until 1960-01-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1960-01-25 until 1960-01-27)
4:52
11My Heart Stood Still
recording engineer:
Jack Higgins (recording engineer) (from 1960-01-25 until 1960-01-27)
producer:
Orrin Keepnews
cello:
Keter Betts (from 1960-01-25 until 1960-01-27)
cornet:
Nat Adderley (from 1960-01-25 until 1960-01-27)
double bass [bass]:
Sam Jones (US jazz bassist) (from 1960-01-25 until 1960-01-27)
drums (drum set):
Louis Hayes (from 1960-01-25 until 1960-01-27)
electric guitar [guitar]:
Wes Montgomery (from 1960-01-25 until 1960-01-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1960-01-25 until 1960-01-27)
instrumental recording of:
My Heart Stood Still (from 1960-01-25 until 1960-01-27)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: file NO releases), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
One Dam Thing After Another
6:26
12Mean to Me
recording engineer:
Jack Higgins (recording engineer) (from 1960-01-25 until 1960-01-27)
producer:
Orrin Keepnews
cornet:
Nat Adderley (from 1960-01-25 until 1960-01-27)
double bass [bass]:
Keter Betts (from 1960-01-25 until 1960-01-27)
drums (drum set):
Louis Hayes (from 1960-01-25 until 1960-01-27)
electric guitar [guitar]:
Wes Montgomery (from 1960-01-25 until 1960-01-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1960-01-25 until 1960-01-27)
instrumental recording of:
Mean to Me (from 1960-01-25 until 1960-01-27)
lyricist:
Roy Turk
composer:
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. and Pencil Mark Music (ASCAP)
5:01
13Violets for Your Furs
recording engineer:
Jack Higgins (recording engineer) (from 1960-01-25 until 1960-01-27)
producer:
Orrin Keepnews
cornet:
Nat Adderley (from 1960-01-25 until 1960-01-27)
double bass [bass]:
Sam Jones (US jazz bassist) (from 1960-01-25 until 1960-01-27)
electric guitar [guitar]:
Wes Montgomery (from 1960-01-25 until 1960-01-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1960-01-25 until 1960-01-27)
instrumental recording of:
Violets for Your Furs (from 1960-01-25 until 1960-01-27)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:48
14I've Got a Crush on You
recording engineer:
Jack Higgins (recording engineer) (from 1960-01-25 until 1960-01-27)
producer:
Orrin Keepnews
cornet:
Nat Adderley (from 1960-01-25 until 1960-01-27)
double bass [bass]:
Sam Jones (US jazz bassist) (from 1960-01-25 until 1960-01-27)
electric guitar [guitar]:
Wes Montgomery (from 1960-01-25 until 1960-01-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1960-01-25 until 1960-01-27)
instrumental recording of:
I’ve Got a Crush on You (from 1960-01-25 until 1960-01-27)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Corp. (ended), Warner Bros. Music Corp. (ended), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Treasure Girl (1928 musical)
2:55
3▶CD
4▶CD
5▶CD
6▶CD
7▶CD
8▶CD
9▶CD
10▶CD
11▶CD
12▶CD