Die kompletten Werke von Johann Sebastian Bach (Die Edition Bachakademie)

~ Release by Johann Sebastian Bach (see all versions of this release, 2 available)

Tracklist

1▶CD: Vol. 1 Kantaten - Cantatas
2▶CD: Vol. 2 Kantaten - Cantatas
3▶CD: Vo.l 3 Kantaten - Cantatas
4▶CD: Vol. 4 Kantaten - Cantatas
5▶CD: Vol. 5 Kantaten - Cantatas
6▶CD: Vol. 6 Kantaten - Cantatas
7▶CD: Vol. 7 Kantaten - Cantatas
8▶CD: Vol. 8 Kantaten - Cantatas
9▶CD: Vol. 9 Kantaten - Cantatas
10▶CD: Vol. 10 Kantaten - Cantatas
11▶CD: Vol. 11 Kantaten - Cantatas
12▶CD: Vol. 12 Kantaten - Cantatas
13▶CD: Vol. 13 Kantaten - Cantatas
14▶CD: Vol. 14 Kantaten - Cantatas
15▶CD: Vol. 15 Kantaten - Cantatas
16▶CD: Vol. 16 Kantaten - Cantatas
17▶CD: Vol. 17 Kantaten - Cantatas
18▶CD: Vol. 18 Kantaten - Cantatas
19▶CD: Vol. 19 Kantaten - Cantatas
20▶CD: Vol. 20 Kantaten - Cantatas
21▶CD: Vol. 21 Kantaten - Cantatas
22▶CD: Vol. 22 Kantaten - Cantatas
23▶CD: Vol. 23 Kantaten - Cantatas
24▶CD: Vol. 24 Kantaten - Cantatas
25▶CD: Vol. 25 Kantaten - Cantatas
26▶CD: Vol. 26 Kantaten - Cantatas
27▶CD: Vol. 27. Kantaten - Cantatas
28▶CD: Vol 28 Kantaten - Cantatas
29▶CD: Vol. 29 Kantaten - Cantatas
30▶CD: Vol. 30 Kantaten - Cantatas
31▶CD: Vol. 31 Kantaten - Cantatas
32▶CD: Vol. 32 Kantaten - Cantatas
33▶CD: Vol. 33 Kantaten - Cantatas
34▶CD: Vol 34. Kantaten - Cantatas
35▶CD: Vol. 35 Kantaten - Cantatas
36▶CD: Vol. 36 Kantaten - Cantatas
37▶CD: Vol. 37 Kantaten - Cantatas
38▶CD: Vol. 38 Kantaten - Cantatas
39▶CD: Vol. 39 Kantaten - Cantatas
40▶CD: Vol. 40 Kantaten - Cantatas
41▶CD: Vol. 41 Kantaten - Cantatas
42▶CD: Vol. 42 Kantaten - Cantatas
43▶CD: Vol. 43 Kantaten - Cantatas
44▶CD: Vol. 44 Kantaten - Cantatas
45▶CD: Vol. 45 Kantaten - Cantatas
46▶CD: Vol. 46 Kantaten - Cantatas
47▶CD: Vol. 47 Kantaten - Cantatas
48▶CD: Vol. 48 Kantaten - Cantatas
49▶CD: Vol. 49 Kantaten - Cantatas
50▶CD: Vol. 50 Kantaten - Cantatas
51▶CD: Vol. 51 Kantaten - Cantatas
52▶CD: Vol. 52 Kantaten - Cantatas
53▶CD: Vol. 53 Kantaten - Cantatas
54▶CD: Vol. 54 Kantaten - Cantatas
55▶CD: Vol. 55 Kantaten - Cantatas
56▶CD: Vol. 56 Kantaten - Cantatas
57▶CD: Vol. 57 Kantaten - Cantatas
58▶CD: Vol. 58 Kantaten - Cantatas
59▶CD: Vol. 59 Kantaten - Cantatas
60▶CD: Vol. 60 Kantaten - Cantatas
61▶CD: Vol. 61 Weltliche Kantaten - Secular Cantatas
62▶CD: Vol. 62 Weltliche Kantaten - Secular Cantatas
63▶CD: Vol. 63 Weltliche Kantaten - Secular Cantatas
64▶CD: Vol. 64 Weltliche Kantaten - Secular Cantatas
65▶CD: Vol. 65 Weltliche Kantaten - Secular Cantatas
66▶CD: Vol. 66 Weltliche Kantaten - Secular Cantatas
67▶CD: Vol. 67 Weltliche Kantaten - Secular Cantatas
68▶CD: Vol. 68 Weltliche Kantaten - Secular Cantatas
69▶CD: Vol 69 Motetten - Motets
70▶CD: Vol. 69 Motetten - Motets
71▶CD: Vol. 70 h-Moll-Messe - Mass in B Minor
72▶CD: Vol. 70 h-Moll-Messe - Mass in B Minor
73▶CD: Vol. 71 Lateinische Kirchenmusik 1 - Sacred Music in Latin 1
74▶CD: Vol. 72 Lateinische Kirchenmusik 2 - Sacred Music in Latin 2
75▶CD: Vol. 73 Magnificat D-Dur - Magnificat D Major
76▶CD: Vol. 74 Matthäus-Passion - St. Matthew Passion
77▼CD: Vol. 74 Matthäus-Passion - St. Matthew Passion
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1Matthäus-Passion, BWV 244: Aria (+ Chor) "Ach! nun ist mein Jesus hin!"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II (St Matthew Passion, Part II)
3:55
2Matthäus-Passion, BWV 244: "Die aber Jesum gegriffen hatten" (Evangelista)
tenor vocals [Evangelist]:
Michael Schade (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXI. Rezitativ (Evangelist) "Die aber Jesum gegriffen hatten" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II (St Matthew Passion, Part II)
1:07
3Matthäus-Passion, BWV 244: Choral "Mir hat die Welt trüglich gericht'"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXII. Choral "Mir hat die Welt trüglich gericht'" (in 1994)
lyricist:
Adam Reusner
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 213)
part of:
Matthäus-Passion, BWV 244: Teil II (St Matthew Passion, Part II)
0:45
4Matthäus-Passion, BWV 244: "Und wiewohl viel falsche Zeugen herzutraten" (Evangelista, Testis I, II, Pontifex)
tenor vocals [Evangelist]:
Michael Schade (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II (St Matthew Passion, Part II)
1:15
5Matthäus-Passion, BWV 244: Recitativo "Mein Jesus schweigt"
tenor vocals:
Martin Wanner
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIV. Accompagnato-Rezitativ (Tenor) "Mein Jesus schweigt zu falschen Lügen stille" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II (St Matthew Passion, Part II)
1:00
6Matthäus-Passion, BWV 244: Aria "Geduld!"
tenor vocals:
Martin Wanner
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II (St Matthew Passion, Part II)
3:35
7Matthäus-Passion, BWV 244: "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus, Chori)
bass vocals [Jesus]:
Matthias Goerne (German baritone)
choir vocals:
Gächinger Kantorei Stuttgart
tenor vocals [Evangelist]:
Michael Schade (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II (St Matthew Passion, Part II)
2:09
8Matthäus-Passion, BWV 244: Choral "Wer hat dich so geschlagen"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVII. Choral "Wer hat dich so geschlagen" (in 1994)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 292)
part of:
Matthäus-Passion, BWV 244: Teil II (St Matthew Passion, Part II)
1:03
9Matthäus-Passion, BWV 244: "Petrus aber saß draußen im Palast" (Evangelista, Ancilla I, II, Petrus, Chorus II)
choir vocals:
Gächinger Kantorei Stuttgart
tenor vocals [Evangelist]:
Michael Schade (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II (St Matthew Passion, Part II)
2:41
10Matthäus-Passion, BWV 244: Aria "Erbarme dich"
alto vocals:
Ingeborg Danz (mezzo soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (in 1994)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II (St Matthew Passion, Part II)
7:38
11Matthäus-Passion, BWV 244: Choral "Bin ich gleich von dir gewichen"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XL. Choral "Bin ich gleich von dir gewichen" (in 1994)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 361)
part of:
Matthäus-Passion, BWV 244: Teil II (St Matthew Passion, Part II)
1:07
12Matthäus-Passion, BWV 244: "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas, Chori, Pontifex I, II)
choir vocals:
Gächinger Kantorei Stuttgart
tenor vocals [Evangelist]:
Michael Schade (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II (St Matthew Passion, Part II)
1:58
13Matthäus-Passion, BWV 244: Aria "Gebt mir meinen Jesum wieder!"
bass vocals:
Thomas Quasthoff (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II (St Matthew Passion, Part II)
2:41
14Matthäus-Passion, BWV 244: "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus)
bass vocals [Jesus]:
Matthias Goerne (German baritone)
tenor vocals [Evangelist]:
Michael Schade (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II (St Matthew Passion, Part II)
2:39
15Matthäus-Passion, BWV 244: Choral "Befiehl du deine Wege"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIV. Choral "Befiehl du deine Wege" (in 1994)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 159)
part of:
Matthäus-Passion, BWV 244: Teil II (St Matthew Passion, Part II)
1:14
16Matthäus-Passion, BWV 244: "Auf das Fest aber" (Evangelista, Pilatus, Uxor Pilati, Chori)
choir vocals:
Gächinger Kantorei Stuttgart
tenor vocals [Evangelist]:
Michael Schade (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II (St Matthew Passion, Part II)
2:42
17Matthäus-Passion, BWV 244: Choral "Wie wunderbarlich ist doch diese Strafe!"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVI. Choral "Wie wunderbarlich ist doch diese Strafe" (in 1994)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 167)
part of:
Matthäus-Passion, BWV 244: Teil II (St Matthew Passion, Part II)
0:50
18Matthäus-Passion, BWV 244: "Der Landpfleger sagte" (Evangelista, Pilatus)
tenor vocals [Evangelist]:
Michael Schade (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II (St Matthew Passion, Part II)
0:18
19Matthäus-Passion, BWV 244: Recitativo "Er hat uns allen wohlgetan"
soprano vocals:
Christiane Oelze (German soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II (St Matthew Passion, Part II)
1:17
20Matthäus-Passion, BWV 244: Aria "Aus Liebe will mein Heiland sterben"
soprano vocals:
Christiane Oelze (German soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II (St Matthew Passion, Part II)
5:01
21Matthäus-Passion, BWV 244: "Sie schrieen aber noch mehr und sprachen" (Evangelista, Pilatus, Chori)
choir vocals:
Gächinger Kantorei Stuttgart
tenor vocals [Evangelist]:
Michael Schade (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II (St Matthew Passion, Part II)
1:52
22Matthäus-Passion, BWV 244: Recitativo "Erbarm es Gott!"
alto vocals:
Ingeborg Danz (mezzo soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II (St Matthew Passion, Part II)
0:56
23Matthäus-Passion, BWV 244: Aria "Können Tränen meiner Wangen"
alto vocals:
Ingeborg Danz (mezzo soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II (St Matthew Passion, Part II)
6:07
24Matthäus-Passion, BWV 244: "Da nehmen die Kriegsknechte" (Evangelista, Chori)
choir vocals:
Gächinger Kantorei Stuttgart
tenor vocals [Evangelist]:
Michael Schade (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista)
1:21
25Matthäus-Passion, BWV 244: Choral "O Haupt voll Blut und Wunden"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (in 1994)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II (St Matthew Passion, Part II)
2:18
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129▶CD: Vol. 112 Werke für Tasteninstrumente - Keyboard Works
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131▶CD: Vol. 113 Werke für Tasteninstrumente - Keyboard Works
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140▶CD: Vol. 118 Kammermusik - Chamber Music
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150▶CD: Vol. 125 Orchesterwerke - Orchestral Works
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160▶CD: Vol. 133 Kammermusik - Chamber Music
161▶CD: Vol. 134 Werke für Tasteninstrumente - Keyboard Works
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169▶CD: Vol. 139 Kantaten - Cantatas
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