Star Wars Classics

~ Release by John Williams (see all versions of this release, 1 available)

Annotation

bootleg floating around internet, but I can't find any info on it

Annotation last modified on 2026-08-06 18:33 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Main Title / Escape
recording engineer and mixer:
Shawn Murphy (producer/engineer)
editor:
Ramiro Belgardt
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2017)
recorded at and mixed at:
Sony Pictures Studios Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Escape
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music, Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
recording of:
Main Title (Star Wars)
composer:
John Williams (American score composer and conductor) (ended)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Rooney Sneaks Around/Star Wars (main title)
part of:
Star Wars Holiday Special (television soundtrack)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
part of:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
part of:
Star Wars, Episode VII: The Force Awakens (2015 film score)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
part of:
Star Wars: Shadows of the Empire
John Williams3.47:25
2The Imperial March (Darth Vader’s Theme)
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1979-12-27 until 1980-01-18)
producer:
John Williams (American score composer and conductor)
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-18)
conductor:
John Williams (American score composer and conductor) (from 1979-12-27 until 1980-01-18)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1979-12-27 until 1980-01-18)
recording of:
The Imperial March (Star Wars, Episode V: The Empire Strikes Back, Darth Vader’s Theme) (from 1979-12-27 until 1980-01-18)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music, Fox Fanfare Music Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams & London Symphony Orchestra4.152:59
3Cantina Band
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra (from 1977-03-05 until 1977-03-16)
conductor:
John Williams (American score composer and conductor) (from 1977-03-05 until 1977-03-16)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1977-03-05 until 1977-03-16)
recording of:
Cantina Band (Star Wars, Episode IV: A New Hope) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer and conductor)
publisher:
Fox Fanfare Music Inc. and Muziekuitgeverij Artemis B.V.
sub-publisher:
Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams & London Symphony Orchestra3.92:44
4Across the Stars (Love Theme From Attack of the Clones)
orchestra:
London Symphony Orchestra (from 2002-01-18 until 2002-01-26)
conductor:
John Williams (American score composer and conductor) (from 2002-01-18 until 2002-01-26)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-01-18 until 2002-01-26)
recording of:
Across the Stars (Star Wars, Episode II: Attack of the Clones; love theme) (from 2002-01-18 until 2002-01-26)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
John Williams3.655:33
5Battle of the Heroes
John Williams & London Symphony Orchestra3:42
6Duel of the Fates
choir vocals:
London Voices (from 1999-02-05 until 1999-02-18)
orchestra:
London Symphony Orchestra (from 1999-02-05 until 1999-02-18)
conductor:
John Williams (American score composer and conductor) (from 1999-02-05 until 1999-02-18)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1999-02-05 until 1999-02-17)
recording of:
Duel of the Fates (Star Wars, Episode I: The Phantom Menace) (from 1999-02-05 until 1999-02-18)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars: The Phantom Menace - Suite for Orchestra
John Williams & London Symphony Orchestra44:14
7The Rise of Skywalker
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer and conductor)
editor:
Ramiro Belgardt and Robert Wolff (engineer)
conductor:
John Williams (American score composer and conductor)
concertmaster:
Roger Wilkie (violinist)
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2019)
recorded at and mixed at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
recording of:
The Rise of Skywalker (Star Wars, Episode IX: The Rise of Skywalker)
composer:
John Williams (American score composer and conductor)
publisher:
Utapau Music
part of:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
part of:
Star Wars: The Rise of Skywalker (Suite for Orchestra)
John Williams24:18
8Yoda’s Theme
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1979-12-27 until 1980-01-18)
producer:
John Williams (American score composer and conductor)
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-18)
conductor:
John Williams (American score composer and conductor) (from 1979-12-27 until 1980-01-18)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1979-12-27 until 1980-01-18)
recording of:
Yoda's Theme (Star Wars, Episode V: The Empire Strikes Back) (from 1979-12-27 until 1980-01-18)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams3.153:27
9The Last Jedi
recording engineer and mixer:
Shawn Murphy (producer/engineer)
editor:
Ramiro Belgardt
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2017)
recorded at and mixed at:
Sony Pictures Studios Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
The Last Jedi
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music, Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
John Williams3.253:03
10The Adventures of Han
conductor:
John Williams (American score composer and conductor)
concertmaster:
Roger Wilkie (violinist)
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2018)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
recording of:
The Adventures of Han
composer:
John Williams (American score composer and conductor)
part of:
Solo: A Star Wars Story
John Williams2.753:49
11Rey’s Theme
engineer:
Shawn Murphy (producer/engineer) (from 2015-06-01 until 2015-11-14)
producer:
John Williams (American score composer and conductor)
mixer:
Shawn Murphy (producer/engineer)
orchestra:
The Hollywood Studio Orchestra (keyboardist, songwriter & producer) (from 2015-06-01 until 2015-11-14)
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2015)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States (from 2015-06-01 until 2015-11-14)
recording of:
Rey’s Theme (Star Wars: The Force Awakens) (from 2015-06-01 until 2015-11-14)
composer:
John Williams (American score composer and conductor) (from 2014-12 until 2015-11)
publisher:
Utapau Music
part of:
Star Wars, Episode VII: The Force Awakens (2015 film score)
part of:
Star Wars: The Force Awakens (Suite for Orchestra)
John Williams43:11
12We Go Together
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer and conductor)
editor:
Ramiro Belgardt and Robert Wolff (engineer)
conductor:
John Williams (American score composer and conductor)
concertmaster:
Roger Wilkie (violinist)
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2019)
recorded at and mixed at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
recording of:
We Go Together (Star Wars, Episode IX: The Rise of Skywalker)
composer:
John Williams (American score composer and conductor)
publisher:
Utapau Music
quotes music from:
Binary Sunset (Star Wars, Episode IV: A New Hope)
part of:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
John Williams2.253:17
13Anakin vs. Obi‐Wan
choir vocals:
London Voices
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Anakin vs. Obi-Wan
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
John Williams & London Symphony Orchestra3.53:56
14Ahch‐To Island
recording engineer and mixer:
Shawn Murphy (producer/engineer)
editor:
Ramiro Belgardt
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2017)
recorded at and mixed at:
Sony Pictures Studios Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Ahch‐To Island
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music, Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
quotes music from:
Binary Sunset (Star Wars, Episode IV: A New Hope)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
John Williams34:22
15Ahsoka Leaves
producer:
Sean Kiner
phonographic copyright (℗) by:
Lucasfilm Ltd.
recording of:
Ahsoka Leaves
orchestrator:
Kevin Kiner and Nic Raine
composer:
Kevin Kiner
Kevin Kiner2:22
16The Battle of Crait
recording engineer and mixer:
Shawn Murphy (producer/engineer)
editor:
Ramiro Belgardt
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2017)
recorded at and mixed at:
Sony Pictures Studios Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
The Battle of Crait
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music, Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
John Williams3.256:47
17The Spark
recording engineer and mixer:
Shawn Murphy (producer/engineer)
editor:
Ramiro Belgardt
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2017)
recorded at and mixed at:
Sony Pictures Studios Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
The Spark
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music, Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
John Williams2.653:35
18Trace & Rafa
Kevin Kiner3:39
19Padmé
producer:
Sean Kiner
phonographic copyright (℗) by:
Lucasfilm Ltd.
recording of:
Padmé
orchestrator:
Kevin Kiner and Nic Raine
composer:
Kevin Kiner
Kevin Kiner1:39
20Anakin’s Betrayal
choir vocals:
London Voices
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Anakin’s Betrayal (Star Wars, Episode III: Revenge of the Sith)
composer:
John Williams (American score composer and conductor)
quotes music from:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
John Williams & London Symphony Orchestra3.654:05
21Peace and Purpose
recording engineer and mixer:
Shawn Murphy (producer/engineer)
editor:
Ramiro Belgardt
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2017)
recorded at and mixed at:
Sony Pictures Studios Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Peace and Purpose
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music, Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
John Williams3.253:06
22Flying With Chewie
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant mixer:
Gordon Davidson (engineer, Abbey Road Studios)
editor:
David Channing, Jack Dolman, Ryan Rubin and Nick Wollage
conductor:
Gavin Greenaway
orchestrator:
John Ashton Thomas
concertmaster:
Emlyn Singleton (violinist)
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2018, in 2020)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
5 Cat Studios in Los Angeles, California, United States
recording of:
Flying With Chewie
composer:
John Powell (English score composer), John Williams (American score composer and conductor) and Anthony Willis
part of:
Solo: A Star Wars Story
John Powell33:30
23Anakin’s Dark Deeds
choir vocals:
London Voices
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Anakin’s Dark Deeds (Star Wars, Episode III: Revenge of the Sith)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
John Williams & London Symphony Orchestra34:04
24The Sacred Jedi Texts
recording engineer and mixer:
Shawn Murphy (producer/engineer)
editor:
Ramiro Belgardt
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2017)
recorded at and mixed at:
Sony Pictures Studios Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
The Sacred Jedi Texts
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music, Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
quotes music from:
Binary Sunset (Star Wars, Episode IV: A New Hope)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
John Williams2.653:32
25The Fathiers
recording engineer and mixer:
Shawn Murphy (producer/engineer)
editor:
Ramiro Belgardt
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2017)
recorded at and mixed at:
Sony Pictures Studios Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
The Fathiers
composer:
John Williams (American score composer and conductor)
publisher:
Utapau Music
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
John Williams3.42:42
26Bad Batch Heroics
Kevin Kiner2:09
27The Supremacy
recording engineer and mixer:
Shawn Murphy (producer/engineer)
editor:
Ramiro Belgardt
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2017)
recorded at and mixed at:
Sony Pictures Studios Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
The Supremacy
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music, Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
John Williams3.254:00
28Revisiting Snoke
recording engineer and mixer:
Shawn Murphy (producer/engineer)
editor:
Ramiro Belgardt
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2017)
recorded at and mixed at:
Sony Pictures Studios Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Revisiting Snoke
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music, Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
John Williams3.253:28
29Canto Bight
recording engineer and mixer:
Shawn Murphy (producer/engineer)
editor:
Ramiro Belgardt
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2017)
recorded at and mixed at:
Sony Pictures Studios Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Canto Bight
composer:
John Williams (American score composer and conductor)
publisher:
Utapau Music
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
John Williams2.92:37
30Ahsoka and the Martez Sisters
Kevin Kiner3:00
31A New Alliance
recording engineer and mixer:
Shawn Murphy (producer/engineer)
editor:
Ramiro Belgardt
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2017)
recorded at and mixed at:
Sony Pictures Studios Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
A New Alliance
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music, Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
quotes music from:
Binary Sunset (Star Wars, Episode IV: A New Hope)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
John Williams3.153:13
32“Chrome Dome”
recording engineer and mixer:
Shawn Murphy (producer/engineer)
editor:
Ramiro Belgardt
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2017)
recorded at and mixed at:
Sony Pictures Studios Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
“Chrome Dome”
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music, Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
John Williams3.252:01
33Lesson One
recording engineer and mixer:
Shawn Murphy (producer/engineer)
editor:
Ramiro Belgardt
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2017)
recorded at and mixed at:
Sony Pictures Studios Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Lesson One
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music, Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
John Williams32:09
34Anakin’s Theme
orchestra:
London Symphony Orchestra (from 1999-02-05 until 1999-02-17)
conductor:
John Williams (American score composer and conductor) (from 1999-02-05 until 1999-02-17)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1999-02-05 until 1999-02-17)
recording of:
Anakin’s Theme (Star Wars, Episode I: The Phantom Menace) (from 1999-02-05 until 1999-02-17)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars: The Phantom Menace - Suite for Orchestra
John Williams & London Symphony Orchestra2.753:07
35Fun With Finn and Rose
recording engineer and mixer:
Shawn Murphy (producer/engineer)
editor:
Ramiro Belgardt
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2017)
recorded at and mixed at:
Sony Pictures Studios Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Fun With Finn and Rose
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music, Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
John Williams3.252:33
36The Rebellion Is Reborn
recording engineer and mixer:
Shawn Murphy (producer/engineer)
editor:
Ramiro Belgardt
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2017)
recorded at and mixed at:
Sony Pictures Studios Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
The Rebellion Is Reborn
composer:
John Williams (American score composer and conductor)
publisher:
Utapau Music
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
John Williams3.253:59
37Finale
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
John Williams & London Symphony Orchestra6:23
38The Cave
recording engineer and mixer:
Shawn Murphy (producer/engineer)
editor:
Ramiro Belgardt
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2017)
recorded at and mixed at:
Sony Pictures Studios Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
The Cave
composer:
John Williams (American score composer and conductor)
publisher:
Utapau Music
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
John Williams2.52:59
39Old Friends
recording engineer and mixer:
Shawn Murphy (producer/engineer)
editor:
Ramiro Belgardt
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2017)
recorded at and mixed at:
Sony Pictures Studios Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Old Friends
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music, Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
quotes music from:
Binary Sunset (Star Wars, Episode IV: A New Hope)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
John Williams34:28
40Kylo Ren Arrives at the Battle
engineer:
Shawn Murphy (producer/engineer) (from 2015-06-01 until 2015-11-14)
producer:
John Williams (American score composer and conductor)
mixer:
Shawn Murphy (producer/engineer)
orchestra:
The Hollywood Studio Orchestra (keyboardist, songwriter & producer) (from 2015-06-01 until 2015-11-14)
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2015)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States (from 2015-06-01 until 2015-11-14)
recording of:
Kylo Ren Arrives at the Battle (Star Wars: The Force Awakens) (from 2015-06-01 until 2015-11-14)
composer:
John Williams (American score composer and conductor) (from 2014-12 until 2015-11)
publisher:
Utapau Music
part of:
Star Wars, Episode VII: The Force Awakens (2015 film score)
John Williams32:01
41Who Are You?
recording engineer and mixer:
Shawn Murphy (producer/engineer)
editor:
Ramiro Belgardt
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2017)
recorded at and mixed at:
Sony Pictures Studios Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Who Are You?
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music, Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
John Williams2.53:04
42The Immolation Scene
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
The Immolation Scene (Star Wars, Episode III: Revenge of the Sith)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
John Williams & London Symphony Orchestra3.52:39
43Main Title
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
End Title (Star Wars, Episode IV: A New Hope)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Universal Music Publishing MGB Mexico SA de CV and Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
Main Title (Star Wars)
composer:
John Williams (American score composer and conductor) (ended)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Rooney Sneaks Around/Star Wars (main title)
part of:
Star Wars Holiday Special (television soundtrack)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
part of:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
part of:
Star Wars, Episode VII: The Force Awakens (2015 film score)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
part of:
Star Wars: Shadows of the Empire
John Williams & London Symphony Orchestra55:24
44Imperial Attack
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
partial recording of:
Imperial Attack, Part 1 (Star Wars, Episode IV: A New Hope)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
publisher:
Fox Fanfare Music Inc. and Muziekuitgeverij Artemis B.V.
sub-publisher:
Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
Imperial Attack, Part 2 (Star Wars, Episode IV: A New Hope)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
publisher:
Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams & London Symphony Orchestra6:18
45The Throne Room / End Title
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
End Title (Star Wars, Episode IV: A New Hope)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Universal Music Publishing MGB Mexico SA de CV and Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
The Throne Room (Star Wars, Episode IV: A New Hope)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
Throne Room / Finale (Star Wars, published suite with extensions)
composer:
John Williams (American score composer and conductor)
is based on:
End Title (Star Wars, Episode IV: A New Hope)
is based on:
The Throne Room (Star Wars, Episode IV: A New Hope)
John Williams & London Symphony Orchestra5:34
46The Desert and the Robot Auction
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
The Desert (Star Wars, Episode IV: A New Hope)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music, Fox Fanfare Music Inc., Muziekuitgeverij Artemis B.V. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Universal Music Publishing MGB Mexico SA de CV and Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
The Robot Auction (Star Wars, Episode IV: A New Hope)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Universal Music Publishing MGB Mexico SA de CV and Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams & London Symphony Orchestra2:52
47Star Wars / Revenge of the Sith
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Main Title (Star Wars)
composer:
John Williams (American score composer and conductor) (ended)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Rooney Sneaks Around/Star Wars (main title)
part of:
Star Wars Holiday Special (television soundtrack)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
part of:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
part of:
Star Wars, Episode VII: The Force Awakens (2015 film score)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
part of:
Star Wars: Shadows of the Empire
recording of:
The Revenge of the Sith
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
John Williams & London Symphony Orchestra3.47:29
48Star Wars Main Title / Ambush on Coruscant
orchestra:
London Symphony Orchestra (from 2002-01-18 until 2002-01-26)
conductor:
John Williams (American score composer and conductor) (from 2002-01-18 until 2002-01-26)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-01-18 until 2002-01-26)
recording of:
Ambush on Coruscant (Star Wars, Episode II: Attack of the Clones) (from 2002-01-18 until 2002-01-26)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
recording of:
Main Title (Star Wars) (from 2002-01-18 until 2002-01-26)
composer:
John Williams (American score composer and conductor) (ended)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Rooney Sneaks Around/Star Wars (main title)
part of:
Star Wars Holiday Special (television soundtrack)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
part of:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
part of:
Star Wars, Episode VII: The Force Awakens (2015 film score)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
part of:
Star Wars: Shadows of the Empire
John Williams & London Symphony Orchestra3.153:49
49Star Wars: Galaxy’s Edge Symphonic Suite (Music Inspired by the Parks)
John Williams4:57
50Ewok Celebration / Finale
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer and conductor) (from 1983-01-17 until 1983-02-10)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
recording of:
Ewok Celebration
composer:
John Williams (American score composer and conductor)
recording of:
Finale (Star Wars, Episode VI: Return of the Jedi)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
John Williams & London Symphony Orchestra8:01