| # | Title | Artist | Rating | Length |
|---|
| 1 | Whiskey in the Jar | Thin Lizzy | 4.35 | 5:45 |
| 2 | Nutbush City Limits- recording of:
- Nutbush City Limits
- lyricist and composer:
- Tina Turner
- publisher:
- Copyright Control , EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing , EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music and Valley Spring Music Corp.
| Ike & Tina Turner | | 5:41 |
| 3 | Cum On Feel the Noize | Slade | | 4:32 |
| 4 | Let’s Work Together- recording engineer and mixer:
- Tommy Oliver
- engineer:
- Joe Bellamy, Paul du Gré and Willie "Bass" Rice
- producer:
- Canned Heat, Fito de la Parra and Skip Taylor
- bass guitar:
- Larry Taylor (from 2001-03 until 2002-12)
- drums (drum set), percussion and timbales:
- Fito de la Parra (from 2001-03 until 2002-12)
- flute, harmonica and horn [horns]:
- Stanley Behrens (from 2001-03 until 2002-12)
- guitar [rhythm guitar]:
- Harvey Mandel (from 2001-03 until 2002-12)
- slide guitar:
- John Paulus (from 2001-03 until 2002-12)
- vocals:
- Dallas Hodge (from 2001-03 until 2002-12)
- phonographic copyright (℗) by:
- Liberty Records, Inc. (in 1970)
- recorded at and mixed at:
- The Village in Los Angeles, California, United States
- cover recording of:
- Let’s Work Together (from 2001-03 until 2002-12)
- lyricist:
- Wilbert Harrison
- publisher:
- EMI Catalogue Partnership, EMI Longitude Music, EMI Music , EMI Music Publishing , EMI Music Publishing Ltd. , EMI United Partnership Ltd., Mozella Music Inc., SBK United Partnership Ltd., United Artists Music Co., Inc. and United Artists Musik GmbH
| Canned Heat | 4 | 2:48 |
| 5 | The Passenger | Iggy Pop | 4.6 | 4:42 |
| 6 | Spanish Stroll | Mink DeVille | 5 | 3:39 |
| 7 | Walk on the Wild Side- producer:
- David Bowie , Lou Reed and Mick Ronson
- baritone saxophone:
- Ronnie Ross (in 1972-08)
- double bass and electric bass guitar:
- Herbie Flowers (in 1972-08)
- drums (drum set):
- John Halsey (in 1972-08)
- background vocals:
- The Thunder Thighs (in 1972-08)
- lead vocals:
- Lou Reed (in 1972-08)
- brass arranger and strings arranger:
- Mick Ronson
- arranger:
- David Bowie , Lou Reed and Mick Ronson
- phonographic copyright (℗) by:
- BMG Entertainment (in 1972), BMG Music (in 1972), RCA Records (in 1972) and Sony BMG Music Entertainment (in 1972)
- recorded at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom (in 1972-08)
- mixed at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom
- samples from:
- Lexicon Valley #150, “Why Language Can’t Be Tamed” by John McWhorter
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 180) and Rolling Stone: 500 Greatest Songs of All Time (number: 221)
- recording of:
- Walk on the Wild Side (in 1972-08)
- lyricist and composer:
- Lou Reed
- publisher:
- Dunbar Music, EMI Music Publishing Australia Pty. Limited , EMI Music Publishing Ltd. , Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. and Six Continents Music Publishing Inc.
| Lou Reed | 4.2 | 4:14 |
| 8 | Oye como va | Santana | 3.9 | 4:18 |
| 9 | A Smile Is Diamond | A Band Called O | | 6:04 |
| 10 | Is There Anybody There | Scorpions | | 3:59 |
| 11 | After Midnight | J.J. Cale | 3.6 | 2:23 |
| 12 | Follow You Follow Me | Genesis | | 3:58 |
| 13 | Lucifer | The Alan Parsons Project | 3 | 4:11 |
| 14 | Excerpt From Tubular Bells | Mike Oldfield | 2 | 7:59 |