Musik um uns 7/8: Hörbeispiele CD 1-6 (Gymnasium Bayern G8)

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

(c) 2007 Bildungshaus Schulbuchverlage
Westermann Schroedel Diesterweg
Schöningh Winklers GmbH, Braunschweig

Annotation last modified on 2024-09-30 18:17 UTC.

Tracklist

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1Xerxes: Arie „Muntre Bächlein” (Romilda)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Rafael Kubelík (conductor)
partial recording of:
Xerxes, HWV 40 (German translation)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-16 until 1738-02-14)
translated version of:
Serse, HWV 40
George Frideric Handel2:30
2Xerxes: Ariette „Kauft Blumen” (Elviro)
partial recording of:
Xerxes, HWV 40 (German translation)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-16 until 1738-02-14)
translated version of:
Serse, HWV 40
George Frideric Handel1:07
3Xerxes: Arie „Treuloser Liebster“ (Amastris)
partial recording of:
Xerxes, HWV 40 (German translation)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-16 until 1738-02-14)
translated version of:
Serse, HWV 40
George Frideric Handel2:22
4Xerxes: Arie „Finstre Furien” (Xerxes)
partial recording of:
Xerxes, HWV 40 (German translation)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-16 until 1738-02-14)
translated version of:
Serse, HWV 40
George Frideric Handel2:22
5Xerxes: Chor „Komm, holder Friede”
partial recording of:
Xerxes, HWV 40 (German translation)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-16 until 1738-02-14)
translated version of:
Serse, HWV 40
George Frideric Handel1:47
6Das Weihnachtsoratorium: Eröffnungschor Nr. 1, Beginn
partial recording of:
Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:25
7Das Weihnachtsoratorium: Eröffnungschor Nr. 1, Ausschnitt
partial recording of:
Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:13
8Das Weihnachtsoratorium: Eröffnungschor Nr. 1, vollständig
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (from 1984-04 until 1984-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:46
9Das Weihnachtsoratorium: Rezitativ Nr. 2
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, II. Recitativo „Es begab sich aber zu der Zeit“ (Evangelista) (from 1984-04 until 1984-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:25
10Das Weihnachtsoratorium: Choral Nr. 5
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, V. Choral „Wie soll ich dich empfangen“ (from 1984-04 until 1984-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Wie soll ich dich empfangen
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:22
11Das Weihnachtsoratorium: Aria Nr. 8 („Großer Gott und starker König”), 1. Teil
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Ensemble Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:49
12Es erhub sich ein Streit: Eingangschor
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": I. Coro "Es erhub sich ein Streit"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach2:50
13Es erhub sich ein Streit: Choral „Lass dein Engel mit mir fahren“
recording engineer:
Teije van Geest (engineer/producer) (from 1990-07-18 until 1990-07-20)
producer:
Rudolf Bayer (founder and producer of Bayer Records)
editor:
Teije van Geest (engineer/producer)
choir vocals:
Windsbacher Knabenchor (Boys choir) (from 1990-07-18 until 1990-07-20)
orchestra:
Münchner Bachsolisten (from 1990-07-18 until 1990-07-20)
conductor:
Karl-Friedrich Beringer (conductor) (from 1990-07-18 until 1990-07-20)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (from 1990-07-18 until 1990-07-20)
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": VII. Choral "Laß dein' Engel mit mir fahren" (from 1990-07-18 until 1990-07-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Breitkopf 389 Choralgesänge (number: 99)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach1:35
14Fuge G-Dur aus dem „Wohltemperierten Klavier” Bd. 1
piano:
Glenn Gould (pianist) (from 1963-06-18 until 1963-08-30)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 15 in G major, BWV 860: Fugue (from 1963-06-18 until 1963-08-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 15 in G major, BWV 860
Johann Sebastian Bach2:23
15Missa solemnis c-Moll KV 139 „Waisenhausmesse”: Sanctus
baritone vocals:
Walton Grönroos (baritone)
choir vocals:
RIAS Kammerchor (German chamber choir)
contralto vocals:
Gabriele Schreckenbach (contralto)
soprano vocals:
Celina Lindsley (soprano)
tenor vocals:
Werner Hollweg (tenor)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) and Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–)
conductor:
Marcus Creed (conductor)
recording of:
Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IV. "Sanctus"
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse"
Wolfgang Amadeus Mozart1:46
16Innsbruck, ich muss dich lassen
recording of:
Innsbruck, ich muss dich lassen
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Heinrich Isaac (Flemish Renaissance composer)
Heinrich Isaac1:04
17Guldnes Leben
Kaiser Leopold I1:47
18Deutscher Tanz KV 605
Wolfgang Amadeus Mozart1:46
19Ouvertüre: Die Fledermaus
recording of:
Die Fledermaus: Ouvertüre (Die Fledermaus: Overture)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus
part of:
Die Fledermaus (English version, lyrics by Mandel/Sachs)
part of:
Die Fledermaus (English version, lyrics by Dietz)
part of:
Die Fledermaus (english; unknown version)
Johann Strauss1:33
20Die Jahreszeiten: Hört das laute Getön
Joseph Haydn2:43
21Klavierkonzert d-Moll KV Nr. 20, Allegro
recording of:
Concerto for Piano no. 20 in D minor, K. 466: I. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1785)
part of:
Concerto for Piano no. 20 in D minor, K. 466
Wolfgang Amadeus Mozart3:42
22Klaviersonate Nr. 5 c-Moll op. 10 Nr. 1 (Prestissimo)
recording of:
Sonata for Piano no. 5 in C minor, op. 10 no. 1: III. Prestissimo
composer:
Ludwig van Beethoven (German composer) (from 1795 until 1797)
part of:
Sonata for Piano no. 5 in C minor, op. 10 no. 1
Ludwig van Beethoven3:20
23Sonate Nr. 20 op. 49/2 (Exposition ohne Wiederholung)
recording of:
Sonata for Piano no. 20 in G major, op. 49 no. 2: I. Allegro ma non troppo
composer:
Ludwig van Beethoven (German composer) (from 1795 until 1796)
part of:
Sonata for Piano no. 20 in G major, op. 49 no. 2
Ludwig van Beethoven3:23
24Sinfonie g-Moll KV 550: 1. Satz, Hauptthema
partial recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart0:25
25Sinfonie g-Moll KV 550: 1. Satz, Überleitung
partial recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart0:20
26Sinfonie g-Moll KV 550: 1. Satz, Seitenthema
partial recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart0:22
27Sinfonie g-Moll KV 550: 1. Satz, Schlussgruppe
partial recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart0:12
28Sinfonie g-Moll KV 550: 1. Satz, Durchführung
partial recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart1:16
29Sinfonie g-Moll KV 550: 1. Satz, Coda
partial recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart0:21
30Sinfonie g-Moll KV 550: 2.Satz, Hauptthema
partial recording of:
Symphony no. 40 in G minor, K. 550 “Great”: II. Andante (2nd version)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart0:34
31Sinfonie g-Moll KV 550: 2. Satz, Überleitung
partial recording of:
Symphony no. 40 in G minor, K. 550 “Great”: II. Andante (2nd version)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart0:31
32Sinfonie g-Moll KV 550: 2. Satz Seitenthema
partial recording of:
Symphony no. 40 in G minor, K. 550 “Great”: II. Andante (2nd version)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart0:34
33Sinfonie g-Moll KV 550: 3. Satz, Menuett
partial recording of:
Symphony no. 40 in G minor, K. 550 “Great”: III. Minuetto. Allegretto & Trio (2nd version)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart0:19
34Sinfonie g-Moll KV 550: 3. Satz, Trio
partial recording of:
Symphony no. 40 in G minor, K. 550 “Great”: III. Minuetto. Allegretto & Trio (2nd version)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart0:26
35Sinfonie g-Moll KV 550: 4.Satz, Hauptthema
partial recording of:
Symphony no. 40 in G minor, K. 550 “Great”: IV. Finale. Allegro assai (2nd version)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart0:32
36Sinfonie g-Moll KV 550: 4. Satz, Seitenthema
partial recording of:
Symphony no. 40 in G minor, K. 550 “Great”: IV. Finale. Allegro assai (2nd version)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart0:16
37Sinfonie g-Moll KV 550: Menuett, Beginn
partial recording of:
Symphony no. 40 in G minor, K. 550 “Great”: III. Minuetto. Allegretto & Trio (2nd version)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart0:27
38Sinfonie g-Moll KV 550: Menuett, Trio
partial recording of:
Symphony no. 40 in G minor, K. 550 “Great”: III. Minuetto. Allegretto & Trio (2nd version)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart0:51
39Klarinettenkonzert A-Dur KV 622: 1. Satz, zwei Expositionen
partial recording of:
Concerto for Clarinet in A major, K. 622: I. Allegro (Concerto for Clarinet and Orchestra in A major, K. 622: I. Allegro)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart5:39
40Klarinettenkonzert A-Dur KV 622: 2. Satz
basset clarinet:
Sabine Meyer (clarinetist) (from 1990-06-06 until 1990-06-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1990-06-06 until 1990-06-08)
conductor:
Hans Vonk (conductor) (from 1990-06-06 until 1990-06-08)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1990)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1990-06-06 until 1990-06-08)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio) (from 1990-06-06 until 1990-06-08)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart6:37
41Klarinettenkonzert A-Dur KV 622: 3. Satz
basset clarinet:
Sabine Meyer (clarinetist) (from 1990-06-06 until 1990-06-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1990-06-06 until 1990-06-08)
conductor:
Hans Vonk (conductor) (from 1990-06-06 until 1990-06-08)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1990)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1990-06-06 until 1990-06-08)
recording of:
Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro (Concerto for Clarinet and Orchestra in A major, K. 622: III. Rondo. Allegro) (from 1990-06-06 until 1990-06-08)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
arrangement of:
Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro (catch-all for arrangements)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart8:15

Credits

Release

ASIN:DE: 3507029073 [info]

Release group

part of:Musik um uns (order: 5)