101 Power Ballads

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▶Digitales Medium
2▶Digitales Medium
3▶Digitales Medium
4▶Digitales Medium
5▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Without You
Techniker(in):
Robin Geoffrey Cable
Produzent(in):
Richard Perry (producer)
Akustikgitarre:
John Uribe (in 1971-06)
Bassgitarre:
Klaus Voormann (in 1971-06)
Klavier:
Gary Wright (US singer/keyboardist) (in 1971-06)
Schlagzeug:
Jim Keltner (session drummer, composer and educator) (in 1971-06)
vocals:
Harry Nilsson (US singer-songwriter) (in 1971-06)
conductor:
Paul Buckmaster (in 1971-06)
Blechblasinstrumente und Saiteninstrumente arranger:
Paul Buckmaster
phonographisches Urheberrecht (℗) von:
BMG Music (in 1971, in 1991), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1971), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since 2009; operates worldwide except in JP) (in 1971), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1972) und RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (in 1989)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 496)
cover recording of:
Without You (in 1971-06)
Verfasser(in):
Tom Evans (UK guitarist for Badfinger) und W. Peter Ham
publisher:
100 % Apple Music, Apple Music (ASCAP-affiliated, not related to platform owned by Apple Inc.), Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, vom 1970 bis heute), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label) und WB Music Corp. (1929–2019) (bis 2019-05-28)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Nilsson4.33:19
2Overnight Sensation
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1974)
recording of:
Overnight Sensation (Hit Record)
Verfasser(in):
Eric Carmen
The Raspberries5:26
3Life on Mars?
recording engineer:
Ken Scott (UK record producer & engineer) (am 1971-08-06)
assistierende(r) Produzent(in):
the actor (English singer‐songwriter)
Produzent(in):
Ken Scott (UK record producer & engineer)
Bassgitarre:
Trevor Bolder (British bassist) (am 1971-08-06)
E-Gitarre [Gibson Les Paul electric guitar] und mellotron:
Mick Ronson (British guitarist) (am 1971-08-06)
Klavier:
Rick Wakeman (am 1971-08-06)
Schlagzeug:
Mick Woodmansey (British drummer) (am 1971-08-06)
Sologesang:
David Bowie (English singer‐songwriter) (am 1971-08-06)
Orchester:
BBC Symphony Orchestra (am 1971-08-06)
conductor:
Mick Ronson (British guitarist) (am 1971-08-06)
remixer:
Ken Scott (UK record producer & engineer)
Saiteninstrumente arranger:
Mick Ronson (British guitarist)
phonographisches Urheberrecht (℗) von:
Jones/Tintoretto Entertainment Company LLC
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1971-08-06)
Musikvideos:
Life on Mars? von David Bowie (English singer‐songwriter)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 105)
recording of:
Life on Mars? (am 1971-08-06)
geschrieben in:
London (Greater London), England, Vereinigtes Königreich (in 1971)
Texter und Komponist(in):
David Bowie (English singer‐songwriter) (in 1971)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Tintoretto Music
David Bowie4.43:49
4Maybe I’m Amazed
Techniker(in) und Mix:
Phil McDonald (engineer and producer)
Produzent(in):
Paul McCartney (The Beatles)
E-Bass, E-Gitarre, Klavier, Orgel, Schlagzeug und Sologesang:
Paul McCartney (The Beatles) (am 1970-02-22)
Hintergrundgesang:
Linda McCartney (am 1970-02-22) und Paul McCartney (The Beatles) (am 1970-02-22)
phonographisches Urheberrecht (℗) von:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1970, in 2014) und MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (in 2014)
aufgenommen bei:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1970-02-22)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 339)
recording of:
Maybe I’m Amazed (am 1970-02-22)
geschrieben in:
London (Greater London), England, Vereinigtes Königreich (in 1969)
Texter und Komponist(in):
Paul McCartney (The Beatles) (in 1969)
publisher:
Northern Songs Ltd. und Sony/ATV Tunes LLC
Paul McCartney3.83:50
5You Are So Beautiful
assistierende(r) Techniker(in):
David Gallo (engineer) und David Roberts (engineer)
Techniker(in):
Guy Charbonneau
Produzent(in):
Michael Lang (Producer)
Mix:
Chris Lord‐Alge
Bass:
Dave McDaniel (bass)
Klavier:
Nicky Hopkins (pianist and organist)
Sologesang:
Joe Cocker
Interpret(in):
Joe Cocker
arranger:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1973)
aufgenommen bei:
Memorial Auditorium in Lowell, Massachusetts, Vereinigte Staaten (am 1989-10-05)
cover recording of:
You Are So Beautiful
Verfasser(in):
Bruce Fisher und Billy Preston
publisher:
Almo Music Corporation (USA, affiliated with ASCAP) und Preston Songs (ASCAP)
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
Joe Cocker3.952:44
6Running Scared
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1961-02-27)
Produzent(in):
Fred Foster (am 1961-02-27)
vocals:
Roy Orbison (am 1961-02-27)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 4)
recording of:
Running Scared (am 1961-02-27)
Texter:
Joe Melson (in 1961) und Roy Orbison (in 1961)
Komponist(in):
Joe Melson und Roy Orbison
publisher:
Barbara Orbison Music Company, Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) und Acuff-Rose Publications, Inc. (BMI) (am 1961-04-10)
Roy Orbison3.252:15
7The House of the Rising Sun
Produzent(in):
Mickie Most (English record producer)
Bassgitarre:
Chas Chandler
E-Gitarre:
Hilton Valentine
Orgel:
Alan Price
Schlagzeug:
John Steel (English musician)
Sologesang:
Eric Burdon
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1964), Columbia Pictures Industries, Inc. (in 1964) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964, in 2002)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 122), BILLIONS CLUB und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 471)
recording of:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Alan Price
publisher:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse und Universal/MCA Music Ltd. (not for release label use!)
Arrangement von:
House of the Rising Sun
The Animals4.154:29
8Love Hurts
recording engineer:
Tony Taverner
zusätzlich recording engineer und zusätzliche(r) Mix:
John Punter
Produzent(in):
Manny Charlton (singer-songwriter and guitarist)
Bassgitarre:
Pete Agnew (singer-songwriter and bassist)
Gitarre und Synthesizer:
Manny Charlton (singer-songwriter and guitarist)
Schlagzeug:
Darrell Sweet (drummer and songwriter)
Hintergrundgesang:
Pete Agnew (singer-songwriter and bassist) und Darrell Sweet (drummer and songwriter)
Sologesang:
Dan McCafferty (singer, songwriter)
phonographisches Urheberrecht (℗) von:
Mountain Records (British record company, established early 1970s, best known act is Nazareth) (in 1974) und USM Copyrights Ltd. (in 1975)
aufgenommen bei:
Associated Recording Studios in London (Greater London), England, Vereinigtes Königreich und Escape Studios in Kent, England, Vereinigtes Königreich
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 75)
cover recording of:
Love Hurts
Texter und Komponist(in):
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. und Acuff-Rose Publications, Inc. (BMI) (am 1960-08-30)
sub-publisher:
Acuff-Rose Music Limited (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Nazareth4.43:51
9I’ve Been Drinking
Gast-Interpret(in):
Rod Stewart
phonographisches Urheberrecht (℗) von:
RAK Records Ltd. (in 1968)
recording of:
I’ve Been Drinking
Verfasser(in):
Johnny Mercer und Doris Tauber
arranger:
Jeff Beck (English rock guitarist) und Rod Stewart
Arrangement von:
Drinking Again
Jeff Beck feat. Rod Stewart3:17
10Need Your Love So Bad
cover recording of:
Need Your Love So Bad
Texter und Komponist(in):
Little Willie John und Mertis John Jr. (older brother of Little Willie John)
publisher:
Carlin Music Corporation, Fort Knox Music Co, Fort Knox Music Inc., Lark Music Ltd., Peter Maurice Music, Peter Maurice Music Co. und Trio Music Co., Inc.
Fleetwood Mac46:13
11Every Day Hurts
phonographisches Urheberrecht (℗) von:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1979) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1979)
recording of:
Every Day Hurts
Verfasser(in):
Vic Emerson (English keyboardist, synthesizer, arranger and songwriter), John Stimpson und Paul Young (Sad Café, Mike + The Mechanics)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und St. Anne’s Music Ltd.
Sad Café44:05
12Wonderful
recording of:
Wonderful
Verfasser(in):
Rod Argent und Chris White (UK bassist for The Zombies)
Colin Blunstone5:02
13Mockingbird
recording of:
Mocking Bird
Verfasser(in):
Les Holroyd, John Lees, Mel Pritchard und Stuart “Woolly” Wolstenholme
Barclay James Harvest46:35
14Blinded by the Light
Bass:
Colin Pattenden (British bass player) (in 1976)
Gitarre:
Chris Hamlet Thompson (vocalist with Manfred Mann’s Earth Band) (in 1976)
Gitarre [lead guitar]:
Dave Flett (guitar player in Manfred Mann’s Earth Band) (in 1976)
Horn [horn arrangement]:
Derek Wadsworth (in 1976)
Keyboard [keyboards]:
Manfred Mann (the person) (in 1976)
Perkussion und Schlagzeug:
Chris Slade (in 1976)
Saiteninstrumente:
David Millman (in 1976)
Solo-Saxophon:
Barbara Thompson (in 1976)
Chorgesang:
Jane Bunting (in 1976), Chris Sennett (in 1976), Gillian Ainscow (in 1976), Graham Jenkins (in 1976), Hilary Farmborough (in 1976), Jacqueline Nicholls (in 1976), Jeremy Paynton-Jones (in 1976), Laurence Holden (in 1976), Marilyn Bennet (in 1976), Peter Cudmore (in 1976), Philip Keywood (in 1976) und Stan Bailey (in 1976)
Hintergrundgesang:
Doreen Chanter (in 1976), Irene Chanter (in 1976), Mick Rogers (of Manfred Mann’s Earth Band) (in 1976), Chris Slade (in 1976) und Susanne Lynch (in 1976)
vocals:
Chris Hamlet Thompson (vocalist with Manfred Mann’s Earth Band) (in 1976) und Manfred Mann (the person) (in 1976)
phonographisches Urheberrecht (℗) von:
Creature Music Ltd.
aufgenommen bei:
The Workhouse in London (Greater London), England, Vereinigtes Königreich (in 1976)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 76)
cover recording of:
Blinded by the Light (in 1976)
Texter und Komponist(in):
Bruce Springsteen (von 1972-08 bis 1972-09)
publisher:
Eldridge Publishing Co., Intersong Music Ltd., Sioux City Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Pop Music Publishing, Zomba Music und Laurel Canyon Music Ltd. (publishing company of Mike Appel and Jim Cretecos) (in 1972)
Manfred Mann’s Earth Band4.87:05
15Wild West Hero
Techniker(in):
Mack (German rock producer/engineer Reinhold Mack)
Produzent(in):
Jeff Lynne
Bass:
Kelly Groucutt (in 1977)
Geige / Violine:
Mik Kaminski (in 1977)
Gitarre, Synthesizer und Sologesang:
Jeff Lynne (in 1977)
Keyboard:
Richard Tandy (keyboardist for Electric Light Orchestra) (in 1977)
Klavier:
Melvyn Gale (in 1977)
Perkussion und Schlagzeug:
Bev Bevan (English rock drummer) (in 1977)
conductor:
Louis Clark (in 1977)
arranger:
Louis Clark, Jeff Lynne und Richard Tandy (keyboardist for Electric Light Orchestra)
phonographisches Urheberrecht (℗) von:
Jet Records (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1978), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since 2009; operates worldwide except in JP) (in 1978, in 2005) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
aufgenommen bei:
Musicland Studios (Munich) in München, Bayern, Deutschland (in 1977)
mixed at:
Musicland Studios (Munich) in München, Bayern, Deutschland
recording of:
Wild West Hero (in 1977)
Texter und Komponist(in):
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., Polygon Publishing Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Electric Light Orchestra4.354:41
16Darlin’
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978)
cover recording of:
Darlin’
Texter und Komponist(in):
Oscar Stewart Blandamer
publisher:
Sony/ATV Music Publishing Australia Pty Ltd.
Frankie Miller3:04
17Saturday Gigs
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since 2009; operates worldwide except in JP) (in 1974)
recording of:
Saturday Gigs
Texter und Komponist(in):
Ian Hunter (Mott the Hoople)
publisher:
EMI April Music Inc. und Ian Hunter Music Inc.
Mott the Hoople44:21
6▶Digitales Medium

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von:EMI Records Ltd (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2009)
Virgin Records Ltd (not for release label use! for company relationships only) (in 2009)
phonographisches Urheberrecht (℗) von:Sony Music Entertainment (UK) Ltd (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 2009)
Virgin Records Ltd (not for release label use! for company relationships only) (in 2009)
kostenlos streamen:https://open.spotify.com/album/1j6NIx3KdYCpzVFBSI5ozA [Info]