The Ultimate Collection (cover art variant)

~ Release by Julie London (see all versions of this release, 2 available)

Tracklist

1▶CD
2▶CD
3▼CD
#TitleRatingLength
1Blue Moon
engineer:
Ted Keep (in 1958-07)
producer:
Bobby Troup
vocals:
Julie London (in 1958-07)
cover recording of:
Blue Moon (in 1958-07)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
52:33
2Fools Rush In
recorded in:
Hollywood, Los Angeles, California, United States (in 1955-04)
engineer:
John Neal (engineer) (in 1955-04)
producer:
Bobby Troup
guitar:
Al Viola (in 1955-04)
vocals:
Julie London (in 1955-04)
cover recording of:
Fools Rush In (Where Angels Fear to Tread) (in 1955-04)
lyricist:
Johnny Mercer
writer:
Johnny Mercer
composer:
Rube Bloom (American songwriter, pianist and vocalist)
publisher:
Bregman, Vocco & Conn, Inc., Commander Publications, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
42:09
3Second Time Around
engineer:
Eddie Brackett and Jim Economides
producer:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
vocals:
Julie London (in 1962-03)
cover recording of:
The Second Time Around (in 1962-03)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
AF Encore Fund LLC, Applause and Encore Music, EMI Miller Catalog, Inc., Miller Music (publisher) and Twentieth Century Music Corp. (in 1960, in 1988)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label)
part of:
The 33rd Academy Award for Best Original Song (number: 2)
3:02
4Goody Goody
engineer:
Ted Keep (in 1958-07)
producer:
Bobby Troup
vocals:
Julie London (in 1958-07)
edit of:
Goody Goody (includes false start) by Julie London
cover recording of:
Goody Goody (in 1958-07)
lyricist:
Johnny Mercer
composer:
Matty Malneck
publisher:
Chappell & Co., Inc. (USA), Malneck Music, The Johnny Mercer Foundation and WB Music Corp. (1929–2019)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
31:57
5I Must Have That Man
producer:
Si Waronker
vocals:
Julie London (in 1960)
orchestra:
Orchestra and Chorus conducted by Jimmy Rowles (in 1960)
conductor:
Jimmy Rowles (in 1960)
recording of:
I Must Have That Man (in 1960)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
2:17
6The Thrill Is Gone
engineer:
John Kraus (1950s US engineer)
producer:
Si Waronker
double bass:
Don Bagley (on 1960-03-04)
drums (drum set):
Earl Palmer (on 1960-03-04)
guitar:
Al Viola (on 1960-03-04)
piano:
Jimmy Rowles (on 1960-03-04)
vibraphone:
Emil Richards (on 1960-03-04)
vocals:
Julie London (on 1960-03-04)
recorded at:
Julie London’s living room (on 1960-03-04)
cover recording of:
The Thrill Is Gone (Henderson/Brown song, first performed in 1931) (on 1960-03-04)
lyricist:
Lew Brown
composer:
Ray Henderson
publisher:
DeSylva, Brown and Henderson, Inc. and Redwood Music Ltd. (Carlin)
3:19
7Hot Toddy
engineer:
Ted Keep (in 1958-07)
producer:
Bobby Troup
vocals:
Julie London (in 1958-07)
cover recording of:
Hot Toddy (in 1958-07)
writer:
Ralph Flanagan (Band leader, songwriter) and Herb Hendler
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) and Valley Entertainment Enterprises
11:48
8My Man’s Gone Now
engineer:
Ted Keep
producer:
Bobby Troup
vocals:
Julie London (from 1957-05 until 1958-11)
orchestra:
Pete King and His Orchestra (from 1957-05 until 1958-11)
cover recording of:
My Man’s Gone Now (aria from Porgy and Bess, use this for non-opera or instrumental recordings) (from 1957-05 until 1958-11)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell Music Co., Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Chappell North America and WB Music Corp. (1929–2019) (until 2019-05-28)
version of:
Porgy and Bess: Act I, Scene II. “My Man’s Gone Now”
43:47
9Where or When
recorded in:
Hollywood, Los Angeles, California, United States (in 1955-04)
engineer:
John Neal (engineer) (in 1955-04)
producer:
Bobby Troup
guitar:
Al Viola (in 1955-04)
vocals:
Julie London (in 1955-04)
cover recording of:
Where or When (from “Babes in Arms”) (in 1955-04)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company and Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
42:35
10How About Me?
engineer:
John Kraus (1950s US engineer)
producer:
Si Waronker
vocals:
Julie London (in 1960-08)
conductor:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (in 1960-08)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (in 1960-08)
cover recording of:
How About Me? (in 1960-08)
lyricist and composer:
Irving Berlin (in 1928)
publisher:
Irving Berlin Music Corp.
43:06
11Black Coffee
engineer:
John Kraus (1950s US engineer)
producer:
Si Waronker
vocals:
Julie London (in 1960-08)
conductor:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (in 1960-08)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (in 1960-08)
cover recording of:
Black Coffee (1948 song) (in 1960-08)
lyricist:
Paul Francis Webster (in 1948)
composer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. and Webster Music Co.
42:50
12It’s the Talk of the Town
recorded in:
Hollywood, Los Angeles, California, United States (in 1955-04)
engineer:
John Neal (engineer) (in 1955-04)
producer:
Bobby Troup
guitar:
Al Viola (in 1955-04)
vocals:
Julie London (in 1955-04)
cover recording of:
It’s the Talk of the Town (in 1955-04)
lyricist:
Al J. Neiburg (lyricist) and Marty Symes (lyricist)
composer:
Jerry Livingston (songwriter)
arranger:
Ib Glindemann
42:37
13Love Letters
engineer:
Eddie Brackett and Jim Economides
producer:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
vocals:
Julie London (in 1962-03)
cover recording of:
Love Letters (in 1962-03)
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
BMG Music Publishing Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony and Warner/Chappell Music Ltd. (1996–2019)
part of:
The 18th Academy Award for Best Original Song (number: 2)
2:54
14Daddy
engineer:
Ted Keep
producer:
Felix Slatkin and Bobby Troup
vocals:
Julie London (in 1957-10)
orchestra:
The Jimmy Rowles Orchestra (in 1957-10)
conductor:
Jimmy Rowles (in 1957-10)
cover recording of:
Daddy (in 1957-10)
lyricist and composer:
Robert W. Troup, Jr.
42:18
15Say It Isn’t So
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
vocals:
Julie London (in 1955-08)
cover recording of:
Say It Isn’t So (in 1955-08)
lyricist and composer:
Irving Berlin
publisher:
Irving Berlin Music Corp.
32:02
16Invitation to the Blues
engineer:
Ted Keep and Val Valentin
producer:
Bobby Troup
vocals:
Julie London
orchestra:
Russ Garcia & His Orchestra
conductor:
Russell Garcia
arranger:
Russell Garcia
recording of:
Invitation to the Blues (from 1956 until 1957)
writer:
Allan Roberts (songwriter), Doris Fisher and Arthur Gershwin
32:48
17A Stranger in Town
engineer:
Ted Keep and Bill Putnam
producer:
Bobby Troup
vocals:
Julie London
conductor:
André Previn (pianist, conductor, composer, arranger)
arranger:
André Previn (pianist, conductor, composer, arranger)
recording of:
A Stranger in Town
lyricist and composer:
Mel Tormé (“The Velvet Fog”)
42:56
18Do It Again
producer:
Felix Slatkin
vocals:
Julie London (in 1961-07)
cover recording of:
Do It Again (in 1961-07)
lyricist:
Buddy DeSylva
composer:
George Gershwin (composer)
publisher:
Harms, Inc. (in 1922)
2:20
19I’m Glad There Is You
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
vocals:
Julie London (in 1955-08)
cover recording of:
I’m Glad There Is You (in 1955-08)
writer:
Jimmy Dorsey and Paul Madeira (Paul Madeira Mertz)
publisher:
Chappell/Morris Ltd. and Mayfair Music Corp.
42:29
20Basin Street Blues
engineer:
Ted Keep and Val Valentin
producer:
Bobby Troup
vocals:
Julie London (in 1957)
orchestra:
Russ Garcia & His Orchestra (in 1957)
conductor:
Russell Garcia (in 1957)
arranger:
Russell Garcia
cover recording of:
Basin Street Blues (in 1957)
lyricist and composer:
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
53:04
21That’s for Me
engineer:
Ted Keep
producer:
Bobby Troup
vocals:
Julie London (from 1957-05 until 1958-11)
orchestra:
Pete King and His Orchestra (from 1957-05 until 1958-11)
cover recording of:
That’s for Me (State Fair) (from 1957-05 until 1958-11)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
42:25
22Sophisticated Lady
producer:
Si Waronker
vocals:
Julie London (in 1961)
cover recording of:
Sophisticated Lady (in 1961)
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
included in:
The Real Book (compilation of jazz standards, volume I)
part of:
Sophisticated Ladies (1981 musical)
2:36
23Bye Bye Blues
engineer:
Ted Keep and Val Valentin
producer:
Bobby Troup
vocals:
Julie London (in 1957)
orchestra:
Russ Garcia & His Orchestra (in 1957)
conductor:
Russell Garcia (in 1957)
arranger:
Russell Garcia
cover recording of:
Bye Bye Blues (in 1957)
composer:
Dave Bennett (Songwriter) (until 1925), Chauncey Gray (until 1925), Fred Hamm (1920s US jazz musician/composer) (until 1925) and Bert Lown (until 1925)
41:38
24What’ll I Do?
engineer:
John Neal (engineer) (in 1955-04)
guitar:
Al Viola (in 1955-04)
vocals:
Julie London (in 1955-04)
cover recording of:
What’ll I Do? (in 1955-04)
lyricist and composer:
Irving Berlin (in 1923)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Wilhelm Hansen and Williamson Music Company
41:58
25The Party’s Over
engineer:
John Kraus (1950s US engineer)
producer:
Si Waronker
vocals:
Julie London (in 1960-08)
conductor:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (in 1960-08)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (in 1960-08)
cover recording of:
The Party’s Over (Bells Are Ringing) (in 1960-08)
lyricist:
Betty Comden and Adolph Green
composer:
Jule Styne
publisher:
Chappell & Co., Stratford Music Corporation and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Bells Are Ringing (stage musical)
43:22