The All-Baroque Box From Monteverdi to Bach

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

50-CD collection of significant recordings of Baroque works. Includes a 140-page booklet with complete tracklists and credits.

Annotation last modified on 2026-09-10 09:15 UTC.

Tracklist

1▶CD: Claudio Monteverdi: L'Orfeo (Prologue, Acts 1-2)
2▶CD: Claudio Monteverdi: L'Orfeo (Acts 3-5) / Lamento d'Arianna
3▶CD: Claudio Monteverdi: Vespro della Beata Vergine I
4▶CD: Claudio Monteverdi: Vespro della Beata Vergine II
5▶CD: Claudio Monteverdi: Madrigali erotici
6▶CD: Giovanni Gabrieli: Music for San Rocco
7▶CD: Heinrich Schütz: Musikalische Exequien
8▶CD: Monteverdi / Rigatti / Grandi / Cavalli: Venetian Vespers I
9▶CD: Monteverdi / Rigatti / Grandi / Cavalli: Venetian Vespers II
10▶CD: Heinrich I. F. Biber: Missa Salisburgensis
11▶CD: Lully / Cordier / Lambert / Cambert: Le Roi danse
12▶CD: M.-A. Charpentier: Te Deum / Messe de Minuit
13▶CD: Henry Purcell: Dido and Aeneas
14▶CD: Henry Purcell: Ode for St. Cecilia's Day / Verse Anthems
15▶CD: Arcangelo Corelli: Concerti Grossi op. 6 nos. 1-6
16▶CD: Arcangelo Corelli: Concerti Grossi op. 6 nos. 7-12
17▶CD: Couperin Family: Pièces de clavecin
18▶CD: Gasparini / Scarlatti / Pasquini / Marcello: Cantatas
19▶CD: Pachelbel / Handel / Vivaldi / Bach: Canon & Gigue / Sonatas / Suites
20▶CD: Antonio Vivaldi: L'estro armonico op. 3 nos. 1-9
21▶CD: Antonio Vivaldi: L'estro armonico op. 3 nos. 10-12 / Le quattro stagioni
22▶CD: Antonio Vivaldi: Gloria / Stabat Mater / Nisi Dominus
23▶CD: G. P. Telemann: Wind Concertos
24▶CD: Jean-Philippe Rameau: Dardanus (Prologue, Acts 1-2)
25▶CD: Jean-Philippe Rameau: Dardanus (Acts 3-5)
26▶CD: Jean-Philippe Rameau: Une symphonie imaginaire
27▶CD: J. D. Heinichen: Dresden Concertos
28▶CD: J. S. Bach: Organ Toccatas & Fugues
29▶CD: J. S. Bach: Chromatic Fantasia & Fugue / Preludes & Fugues / Suites
30▶CD: J. S. Bach: Goldberg Variations
31▶CD: J. S. Bach: Sonatas & Partitas for Violin Solo I
32▶CD: J. S. Bach: Sonatas & Partitas for Violin Solo II
33▶CD: J. S. Bach: Six Suites for Violoncello Solo I
34▶CD: J. S. Bach: Six Suites for Violoncello Solo II
35▶CD: J. S. Bach: Brandenburg Concertos nos. 1-5
36▶CD: J. S. Bach: Brandenburg Concerto no. 6 / Violin Concertos BWV 1041-1043
37▶CD: J. S. Bach: Cantatas BWV 82, 140, 147
38▶CD: J. S. Bach: St. Matthew Passion (Part I, Part II nos. 1-35)
39▶CD: J. S. Bach: St. Matthew Passion (Part II nos. 36-68)
40▶CD: J. S. Bach: Mass in B minor (Kyrie, Gloria)
41▼CD: J. S. Bach: Mass in B minor (Credo, Sanctus, Agnus Dei)
#TitleArtistRatingLength
1Mass in B minorm BWV 232: Credo (Symbolum Nicenum). 13. Chorus: Credo in unum Deum
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (engineer) and Gregor Zielinsky (Balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1985-02)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (British label, see annotation) (in 1985)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (in 1985-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:55
2Mass in B minorm BWV 232: Credo (Symbolum Nicenum). 14. Chorus: Credo in unum Deum, Patrem omnipotentem
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (engineer) and Gregor Zielinsky (Balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1985-02)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (British label, see annotation) (in 1985)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (in 1985-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:53
3Mass in B minorm BWV 232: Credo (Symbolum Nicenum). 15. Duet: Et in unum Dominum
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (engineer) and Gregor Zielinsky (Balance engineer)
mezzo-soprano vocals:
Mary Nichols (soprano & alto) (in 1985-02)
soprano vocals:
Patrizia Kwella (soprano) (in 1985-02)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (British label, see annotation) (in 1985)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (in 1985-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:11
4Mass in B minorm BWV 232: Credo (Symbolum Nicenum). 16. Chorus: Et incranatus est
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (engineer) and Gregor Zielinsky (Balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1985-02)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (British label, see annotation) (in 1985)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (in 1985-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:26
5Mass in B minorm BWV 232: Credo (Symbolum Nicenum). 17. Chorus: Crucifixus
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (engineer) and Gregor Zielinsky (Balance engineer)
bass vocals:
Stephen Varcoe (bass-baritone) (in 1985-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1985-02)
countertenor vocals:
Michael Chance (British countertenor) (in 1985-02)
mezzo-soprano vocals:
Carol Hall (operatic mezzo‐soprano) (in 1985-02)
tenor vocals:
Wynford Evans (tenor) (in 1985-02)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (British label, see annotation) (in 1985)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (in 1985-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 “Weinen, Klagen, Sorgen, Zagen”: II. Coro “Weinen, Klagen, Sorgen, Zagen”
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:09
6Mass in B minorm BWV 232: Credo (Symbolum Nicenum). 18. Chorus: et resurrexit
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (engineer) and Gregor Zielinsky (Balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1985-02)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (British label, see annotation) (in 1985)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (in 1985-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:49
7Mass in B minorm BWV 232: Credo (Symbolum Nicenum). 19. Aria: Et in Spiritum Sanctum
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (engineer) and Gregor Zielinsky (Balance engineer)
oboe [oboe d'amore]:
Valerie Darke (oboist) (in 1985-02) and Sophia McKenna (oboist) (in 1985-02)
bass vocals:
Richard Lloyd-Morgan (in 1985-02)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (British label, see annotation) (in 1985)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (in 1985-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:30
8Mass in B minorm BWV 232: Credo (Symbolum Nicenum). 20. Chorus: Confiteor (attacca:)
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (engineer) and Gregor Zielinsky (Balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1985-02)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (British label, see annotation) (in 1985)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (in 1985-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:32
9Mass in B minorm BWV 232: Credo (Symbolum Nicenum). 21.Chorus: Et exspecto resurrectionem
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (engineer) and Gregor Zielinsky (Balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1985-02)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (British label, see annotation) (in 1985)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (in 1985-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:34
10Mass in B minorm BWV 232: Sanctum. 22. Chorus: Sanctus
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (engineer) and Gregor Zielinsky (Balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1985-02)
orchestra:
The English Baroque Soloists (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (British label, see annotation) (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (in 1985-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:26
11Mass in B minorm BWV 232: Osanna, Benedictus, Agnus Dei et Dona nobis pacem: 23. Chorus I/II: Osanna in excelsis
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (engineer) and Gregor Zielinsky (Balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1985-02)
orchestra:
The English Baroque Soloists (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (British label, see annotation) (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (in 1985-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:36
12Mass in B minorm BWV 232: Osanna, Benedictus, Agnus Dei et Dona nobis pacem: 24. Aria: Benedictus, qui venit
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (engineer) and Gregor Zielinsky (Balance engineer)
flute:
Lisa Beznosiuk (flautist) (in 1985-02)
tenor vocals:
Wynford Evans (tenor) (in 1985-02)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (British label, see annotation) (in 1985)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (in 1985-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:48
13Mass in B minorm BWV 232: Osanna, Benedictus, Agnus Dei et Dona nobis pacem: 25. Chorus I/II: Osanna in excelsis (da capo)
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (engineer) and Gregor Zielinsky (Balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1985-02)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (British label, see annotation) (in 1985)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (in 1985-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:36
14Mass in B minorm BWV 232: Osanna, Benedictus, Agnus Dei et Dona nobis pacem: 26. Aria: Agnus Dei
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (engineer) and Gregor Zielinsky (Balance engineer)
countertenor vocals:
Michael Chance (British countertenor) (in 1985-02)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (British label, see annotation) (in 1985)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 1985-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:47
15Mass in B minorm BWV 232: Osanna, Benedictus, Agnus Dei et Dona nobis pacem: 27. Chorus: Dona nobis pacem
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (engineer) and Gregor Zielinsky (Balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1985-02)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (British label, see annotation) (in 1985)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (in 1985-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:20
42▶CD: G. F. Handel: Guilio Cesare (Act I nos. 1-15)
43▶CD: G. F. Handel: Giulio Cesare (Act I no. 16, Act II)
44▶CD: G. F. Handel: Giulio Cesare (Act III)
45▶CD: G. F. Handel: Messiah (Part I, Part II nos. 19-20)
46▶CD: G. F. Handel: Messiah (Part II nos. 21-39, Part III)
47▶CD: G. F. Handel: Water Music / Music for the Royal Fireworks
48▶CD: G. F. Handel: Dixit Dominus / Coronation Anthems
49▶CD: Domenico Scarlatti: Sonatas
50▶CD: G. B. Pergolesi: Stabat Mater / Salve Regina / G. Allegri: Miserere

Credits

Release

art direction and illustration:Fred Münzmaier
photography:Christy Lee Rogers (Underwater photographer) (task: box photos)
miscellaneous support:David Butchart (task: project management)
booklet editor:Eva Zöllner (booklet editor)
Discogs:https://www.discogs.com/release/10675829 [info]
ASIN:DE: B008BP1LS6 [info]
purchase for mail-order:http://www.deutschegrammophon.com/us/gpp/index/4790441-baroque-box [info]
discography entry:https://www.deutschegrammophon.com/en/cat/4790441 [info]
Allmusic:https://www.allmusic.com/album/release/mr0003743072 [info]