Casse Noisette - Suite - La Belle Au Bois Dormant - Ballet-Suite - Capriccio Italien (some fictitious performers)

~ Pubblicazione di Tchaikovsky; Orchestre Festival De Tokyo, Takao Matsumo, Nouvel Orchestre Philharmonique De Londres, A. Scholz (visualizza tutte le versioni di questa pubblicazione: 7 disponibili)

Annotazione

some fictitious performers, e.g. Helene Gal

Annotazione modificata l'ultima volta il 2026-08-14 18:20 UTC.

Elenco tracce

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1Casse Noisette - Suite, op.71a: Ouverture miniature, danses caractéristiques
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), Leipzig Philharmonic Orchestra (FICTIONAL / used for an Alfred Scholz (style) release - NOT the Philharmonie Leipzig (est. 2000)), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) e Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
direttore d'orchestra:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Gerhard Bosse (as used for an Alfred Scholz release - NOT the real artist), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Takao Matsumo (conductor, an Alfred Scholz pseudonym)
registrazione di:
The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer) (fino al 1892)
parte di:
The Nutcracker (suite from the ballet), op. 71a
Пётр Ильич Чайковский3:15
2Casse Noisette - Suite, op.71a: Marche
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) e Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
direttore d'orchestra:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Takao Matsumo (conductor, an Alfred Scholz pseudonym)
registrazione di:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
registrazione di:
Щелкунчик, op. 71: Действие I, Картина I, no. 2. Марш (The Nutcracker, op. 71: March, March)
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
Щелкунчик, op. 71: Действие I (The Nutcracker, op. 71: Act 1, The Nutcracker, op. 71: Act 1)
Пётр Ильич Чайковский2:44
3Casse Noisette - Suite, op.71a: Danse de la Fée-Dragée
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) e Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
direttore d'orchestra:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Takao Matsumo (conductor, an Alfred Scholz pseudonym)
registrazione di:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revisione di:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy)
Пётр Ильич Чайковский2:06
4Casse Noisette - Suite, op.71a: Danse russe
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) e Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
direttore d'orchestra:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Takao Matsumo (conductor, an Alfred Scholz pseudonym)
registrazione di:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский1:12
5Casse Noisette - Suite, op.71a: Danse arabe
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) e Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
direttore d'orchestra:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Takao Matsumo (conductor, an Alfred Scholz pseudonym)
registrazione di:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский3:37
6Casse Noisette - Suite, op.71a: Danse chinoise
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) e Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
direttore d'orchestra:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Takao Matsumo (conductor, an Alfred Scholz pseudonym)
registrazione di:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский1:20
7Casse Noisette - Suite, op.71a: Danse de Miltitons
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) e Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
direttore d'orchestra:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Takao Matsumo (conductor, an Alfred Scholz pseudonym)
registrazione di:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revisione di:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (The Nutcracker, op. 71: Act II, Scene III. Divertimento: Dance of the Reed-Flutes, Dance of the shepherds)
Пётр Ильич Чайковский2:36
8Casse Noisette - Suite, op.71a: Valse des Fleurs
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), Hamburger Symphoniker, London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) e Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
direttore d'orchestra:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Pietro di la Corona (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Takao Matsumo (conductor, an Alfred Scholz pseudonym)
registrazione di:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Nutcracker (suite from the ballet), op. 71a
revisione di:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the Flowers, valse des fleurs; waltz of the flowers)
Пётр Ильич Чайковский7:04
9La Belle au Bois Dormant - Suite, op.66a: Introduction: La Fée des Lilas
orchestra:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) e Russian State Symphony Orchestra (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
direttore d'orchestra:
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren (fictitious conductor, Alfred Scholz pseudonym) e Peter Wohlert (conductor, Alfred Scholz related)
registrazione di:
The Sleeping Beauty Suite, op. 66a: I. Introduction. La Fée des Lilas
compositore:
Pyotr Ilyich Tchaikovsky (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Sleeping Beauty, op. 66a (Suite)
registrazione di:
The Sleeping Beauty, op. 66: Introduction
compositore:
Pyotr Ilyich Tchaikovsky (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
Спящая красавица, op. 66 (The Sleeping Beauty, op. 66)
Пётр Ильич Чайковский3:33
10La Belle au Bois Dormant - Suite, op.66a: Pas d'action
orchestra:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Orquesta Sinfónica Clásica de Baviera (an Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) e Russian State Symphony Orchestra (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
direttore d'orchestra:
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren (fictitious conductor, Alfred Scholz pseudonym) e Peter Wohlert (conductor, Alfred Scholz related)
registrazione di:
The Sleeping Beauty Suite, op. 66a: II. Adagio. Pas d'action
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Sleeping Beauty, op. 66a (Suite)
Пётр Ильич Чайковский5:25
11La Belle au Bois Dormant - Suite, op.66a: Panorama
orchestra:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) e Russian State Symphony Orchestra (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
direttore d'orchestra:
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren (fictitious conductor, Alfred Scholz pseudonym) e Peter Wohlert (conductor, Alfred Scholz related)
registrazione di:
The Sleeping Beauty Suite, op. 66a: III. Pas de caractère
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Sleeping Beauty, op. 66a (Suite)
registrazione di:
The Sleeping Beauty Suite, op. 66a: IV. Panorama
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Sleeping Beauty, op. 66a (Suite)
registrazione parziale di:
The Sleeping Beauty Suite, op. 66a: IV. Panorama
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Sleeping Beauty, op. 66a (Suite)
Пётр Ильич Чайковский2:35
12La Belle au Bois Dormant - Suite, op.66a: Valse
orchestra:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra), Royal Philharmonic Orchestra e Russian State Symphony Orchestra (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
direttore d'orchestra:
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren (fictitious conductor, Alfred Scholz pseudonym) e Peter Wohlert (conductor, Alfred Scholz related)
registrazione di:
The Sleeping Beauty Suite, op. 66a: III. Pas de caractère
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Sleeping Beauty, op. 66a (Suite)
registrazione di:
The Sleeping Beauty Suite, op. 66a: IV. Panorama
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Sleeping Beauty, op. 66a (Suite)
registrazione di:
The Sleeping Beauty Suite, op. 66a: V. Valse
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Sleeping Beauty, op. 66a (Suite)
registrazione parziale di:
The Sleeping Beauty Suite, op. 66a: V. Valse
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Sleeping Beauty, op. 66a (Suite)
Пётр Ильич Чайковский4:24
13La Belle au Bois Dormant - Suite, op.66a: Finale
orchestra:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) e Russian State Symphony Orchestra (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
direttore d'orchestra:
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren (fictitious conductor, Alfred Scholz pseudonym) e Peter Wohlert (conductor, Alfred Scholz related)
registrazione di:
The Sleeping Beauty Suite, op. 66a: V. Valse
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Sleeping Beauty, op. 66a (Suite)
registrazione parziale di:
The Sleeping Beauty Suite, op. 66a: V. Valse
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Sleeping Beauty, op. 66a (Suite)
registrazione di:
The Sleeping Beauty, op. 66: Acte III, no. 30. Finale: b. Apothéose
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Sleeping Beauty, op. 66: Acte III
Пётр Ильич Чайковский2:00
14Caprice Italien, op.45: Andante un poco rubato - Allegro vivace
orchestra:
New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia) e New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia)
direttore d'orchestra:
Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
registrazione di:
Capriccio italien, op. 45
eseguita per la prima volta a:
Moscow, Russia (il 1880-12-18)
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer) (dal 1880-01 al 1880-05)
dedicata a:
Карл Юльевич Давыдов (Karl Davydov)
parte di:
The Tchaikovsky Handbook (numero: TH 47), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (numero: ČW 44) e Works of Pyotr Ilyich Tchaikovsky by opus number (numero: op. 45)
Пётр Ильич Чайковский15:32
15Extrait des "Saisons", op.37a: Carnaval
pianoforte :
Hélène Gàl (pianist, an Alfred Scholz pseudonym)
registrazione di:
The Seasons, op. 37a: II. February “Carnaval”
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Seasons, op. 37a (for piano)
Пётр Ильич Чайковский2:58
16Extrait des "Saisons", op.37a: Chant d'Automne
pianoforte :
Hélène Gàl (pianist, an Alfred Scholz pseudonym)
registrazione di:
The Seasons, op. 37a: X. October “Autumn Song”
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Seasons, op. 37a (for piano)
Пётр Ильич Чайковский3:54

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