A Tribute

~ Release by Lorraine Hunt Lieberson (see all versions of this release, 2 available)

Annotation

(P) 1989-1995.
(C) 2011.
Made in Austria.
Production USA.

Annotation last modified on 2026-09-13 12:16 UTC.

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Clori, Tirsi e Fileno, HWV 96: Part I. Aria “Va col canto lusingando” (Clori)
engineer:
Peter McGrath (engineer)
producer:
Robina Young (producer)
archlute:
Paul O’Dette (American conductor and lute player specialising in early music) (from 1990-11-13 until 1990-11-15)
cello:
Sarah Freiberg
recorder:
Judith Linsenberg
soprano vocals:
Lorraine Hunt (American soprano / mezzo) (from 1990-11-13 until 1990-11-15)
orchestra:
Philharmonia Baroque Orchestra (from 1990-11-13 until 1990-11-15)
conductor:
Nicholas McGegan (from 1990-11-13 until 1990-11-15)
recorded at:
Skywalker Sound in Nicasio, California, United States (from 1990-11-13 until 1990-11-15)
recording of:
Clori, Tirsi e Fileno, HWV 96, Prima Parte: VI. Aria: Va col canto lusingando (from 1990-11-13 until 1990-11-15)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Clori, Tirsi e Fileno, HWV 96
George Frideric Handel8:14
2Clori, Tirsi e Fileno, HWV 96: Part II. Aria “Barbaro! Tu non credi” (Clori)
engineer:
Peter McGrath (engineer)
producer:
Robina Young (producer)
archlute:
Paul O’Dette (American conductor and lute player specialising in early music) (from 1990-11-13 until 1990-11-15)
cello:
Sarah Freiberg
violin [violin obbligato]:
Elizabeth Blumenstock (violinist)
soprano vocals:
Lorraine Hunt (American soprano / mezzo) (from 1990-11-13 until 1990-11-15)
orchestra:
Philharmonia Baroque Orchestra (from 1990-11-13 until 1990-11-15)
conductor:
Nicholas McGegan (from 1990-11-13 until 1990-11-15)
recorded at:
Skywalker Sound in Nicasio, California, United States (from 1990-11-13 until 1990-11-15)
recording of:
Clori, Tirsi e Fileno, HWV 96, Seconda Parte: V. Aria: Barbaro, tu non credi (from 1990-11-13 until 1990-11-15)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Clori, Tirsi e Fileno, HWV 96
George Frideric Handel6:47
3Susanna, HWV 66: Act I. “On Joacim may every joy attend” (Susanna)
cello:
Elisabeth Le Guin (musicologist / cellist)
soprano vocals:
Lorraine Hunt (American soprano / mezzo) (in 1989-09)
orchestra:
Philharmonia Baroque Orchestra (in 1989-09)
conductor:
Nicholas McGegan (in 1989-09)
phonographic copyright (℗) by:
Harmonia Mundi USA (not for release label use!) (in 1989)
recorded at:
Hertz Hall in Berkeley, California, United States (in 1989-09)
live recording of:
Susanna, HWV 66: Act I: No. 19. Recitative “On Joacim may every joy attend” (Susanna) (in 1989-09)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Susanna, HWV 66: Act I
partial recording of:
Susanna, HWV 66: Act I
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Susanna, HWV 66
George Frideric Handel1:13
4Susanna, HWV 66: Act I. “Bending to the throne of glory” (Susanna)
cello:
Elisabeth Le Guin (musicologist / cellist)
soprano vocals:
Lorraine Hunt (American soprano / mezzo) (in 1989-09)
orchestra:
Philharmonia Baroque Orchestra (in 1989-09)
conductor:
Nicholas McGegan (in 1989-09)
phonographic copyright (℗) by:
Harmonia Mundi USA (not for release label use!) (in 1989)
recorded at:
Hertz Hall in Berkeley, California, United States (in 1989-09)
live recording of:
Susanna, HWV 66: Act I: No. 21. Air “Bending to the throne of glory” (Susanna) (in 1989-09)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Susanna, HWV 66: Act I
recording of:
Susanna, HWV 66: Act I: No. 21. Air “Bending to the throne of glory” (Susanna)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Susanna, HWV 66: Act I
George Frideric Handel5:29
5Susanna, HWV 66: Act II. “Lead me to some cool retreat” (Susanna)
cello:
Elisabeth Le Guin (musicologist / cellist)
soprano vocals:
Lorraine Hunt (American soprano / mezzo) (in 1989-09)
orchestra:
Philharmonia Baroque Orchestra (in 1989-09)
conductor:
Nicholas McGegan (in 1989-09)
phonographic copyright (℗) by:
Harmonia Mundi USA (not for release label use!) (in 1989)
recorded at:
Hertz Hall in Berkeley, California, United States (in 1989-09)
live recording of:
Susanna, HWV 66: Act II: No. 31. Recitative “Lead me to some cool retreat” (Susanna) (in 1989-09)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Susanna, HWV 66: Act II
partial recording of:
Susanna, HWV 66: Act II
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Susanna, HWV 66
George Frideric Handel0:17
6Susanna, HWV 66: Act II. “Crystal streams in murmurs flowing” (Susanna)
cello:
Elisabeth Le Guin (musicologist / cellist)
soprano vocals:
Lorraine Hunt (American soprano / mezzo) (in 1989-09)
orchestra:
Philharmonia Baroque Orchestra (in 1989-09)
conductor:
Nicholas McGegan (in 1989-09)
phonographic copyright (℗) by:
Harmonia Mundi USA (not for release label use!) (in 1989)
recorded at:
Hertz Hall in Berkeley, California, United States (in 1989-09)
live recording of:
Susanna, HWV 66: Act II: No. 32. Air “Crystal streams in murmurs flowing” (Susanna) (in 1989-09)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Susanna, HWV 66: Act II
George Frideric Handel7:31
7Susanna, HWV 66: Act II. “If guiltless blood be your intent” (Susanna)
cello:
Elisabeth Le Guin (musicologist / cellist)
soprano vocals:
Lorraine Hunt (American soprano / mezzo) (in 1989-09)
orchestra:
Philharmonia Baroque Orchestra (in 1989-09)
conductor:
Nicholas McGegan (in 1989-09)
phonographic copyright (℗) by:
Harmonia Mundi USA (not for release label use!) (in 1989)
recorded at:
Hertz Hall in Berkeley, California, United States (in 1989-09)
live recording of:
Susanna, HWV 66: Act II: No. 44a. Air “If guiltless blood be your intent” (Susanna) (in 1989-09)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Susanna, HWV 66: Act II
partial recording of:
Susanna, HWV 66: Act II
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Susanna, HWV 66
George Frideric Handel8:46
8Susanna, HWV 66: Act III. “Guilt trembling spoke my doom” (Susanna)
cello:
Elisabeth Le Guin (musicologist / cellist)
soprano vocals:
Lorraine Hunt (American soprano / mezzo)
orchestra:
Philharmonia Baroque Orchestra
conductor:
Nicholas McGegan
recording of:
Susanna, HWV 66: Act III: No. 69. Air “Guilt trembling spoke my doom” (Susanna)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Susanna, HWV 66: Act III
George Frideric Handel6:03
9Radamisto, HWV 12: Act III. Recitativo “Oh Dio!” (Zenobia)
archlute:
David Tayler (American lutenist)
cello:
David Bowles
mezzo-soprano vocals:
Lorraine Hunt (American soprano / mezzo)
orchestra:
Philharmonia Baroque Orchestra
conductor:
Nicholas McGegan
recording of:
Radamisto, HWV 12: Act III, Recit, "Oh Dio! (Zenobia)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Radamisto, HWV 12: Atto III
George Frideric Handel0:24
10Radamisto, HWV 12: Act III. Aria “Qual nave smarrita” (Zenobia)
archlute:
David Tayler (American lutenist)
cello:
David Bowles
mezzo-soprano vocals:
Lorraine Hunt (American soprano / mezzo)
orchestra:
Philharmonia Baroque Orchestra
conductor:
Nicholas McGegan
recording of:
Radamisto, HWV 12: Atto III. "Qual nave smarrita" (Radamisto)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Radamisto, HWV 12: Atto III
George Frideric Handel5:52
11Ottone, HWV 15: Act II. Recitativo “Ben a ragion”
archlute:
David Tayler (American lutenist)
cello:
David Bowles
mezzo-soprano vocals:
Lorraine Hunt (American soprano / mezzo)
orchestra:
Philharmonia Baroque Orchestra
conductor:
Nicholas McGegan
recording of:
Ottone, re di Germania, HWV 15: Atto II, Scena IV. Recitativo “Ben a ragion” (not found in libretto, perhaps revised, but likely between arias 16 and 17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Ottone, re di Germania, HWV 15: Atto II
George Frideric Handel1:04
12Ottone, HWV 15: Act II. Aria “Vieni, o figlio”
archlute:
David Tayler (American lutenist)
cello:
David Bowles
mezzo-soprano vocals:
Lorraine Hunt (American soprano / mezzo)
orchestra:
Philharmonia Baroque Orchestra
conductor:
Nicholas McGegan
recording of:
Ottone, re di Germania, HWV 15: Atto II, Scena IV, 17. Aria “Vieni, o figlio” (Gismonda)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Ottone, re di Germania, HWV 15: Atto II
George Frideric Handel6:52
13Giulio Cesare, HWV 17: Act I. Recitativo “Vani sono i lamenti”
archlute:
David Tayler (American lutenist)
cello:
David Bowles
mezzo-soprano vocals:
Lorraine Hunt (American soprano / mezzo)
orchestra:
Philharmonia Baroque Orchestra
conductor:
Nicholas McGegan
recording of:
Giulio Cesare in Egitto, HWV 17: Atto I, Scena IV. Recitativo “Vani sono i lamenti” (Sesto)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto I
part of:
Giulio Cesare: Atto I
George Frideric Handel0:18
14Giulio Cesare, HWV 17: Act I. Aria “Svegliatevi nel core”
archlute:
David Tayler (American lutenist)
cello:
David Bowles
mezzo-soprano vocals:
Lorraine Hunt (American soprano / mezzo)
orchestra:
Philharmonia Baroque Orchestra
conductor:
Nicholas McGegan
recording of:
Giulio Cesare in Egitto, HWV 17: Atto I, Scena IV, 5. Aria “Svegliatevi nel core” (Sesto)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto I
George Frideric Handel4:52
15Arianna in Creta, HWV 32: Act II. Aria “Qual leon“
archlute:
David Tayler (American lutenist)
cello:
David Bowles
mezzo-soprano vocals:
Lorraine Hunt (American soprano / mezzo) (in 1991-10)
orchestra:
Philharmonia Baroque Orchestra (in 1991-10)
conductor:
Nicholas McGegan (in 1991-10)
recording of:
Arianna in Creta, HWV 32: Atto II. Aria "Qual leon"
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Arianna in Creta, HWV 32: Atto II
George Frideric Handel5:58
16The Notebook of Anna Magdalena Bach (1725): Aria “Bist du bei mir”, BWV 508
producer:
Robina G. Young (producer)
editor:
Hugh Davies (US recording engineer) and Paul F. Witt (engineer/editor)
cello [baroque cello]:
David Bowles (in 1990)
clavichord and harpsichord:
Nicholas McGegan (in 1990)
soprano vocals:
Lorraine Hunt (American soprano / mezzo) (in 1990)
recorded at:
Skywalker Ranch in Nicasio, California, United States (in 1990)
recording of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach) (in 1990)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Gottfried Heinrich Stölzel (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bachs Notenbibliothek (BNB) (number: BNB I/S/4), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 508), Notebook for Anna Magdalena Bach (1725) (number: 25), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 508) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 508)
Gottfried Heinrich Stölzel2:53