111 Liszt Masterpieces

~ Release by Franz Liszt (see all versions of this release, 1 available)

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1Hungarian Rhapsody no. 2, S. 244, no. 2
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
recording of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 2 in C‐sharp minor (catch‐all for arrangements and unknown orchestrations)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 2 in C‐sharp minor (original piano solo version)
9:46
2Piano Concerto no. 1 in E-flat major, S. 124: I. Allegro maestoso
piano:
Peter Lang (classical pianist)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: I. Allegro maestoso
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1830 until 1856)
part of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124
5:29
3Piano Concerto no. 1 in E-flat major, S. 124: II. Quasi Adagio - Allegretto vivace - Allegro animato
piano:
Peter Lang (classical pianist)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: II. Quasi adagio
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1830 until 1856)
part of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124
recording of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: III. Allegretto vivace – Allegro animato
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1830 until 1856)
part of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124
8:37
4Piano Concerto no. 1 in E-flat major, S. 124: III. Allegro marziale - Animato - Presto
piano:
Peter Lang (classical pianist)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: IV. Allegro marziale animato
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1830 until 1856)
part of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124
4:13
5Grandes études de Paganini, S. 141: 1. Preludio. Andante - Étude. Non troppo lento
piano:
Jerome Rose (pianist)
recording of:
Grandes études de Paganini, S. 141: No. 1. Tremolo in G minor
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Grandes études de Paganini, S. 141
revision of:
Études d’exécution transcendante d’après Paganini, S. 140: No. 1 in G minor
4:41
6Grandes études de Paganini, S. 141: 2. Andante
piano:
Jerome Rose (pianist)
recording of:
Grandes études de Paganini, S. 141: No. 2. Octave in E‐flat major
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Grandes études de Paganini, S. 141
revision of:
Études d’exécution transcendante d’après Paganini, S. 140: No. 2 in E-flat major
5:10
7Grandes études de Paganini, S. 141: 3. La Campanella. Allegretto
piano:
Jerome Rose (pianist)
recording of:
Grandes études de Paganini, S. 141: No. 3. La campanella in G‐sharp minor
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Grandes études de Paganini, S. 141
revision of:
Études d’exécution transcendante d’après Paganini, S. 140: no. 3 in A-flat minor “La campanella”
4:26
8Grandes études de Paganini, S. 141: 4. Vivo
piano:
Jerome Rose (pianist)
recording of:
Grandes études de Paganini, S. 141: No. 4. Arpeggio in E major
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Grandes études de Paganini, S. 141
revision of:
Études d’exécution transcendante d’après Paganini, S. 140: No. 4 in E major
2:12
9Grandes études de Paganini, S. 141: 5. Allegretto
piano:
Jerome Rose (pianist)
recording of:
Grandes études de Paganini, S. 141: No. 5. La Chasse in E major
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Grandes études de Paganini, S. 141
revision of:
Études d’exécution transcendante d’après Paganini, S. 140: No. 5 in E major “La Chasse”
2:59
10Grandes études de Paganini, S. 141: 6. Quasi presto
piano:
Jerome Rose (pianist)
recording of:
Grandes études de Paganini, S. 141: No. 6. Variations in A minor
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Grandes études de Paganini, S. 141
revision of:
Études d’exécution transcendante d’après Paganini, S. 140: No. 6 in A minor
5:31
11Piano Sonata in B minor, S. 178: I. Lento assai - Allegro energico
piano:
Alfred Brendel (Austrian pianist) (in 1958)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1958)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
3:27
12Piano Sonata in B minor, S. 178: II. Grandioso
piano:
Alfred Brendel (Austrian pianist) (in 1958)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1958)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
8:10
13Piano Sonata in B minor, S. 178: III. Andante sostenuto
piano:
Alfred Brendel (Austrian pianist) (in 1958)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1958)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
6:52
14Piano Sonata in B minor, S. 178: IV. Fugue. Allegro energico
piano:
Alfred Brendel (Austrian pianist) (in 1958)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1958)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
5:42
15Piano Sonata in B minor, S. 178: V. Stretta quasi presto
piano:
Alfred Brendel (Austrian pianist) (in 1958)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1958)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
4:36
16Totentanz for Piano and Orchestra, S. 126: I. Andante - Allegro - Allegro moderato
piano:
Alfred Brendel (Austrian pianist) (in 1958)
orchestra:
Vienna Symphony Orchestra (in 1958)
conductor:
Michael Gielen (Austrian conductor and composer) (in 1958)
recording of:
Totentanz, S. 126: I. Andante - Allegro - Allegro moderato (for piano and orchestra) (in 1958)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Totentanz, S. 126/2 (for piano and orchestra, published version)
2:09
17Totentanz for Piano and Orchestra, S. 126: II. Variation I
piano:
Alfred Brendel (Austrian pianist) (in 1958)
orchestra:
Vienna Symphony Orchestra (in 1958)
conductor:
Michael Gielen (Austrian conductor and composer) (in 1958)
recording of:
Totentanz, S. 126: II. Variation I (for piano and orchestra) (in 1958)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Totentanz, S. 126/2 (for piano and orchestra, published version)
1:00
18Totentanz for Piano and Orchestra, S. 126: III. Variation II
piano:
Alfred Brendel (Austrian pianist) (in 1958)
orchestra:
Vienna Symphony Orchestra (in 1958)
conductor:
Michael Gielen (Austrian conductor and composer) (in 1958)
recording of:
Totentanz, S. 126: III. Variation II (for piano and orchestra) (in 1958)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Totentanz, S. 126/2 (for piano and orchestra, published version)
0:48
19Totentanz for Piano and Orchestra, S. 126: IV. Variation III
piano:
Alfred Brendel (Austrian pianist) (in 1958)
orchestra:
Vienna Symphony Orchestra (in 1958)
conductor:
Michael Gielen (Austrian conductor and composer) (in 1958)
recording of:
Totentanz, S. 126: IV. Variation III (for piano and orchestra) (in 1958)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Totentanz, S. 126/2 (for piano and orchestra, published version)
0:30
20Totentanz for Piano and Orchestra, S. 126: V. Variation IV
piano:
Alfred Brendel (Austrian pianist) (in 1958)
orchestra:
Vienna Symphony Orchestra (in 1958)
conductor:
Michael Gielen (Austrian conductor and composer) (in 1958)
recording of:
Totentanz, S. 126: V. Variation IV (for piano and orchestra) (in 1958)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Totentanz, S. 126/2 (for piano and orchestra, published version)
3:23
21Totentanz for Piano and Orchestra, S. 126: VI. Variation V
piano:
Alfred Brendel (Austrian pianist) (in 1958)
orchestra:
Vienna Symphony Orchestra (in 1958)
conductor:
Michael Gielen (Austrian conductor and composer) (in 1958)
recording of:
Totentanz, S. 126: VI. Variation V (for piano and orchestra) (in 1958)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Totentanz, S. 126/2 (for piano and orchestra, published version)
3:16
22Totentanz for Piano and Orchestra, S. 126: VII. Cadenza
piano:
Alfred Brendel (Austrian pianist) (in 1958)
orchestra:
Vienna Symphony Orchestra (in 1958)
conductor:
Michael Gielen (Austrian conductor and composer) (in 1958)
recording of:
Totentanz, S. 126: VII. Cadenza (for piano and orchestra) (in 1958)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Totentanz, S. 126/2 (for piano and orchestra, published version)
1:23
23Totentanz for Piano and Orchestra, S. 126: VIII. Variation VI
piano:
Alfred Brendel (Austrian pianist) (in 1958)
orchestra:
Vienna Symphony Orchestra (in 1958)
conductor:
Michael Gielen (Austrian conductor and composer) (in 1958)
recording of:
Totentanz, S. 126: VIII. Variation VI (for piano and orchestra) (in 1958)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Totentanz, S. 126/2 (for piano and orchestra, published version)
3:09
24Totentanz for Piano and Orchestra, S. 126: IX. Cadenza
piano:
Alfred Brendel (Austrian pianist) (in 1958)
orchestra:
Vienna Symphony Orchestra (in 1958)
conductor:
Michael Gielen (Austrian conductor and composer) (in 1958)
recording of:
Totentanz, S. 126: IX. Cadenza (for piano and orchestra) (in 1958)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Totentanz, S. 126/2 (for piano and orchestra, published version)
0:51
25Totentanz for Piano and Orchestra, S. 126: X. Allegro animato
piano:
Alfred Brendel (Austrian pianist) (in 1958)
orchestra:
Vienna Symphony Orchestra (in 1958)
conductor:
Michael Gielen (Austrian conductor and composer) (in 1958)
recording of:
Totentanz, S. 126: X. Allegro animato (for piano and orchestra) (in 1958)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Totentanz, S. 126/2 (for piano and orchestra, published version)
0:35
26Piano Concerto no. 2 in A major, S. 125: I. Adagio sostenuto assai - Allegro agitato assai - Un poco più mosso
piano:
Alfred Brendel (Austrian pianist) (in 1975)
orchestra:
Vienna Symphony Orchestra (in 1975)
conductor:
Michael Gielen (Austrian conductor and composer) (in 1975)
partial recording of:
Concerto for Piano and Orchestra no. 2 in A major, S. 125 (single movement) (in 1975)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1839 until 1861, from 1849 until 1861)
dedicated to:
Hans Bronsart Von Schellendorff (German composer)
premiered at:
[concert] (1857-01-07)
publisher:
Schott Music International (publisher; do not use as label) (in 1863)
part of:
The Music of Liszt (number: S. 125)
is based on:
Concerto sans orchestre, S. 524a
7:27
27Piano Concerto no. 2 in A major, S. 125: II. Tempo del andante - Allegro moderato
piano:
Alfred Brendel (Austrian pianist) (in 1975)
orchestra:
Vienna Symphony Orchestra (in 1975)
conductor:
Michael Gielen (Austrian conductor and composer) (in 1975)
partial recording of:
Concerto for Piano and Orchestra no. 2 in A major, S. 125 (single movement) (in 1975)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1839 until 1861, from 1849 until 1861)
dedicated to:
Hans Bronsart Von Schellendorff (German composer)
premiered at:
[concert] (1857-01-07)
publisher:
Schott Music International (publisher; do not use as label) (in 1863)
part of:
The Music of Liszt (number: S. 125)
is based on:
Concerto sans orchestre, S. 524a
5:44
28Piano Concerto no. 2 in A major, S. 125: III. Allegro deciso
piano:
Alfred Brendel (Austrian pianist) (in 1975)
orchestra:
Vienna Symphony Orchestra (in 1975)
conductor:
Michael Gielen (Austrian conductor and composer) (in 1975)
partial recording of:
Concerto for Piano and Orchestra no. 2 in A major, S. 125 (single movement) (in 1975)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1839 until 1861, from 1849 until 1861)
dedicated to:
Hans Bronsart Von Schellendorff (German composer)
premiered at:
[concert] (1857-01-07)
publisher:
Schott Music International (publisher; do not use as label) (in 1863)
part of:
The Music of Liszt (number: S. 125)
is based on:
Concerto sans orchestre, S. 524a
3:03
29Piano Concerto no. 2 in A major, S. 125: IV. Marciale un poco meno allegro - Un poco animato
piano:
Alfred Brendel (Austrian pianist) (in 1975)
orchestra:
Vienna Symphony Orchestra (in 1975)
conductor:
Michael Gielen (Austrian conductor and composer) (in 1975)
partial recording of:
Concerto for Piano and Orchestra no. 2 in A major, S. 125 (single movement) (in 1975)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1839 until 1861, from 1849 until 1861)
dedicated to:
Hans Bronsart Von Schellendorff (German composer)
premiered at:
[concert] (1857-01-07)
publisher:
Schott Music International (publisher; do not use as label) (in 1863)
part of:
The Music of Liszt (number: S. 125)
is based on:
Concerto sans orchestre, S. 524a
1:12
30Piano Concerto no. 2 in A major, S. 125: V. Un poco meno mosso
piano:
Alfred Brendel (Austrian pianist) (in 1975)
orchestra:
Vienna Symphony Orchestra (in 1975)
conductor:
Michael Gielen (Austrian conductor and composer) (in 1975)
partial recording of:
Concerto for Piano and Orchestra no. 2 in A major, S. 125 (single movement) (in 1975)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1839 until 1861, from 1849 until 1861)
dedicated to:
Hans Bronsart Von Schellendorff (German composer)
premiered at:
[concert] (1857-01-07)
publisher:
Schott Music International (publisher; do not use as label) (in 1863)
part of:
The Music of Liszt (number: S. 125)
is based on:
Concerto sans orchestre, S. 524a
2:34
31Piano Concerto no. 2 in A major, S. 125: VI. Allegro animato
piano:
Alfred Brendel (Austrian pianist) (in 1975)
orchestra:
Vienna Symphony Orchestra (in 1975)
conductor:
Michael Gielen (Austrian conductor and composer) (in 1975)
partial recording of:
Concerto for Piano and Orchestra no. 2 in A major, S. 125 (single movement) (in 1975)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1839 until 1861, from 1849 until 1861)
dedicated to:
Hans Bronsart Von Schellendorff (German composer)
premiered at:
[concert] (1857-01-07)
publisher:
Schott Music International (publisher; do not use as label) (in 1863)
part of:
The Music of Liszt (number: S. 125)
is based on:
Concerto sans orchestre, S. 524a
1:44
32Hungarian Rhapsody no. 6, S. 244 no. 6
orchestra:
Nürnberger Symphoniker (Nuremberg Symphony Orchestra, the real orchestra)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym)
recording of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 6 in D-flat major: Tempo giusto – Presto – Andante – Allegro – Presto
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
19 Hungarian Rhapsodies, S. 244 / R. 106
13:54
33Venezia e Napoli, S. 159: III. Andante placido "Gondoliera"
piano:
Peter Schmalfuss (pianist)
recording of:
Venezia e Napoli, S. 159: No. 3. Andante placido
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Venezia e Napoli, S. 159
5:25
3412 études d'execution transcendante, S. 139: I. Preludio in C. Presto
piano:
Louis Kentner (pianist)
recording of:
Études d’exécution transcendante, S. 139, R. 2b: I. Preludio in C major
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1851)
part of:
Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)
1:02
3512 études d'execution transcendante, S. 139: II. Fusées. Molto vivace in A minor
piano:
Louis Kentner (pianist)
recording of:
Études d’exécution transcendante, S. 139, R. 2b: II. Étude in A minor. Molto vivace
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1851)
part of:
Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)
2:27
3612 études d'execution transcendante, S. 139: III. Paysage in F. Poco Adagio
piano:
Louis Kentner (pianist)
recording of:
Études d’exécution transcendante, S. 139, R. 2b: III. “Paysage” in F major. Poco adagio
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1851)
part of:
Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)
5:15
3712 études d'execution transcendante, S. 139: IV. Mazeppa in D minor. Allegro
piano:
Louis Kentner (pianist)
recording of:
Études d’exécution transcendante, S. 139, R. 2b: IV. “Mazeppa” in D minor. Allegro
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1851)
part of:
Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)
7:54
3812 études d'execution transcendante, S. 139: V. Feux Follets in B-flat. Allegretto
piano:
Louis Kentner (pianist)
recording of:
Études d’exécution transcendante, S. 139, R. 2b: V. “Feux follets” in B‐flat major. Allegretto
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1851)
part of:
Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)
4:05
3912 études d'execution transcendante, S. 139: VI. Vision in G minor. Lento
piano:
Louis Kentner (pianist)
recording of:
Études d’exécution transcendante, S. 139, R. 2b: VI. “Vision” in G minor. Lento
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1851)
part of:
Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)
5:50
4012 études d'execution transcendante, S. 139: VII. Eroica in E-flat major. Allegro
piano:
Louis Kentner (pianist)
recording of:
Études d’exécution transcendante, S. 139, R. 2b: VII. “Eroica” in E‐flat major. Allegro
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1851)
part of:
Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)
5:00
4112 études d'execution transcendante, S. 139: VIII. Wilde Jagd in C minor. Presto Furioso
piano:
Louis Kentner (pianist)
recording of:
Études d’exécution transcendante, S. 139, R. 2b: VIII. “Wilde Jagd” in C minor. Presto furioso
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1851)
part of:
Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)
5:25
4212 études d'execution transcendante, S. 139: IX. Ricordanza in A-flat. Andantino, Improvisato
piano:
Louis Kentner (pianist)
recording of:
Études d’exécution transcendante, S. 139, R. 2b: IX. “Ricordanza” in A‐flat major. Andantino, improvisato
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1851)
part of:
Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)
10:43
4312 études d'execution transcendante, S. 139: X. Appassionata in F minor. Allegro agitato molto
piano:
Louis Kentner (pianist)
recording of:
Études d’exécution transcendante, S. 139, R. 2b: X. Étude in F minor. Allegro agitato molto
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1851)
part of:
Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)
4:33
4412 études d'execution transcendante, S. 139: XI. Harmonies du soir
piano:
Louis Kentner (pianist)
recording of:
Études d’exécution transcendante, S. 139, R. 2b: XI. “Harmonies du soir” in D‐flat major. Andantino
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1851)
part of:
Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)
10:08
4512 Etudes d'execution transcendante, S. 139: XII. Chasse-neige in B-flat minor - Andante con moto
piano:
Louis Kentner (pianist)
recording of:
Études d’exécution transcendante, S. 139, R. 2b: XII. “Chasse‐neige” in B‐flat minor. Andante con moto
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1851)
part of:
Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)
5:51
46Réminiscences de Don Juan, S. 418
piano:
Yuri Rozum (pianist)
recording of:
Réminiscences de Don Juan, S. 418 (for piano solo)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1841)
dedicated to:
King Christian VIII of Denmark
part of:
The Music of Liszt (number: S. 418)
is based on:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina)
is based on:
Il dissoluto punito, ossia il Don Giovanni, K. 527 (Don Giovanni)
18:28
47Transcriptions from "12 Lieder": Erlkönig, op. 1
piano:
Yuri Rozum (pianist)
4:11
48Transcriptions from "12 Lieder": Ave Maria, op. 52 no. 4
piano:
Yuri Rozum (pianist)
recording of:
Ellens dritter Gesang (Ave Maria), S. 558 Nr. 12 (for solo piano, Liszt, second version)
composer:
Franz Schubert (composer) (in 1825)
arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
part of:
12 Lieder von Franz Schubert, S. 558
revision of:
Ave Maria (Ellens dritter Gesang), S. 557d (for solo piano, Liszt, first version)
6:01
49Transcriptions from "Schwanengesang", D. 957 no. 4: Ständchen
piano:
Yuri Rozum (pianist)
6:12
50Transcriptions from "Schwanengesang", D. 957 no. 5: Aufenthalt
piano:
Yuri Rozum (pianist)
3:18
51Transcriptions from "Schwanengesang", D. 957 no. 13: Der Doppelgänger
piano:
Yuri Rozum (pianist)
3:58
52Consolation no. 3 in D-flat major
piano:
Silvia Čápová (pianist)
recording of:
Consolation in D‐flat major, S. 172 no. 3: Lento placido
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Consolations, S. 172
3:57
53Transcriptions from "Die schöne Müllerin", op. 25: Das Wandern (no. 1)
piano:
Yuri Rozum (pianist)
1:40
54Transcriptions from "Die schöne Müllerin", op. 25: Der Müller Und Der Bach (no. 19)
piano:
Yuri Rozum (pianist)
4:56
55Transcriptions from "Die schöne Müllerin", op. 25: Der Jäger (no. 14) - Die Böse Farbe (no. 1)
piano:
Yuri Rozum (pianist)
3:51
56Transcriptions from "Die schöne Müllerin", op. 25: Wohin? (no. 2)
piano:
Yuri Rozum (pianist)
3:12
57Transcriptions from "Die schöne Müllerin", op. 25: Ungeduld (no. 7)
piano:
Yuri Rozum (pianist)
2:14
58Transcriptions from "4 geistliche Lieder": Litanei
piano:
Yuri Rozum (pianist)
3:47
59Valse-Impromptu, S. 213
piano:
Isabel Mourao (Brazilian pianist)
recording of:
Valse‐Impromptu, S. 213
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
5:50
60Valses oubliées, S. 215: No. 4
piano:
Isabel Mourao (Brazilian pianist)
recording of:
Valse oubliée no. 4, S. 215 no. 4
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Valses oubliées, S. 215
3:10
61Harmonies poétiques et réligieuses, S. 173: VII. Funérailles
piano:
Alfred Brendel (Austrian pianist)
recording of:
Harmonies poétiques et religieuses, S. 173: No. 7. Funérailles
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1849)
part of:
Harmonies poétiques et religieuses, S. 173
11:02
62Tannhäuser - Paraphrase: Einzug Der Gäste Auf Die Wartburg
9:51
63Rigoletto Concert: Paraphrase After Verdi's Opera "Rigoletto"
7:00
64Aus Lohengrin, S. 446: I. Festspiel and Brautlied
9:41
65Three Concert Etudes, S. 144: No. 3 in D-flat major "Un sospiro"
piano:
Jerome Rose (pianist)
recording of:
Trois études de concert, S. 144: III. "Un sospiro" in D-flat major
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Trois études de concert, S. 144
5:26
66Hungarian Rhapsody no. 11, S. 244 no. 11
piano:
Alfred Brendel (Austrian pianist)
recording of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 11 in A minor
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
19 Hungarian Rhapsodies, S. 244 / R. 106
6:02
67Années de pèlerinage I, S. 160: II. Au lac de Wallenstadt
piano:
Peter Schmalfuss (pianist)
recording of:
Au lac de Wallenstadt, S. 160 no. 2
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1848 until 1854)
part of:
Années de pèlerinage
part of:
Années de pèlerinage : Première année : Suisse, S. 160
revision of:
Le Lac de Wallenstadt, S. 156/2a bis (intermediate version)
2:43
68Années de pèlerinage I, S. 160: IV. Au bord d'une source
piano:
Peter Schmalfuss (pianist)
recording of:
Au bord d'une source, S. 160 no. 4 (version from Années de pèlerinage)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Années de pèlerinage
part of:
Années de pèlerinage : Première année : Suisse, S. 160
revision of:
Album d'un voyageur, S. 156: I. Impressions et poésies: 2b. Au bord d'une source (Version from Album d'un voyageur)
4:16
69Années de pèlerinage I, S. 160: V. Vallée d'obermann
piano:
Peter Schmalfuss (pianist)
recording of:
Vallée d’Obermann, S. 160 no. 6
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Années de pèlerinage : Première année : Suisse, S. 160
revision of:
Album d'un voyageur, S. 156: I. Impressions et poésies: 4. Vallée d'Obermann
13:05
70Années de pèlerinage I, S. 160: VII. Eglogue
piano:
Peter Schmalfuss (pianist)
recording of:
Eglogue, S. 160 no. 7
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Années de pèlerinage
part of:
Années de pèlerinage : Première année : Suisse, S. 160
3:58
71Années de pèlerinage I, S. 160: IX. Les cloches de Genève
piano:
Peter Schmalfuss (pianist)
recording of:
Les Cloches de Genève : Nocturne, S. 160 no. 9
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Années de pèlerinage : Première année : Suisse, S. 160
revision of:
Album d'un voyageur, S. 156: I. Impressions et poésies: 3. Les Cloches de G*****
5:15
72Années de pèlerinage I, S. 161: I. Sposalizio
piano:
Peter Schmalfuss (pianist)
recording of:
Années de pèlerinage, Deuxième année; Italie, S. 161: Sposalizio, S. 161 no. 1
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Années de pèlerinage : Deuxième année : Italie, S. 161
revision of:
Sposalizio, S. 157a
6:39
73Années de pèlerinage I, S. 161: II. Il Peuseroso
piano:
Peter Schmalfuss (pianist)
recording of:
Années de pèlerinage, Deuxième année; Italie, S. 161: Il penseroso, S. 161 no. 2
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1838 until 1849)
revised by:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1858)
part of:
Années de pèlerinage : Deuxième année : Italie, S. 161
revision of:
Il penseroso, S. 157b
3:50
74Années de pèlerinage I, S. 161: III. Canzonetta del Salvator Rosa
piano:
Peter Schmalfuss (pianist)
recording of:
Années de pèlerinage, Deuxième année; Italie, S. 161: Canzonetta del Salvator Rosa, S. 161 no. 3
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Années de pèlerinage : Deuxième année : Italie, S. 161
revision of:
Canzonetta del Salvator Rosa, S. 157c
2:47
75Années de pèlerinage I, S. 161: IV. Sonetto 47 del Petrarca
piano:
Peter Schmalfuss (pianist)
recording of:
Années de pèlerinage, Deuxième année; Italie, S. 161: Sonetto 47 del Petrarca, S. 161 no. 4
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Années de pèlerinage : Deuxième année : Italie, S. 161
revision of:
Tre sonetti di Petrarca, S. 158: No. 1. Sonetto XLVII. Benedetto sia il giorno (for solo piano)
5:49
76Années de pèlerinage III, S. 163: IV. Les jeux d'eaux à la villa d'este
piano:
Peter Schmalfuss (pianist)
recording of:
Les Jeux d’eaux à la Villa d’Este, S. 163 no. 4
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1877)
part of:
Années de pèlerinage : Troisième année, S. 163
7:27
77Fantasy On Hungarian Themes, S. 123
piano:
Peter Frankl (pianist)
orchestra:
Tiroler Symphonieorchester Innsbruck
conductor:
Robert Wagner (conductor)
recording of:
Fantasia on Hungarian Folk Melodies for piano and orchestra, S. 123
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1846 until 1852)
dedicated to:
Hans von Bülow (German conductor and composer)
premiered at:
[concert] (1853-06-01)
publisher:
Gustav Heinze (in 1864)
part of:
The Music of Liszt (number: S. 123)
is based on:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 14 in F minor
15:41
78Hungarian Rhapsody no. 5, S. 244 no. 5
orchestra:
Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Alfred Scholz
recording of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 5 in E minor “Héroïde élégiaque”
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
19 Hungarian Rhapsodies, S. 244 / R. 106
12:53
79Les Préludes, Symphonic Poem no. 3, S. 97
orchestra:
Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Alfred Scholz
recording of:
Les Préludes, S. 97
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1848, from 1850 until 1855)
part of:
The Music of Liszt (number: S. 97)
16:53
80Faust: Mephisto-Waltz
orchestra:
SWR Sinfonieorchester Baden‐Baden und Freiburg (SWR Baden-Baden and Freiburg Symphony Orchestra)
conductor:
Jascha Horenstein (conductor)
12:24
81Orpheus, Symphonic Poem no. 4, S. 98
orchestra:
Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Alfred Scholz
recording of:
Orpheus, S. 98
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1853 until 1854)
part of:
The Music of Liszt (number: S. 98)
11:57
822 Concert-Studies, S. 145: 2. Waldesrauschen
piano:
Peter Schmalfuss (pianist)
recording of:
Zwei Konzertetüden, S. 145, Nr. 1: Waldesrauschen
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1862 until 1863)
part of:
Zwei Konzertetüden, S. 145
4:53
83Grosse Fantasie for Piano and Orchestra, S. 366 (After Franz Schubert's "Wanderer Fantasie)
piano:
Jerome Rose (pianist)
orchestra:
Philharmonia Hungarica
conductor:
Richard Kapp (conductor)
recording of:
Fantasy in C major, S. 366 “Wanderer” (for piano and orchestra, Liszt)
orchestrator:
Franz Liszt (Hungarian composer, pianist and conductor)
composer:
Franz Schubert (composer) (in 1822)
part of:
The Music of Liszt (number: S. 366)
orchestration of:
Fantasy in C major, D. 760 “Wanderer”
21:21
84Bagatelle Without Tonality
piano:
Alfred Brendel (Austrian pianist)
recording of:
Bagatelle sans tonalité, S. 216a
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1885)
part of:
The Music of Liszt (number: S. 216a)
2:42
85Benvenuto Cellini: Benediction and Oath
piano:
Alfred Brendel (Austrian pianist)
recording of:
Bénédiction et serment de Benvenuto Cellini, S. 396 (for piano solo)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853)
part of:
The Music of Liszt (number: S. 396)
is based on:
Benvenuto Cellini, op. 23
7:20
86Czárdás Macabre
piano:
Alfred Brendel (Austrian pianist)
6:56
87Harmonies poétiques et réligieuses, S. 173: I. Invocation
piano:
Alfred Brendel (Austrian pianist)
recording of:
Harmonies poétiques et religieuses, S. 173: No. 1. Invocation
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Harmonies poétiques et religieuses, S. 173
7:11
88Harmonies poétiques et réligieuses, S. 173: III. Benediction de dieu dans la solitude
piano:
Alfred Brendel (Austrian pianist)
recording of:
Harmonies poétiques et religieuses, S. 173: No. 3. Bénédiction de Dieu dans la solitude
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Harmonies poétiques et religieuses, S. 173
15:41
89Harmonies poétiques et réligieuses, S. 173: IV. Pensées des morts
piano:
Alfred Brendel (Austrian pianist)
recording of:
Harmonies poétiques et religieuses, S. 173: No. 4. Pensée des morts
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Harmonies poétiques et religieuses, S. 173
11:21
90Harmonies poétiques et réligieuses, S. 173: X. Cantique d'amour
piano:
Alfred Brendel (Austrian pianist)
recording of:
Harmonies poétiques et religieuses, S. 173: No. 10. Cantique d'amour
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Harmonies poétiques et religieuses, S. 173
6:21
91Il Trovatore: Miserere
piano:
Alfred Brendel (Austrian pianist)
recording of:
Miserere du Trovatore, S. 433
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
is based on:
Il trovatore: Atto IV, scena 1. “Miserere d’un’alma già vicina” ... “Quel suon, quelle preci” (Leonora, Manrico, coro)
8:11
92La Lugubre Gondola
piano:
Alfred Brendel (Austrian pianist)
6:52
93Lucia di Lammermoor: Sextet
piano:
Alfred Brendel (Austrian pianist)
recording of:
Réminiscences de "Lucia di Lammermoor" (for piano)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
The Music of Liszt (number: S. 397)
is based on:
Lucia di Lammermoor
5:27
94Malédiction for Piano and Orchestra in E minor, S. 121
piano:
Alfred Brendel (Austrian pianist)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Michael Gielen (Austrian conductor and composer)
recording of:
Malédiction, S. 121
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
The Music of Liszt (number: S. 121)
14:34
95Norma - Grand Fantasy
piano:
Alfred Brendel (Austrian pianist) (in 1955, from 1955 until 1959)
recording of:
Réminiscences de Norma, S. 394 (from 1955 until 1959)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
The Music of Liszt (number: S. 394)
is based on:
Norma
15:40
96Oberon: Overture
piano:
Alfred Brendel (Austrian pianist)
recording of:
Ouverture Oberon, S. 574 (for solo piano, Liszt)
composer:
Carl Maria von Weber (composer)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
Oberon, J. 306: Overture
9:06
97Liebesträume, S. 541: No. 1 in A-flat major: "Hohe Liebe"
piano:
Jerome Rose (pianist)
recording of:
Liebesträume, S. 541: No. 1 Liebestraum As-Dur "Hohe Liebe"
composer and arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
Hohe Liebe, S. 307
part of:
Liebesträume, S. 541
5:59
98Liebesträume, S. 541: No. 2 in E-flat major: "Seliger Tod"
piano:
Jerome Rose (pianist)
recording of:
Liebesträume, S. 541: No. 2 Liebestraum Es-Dur "Seliger Tod"
composer and arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
Gestorben war ich, S. 308
part of:
Liebesträume, S. 541
revision of:
Liebesträume no. 2, S. 541a "Gestorben war ich" (first version)
3:44
99Liebesträume, S. 541: No. 3 in A-flat major "O lieb so lang' Du lieben kannst"
piano:
Jerome Rose (pianist)
recording of:
Liebesträume, S. 541: No. 3 Liebestraum As‐Dur “Oh Lieb, so lang du lieben kannst” (Liebesträume, S. 541: No. 3 Liebestraum in A flat major “Dream of Love”, for piano)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1850)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
O lieb, so lang du lieben kannst, S. 298/2 (second version)
part of:
Liebesträume, S. 541
4:19
100Von der Wiege bis zum Grabe, Symphonic Poem no. 13, S. 107: I. Die Wiege
orchestra:
Westfälisches Sinfonie-Orchester (Westphalian Symphony Orchestra)
conductor:
Siegfried Landau (conductor and composer)
recording of:
Von der Wiege bis zum Grabe, S. 107: I. Die Wiege (for orchestra)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Von der Wiege bis zum Grabe, S. 107 (for orchestra)
6:05
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