Collected

~ Release by Steely Dan (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Do It Again
assistant engineer:
Tim Weston (in 1972-08)
engineer:
Roger Nichols (US mastering, recording engineer and producer) (in 1972-08)
producer:
Gary Katz (in 1972-08)
drums (drum set):
Jim Hodder (in 1972-08)
electric bass guitar:
Walter Becker (in 1972-08)
electric guitar:
Jeff “Skunk” Baxter (in 1972-08)
electric piano, keyboard [Yamaha YC-30] and lead vocals:
Donald Fagen (in 1972-08)
percussion:
Victor Feldman (jazz musician) (in 1972-08)
solo electric sitar:
Denny Dias (in 1972-08)
phonographic copyright (℗) by:
ABC Records, Inc (in 1972), Geffen Records (in 1972) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1972)
engineered at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States (in 1972-08)
recording of:
Do It Again (in 1972-08)
writer:
Walter Becker and Donald Fagen
publisher:
American Broadcasting Music, Inc., Anchor Music Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., Red Giant Music, Inc., Universal/MCA Music Ltd. (not for release label use!) and Wingate Music Corp.
4.15:56
2Dirty Work
assistant engineer:
Tim Weston (in 1972-08)
engineer:
Roger Nichols (US mastering, recording engineer and producer) (in 1972-08)
producer:
Gary Katz (in 1972-08)
acoustic guitar:
Denny Dias (in 1972-08)
drums (drum set):
Jim Hodder (in 1972-08)
electric bass guitar:
Walter Becker (in 1972-08)
electric guitar:
Jeff “Skunk” Baxter (in 1972-08)
flugelhorn:
Snooky Young (in 1972-08)
organ and Wurlitzer electric piano:
Donald Fagen (in 1972-08)
tenor saxophone:
Jerome Richardson (in 1972-08)
background vocals:
Walter Becker (in 1972-08), Donald Fagen (in 1972-08) and Jim Hodder (in 1972-08)
lead vocals:
David Palmer (early Steely Dan vocalist) (in 1972-08)
phonographic copyright (℗) by:
ABC Records, Inc (in 1972) and Geffen Records (in 1972)
engineered at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States (in 1972-08)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 6)
recording of:
Dirty Work (in 1972-08)
writer:
Walter Becker and Donald Fagen
publisher:
American Broadcasting Music, Inc., MCA Music Ltd., Red Giant Inc., Red Giant Music, Inc., United Artists Music, Universal Music Corp. (USA, affiliated with ASCAP), Universal/MCA Music Ltd. (not for release label use!) and Wingate Music Corp.
3.853:07
3Only a Fool Would Say That
assistant engineer:
Tim Weston (in 1972-08)
engineer:
Roger Nichols (US mastering, recording engineer and producer) (in 1972-08)
producer:
Gary Katz (in 1972-08)
drums (drum set):
Jim Hodder (in 1972-08)
electric bass guitar:
Walter Becker (in 1972-08)
lead vocals:
Donald Fagen (in 1972-08)
spoken vocals:
Jeff “Skunk” Baxter (in 1972-08)
phonographic copyright (℗) by:
ABC Records, Inc (in 1972), ABC/Dunhill Records (Owned by Geffen Records/Universal Music) (in 1972) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1972)
engineered at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States (in 1972-08)
recording of:
Only a Fool Would Say That (in 1972-08)
writer:
Walter Becker and Donald Fagen
publisher:
American Broadcasting Music, Inc., Ampar Music Corp., Anchor Music Ltd., MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Red Giant Music, Inc. and Wingate Music Corp.
32:57
4Brooklyn (Owes the Charmer Under Me)
assistant engineer:
Tim Weston (in 1972-08)
engineer:
Roger Nichols (US mastering, recording engineer and producer) (in 1972-08)
producer:
Gary Katz (in 1972-08)
drums (drum set):
Jim Hodder (in 1972-08)
electric bass guitar:
Walter Becker (in 1972-08)
background vocals:
Venetta Fields (in 1972-08), Clydie King (in 1972-08) and Sherlie Matthews (US vocalist) (in 1972-08)
lead vocals:
David Palmer (early Steely Dan vocalist) (in 1972-08)
engineered at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States (in 1972-08)
recording of:
Brooklyn (Owes the Charmer Under Me) (in 1972-08)
writer:
Walter Becker and Donald Fagen
publisher:
Anchor Music Ltd., MCA Music Ltd. and Red Giant Music, Inc.
34:16
5Midnight Cruiser
assistant engineer:
Tim Weston (in 1972-08)
engineer:
Roger Nichols (US mastering, recording engineer and producer) (in 1972-08)
producer:
Gary Katz (in 1972-08)
drums (drum set) and lead vocals:
Jim Hodder (in 1972-08)
electric bass guitar:
Walter Becker (in 1972-08)
pedal steel guitar:
Jeff “Skunk” Baxter (in 1972-08)
engineered at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States (in 1972-08)
recording of:
Midnite Cruiser (in 1972-08)
writer:
Walter Becker and Donald Fagen
publisher:
American Broadcasting Music, Inc., Anchor Music Ltd., MCA Music Ltd., Red Giant Music, Inc. and Wingate Music Corp.
3.254:02
6My Old School
assistant engineer:
Miss Natalie
engineer:
Roger (The Immortal) Nichols (US mastering, recording engineer and producer)
producer:
Gary Katz
bass:
Walter Becker
drums (drum set):
Jim Hodder
guitar:
Denny Dias
piano and lead vocals:
Donald Fagen
saxophone:
John Rotella (woodwind), Lanny Morgan, Bill Perkins (jazz saxophonist) and Ernie Watts (Ernest James Watts, jazz and blues saxophonist)
solo guitar:
Jeff “Skunk” Baxter
background vocals:
Patricia Hall, Myrna Matthews and Sherlie Matthews (US vocalist)
horn arranger:
Jimmie Haskell
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1972) and Geffen Records (in 1973)
engineered at:
Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
My Old School
writer:
Walter Becker and Donald Fagen
publisher:
MCA Music Ltd., Universal/MCA Music Ltd. (not for release label use!), American Broadcasting Music, Inc. (in 1973) and MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1973)
4.255:45
7Pretzel Logic
engineer:
Roger Nichols (US mastering, recording engineer and producer)
producer:
Gary Katz
bass:
Walter Becker
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos)
guitar:
Jeff “Skunk” Baxter, Walter Becker and Denny Dias
keyboard:
Donald Fagen
pedal steel guitar:
Jeff “Skunk” Baxter
vocals:
Donald Fagen
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974)
mixed at:
Cherokee Sound in Chatsworth, California, United States
engineered at:
Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Pretzel Logic
lyricist and composer:
Walter Becker and Donald Fagen
publisher:
American Broadcasting Music, Inc., MCA Music Ltd. and MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1974)
34:32
8Rikki Don’t Lose That Number
engineer:
Roger Nichols (US mastering, recording engineer and producer)
producer:
Gary Katz
acoustic guitar:
Dean Parks (American session guitarist)
bass:
Walter Becker
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos)
percussion:
Victor Feldman (jazz musician)
piano:
Michael Omartian
solo guitar:
Jeff “Skunk” Baxter
background vocals:
Donald Fagen and Timothy B. Schmit
lead vocals:
Donald Fagen
phonographic copyright (℗) by:
ABC Records, Inc (in 1974)
engineered at:
Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Rikki Don’t Lose That Number
lyricist and composer:
Walter Becker and Donald Fagen
publisher:
American Broadcasting Music, Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Group, Universal/MCA Music Ltd. (not for release label use!) and MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1974)
54:08
9Rose Darling
engineer:
Roger Nichols (US mastering, recording engineer and producer)
producer:
Gary Katz
bass:
Walter Becker (from 1974-11 until 1975-01), Wilton Felder (from 1974-11 until 1975-01) and Chuck Rainey (American bassist) (from 1974-11 until 1975-01)
drums (drum set):
Jeff Porcaro (from 1974-11 until 1975-01)
guitar:
Walter Becker (from 1974-11 until 1975-01)
keyboard and piano:
Donald Fagen (from 1974-11 until 1975-01)
percussion and vibraphone:
Victor Feldman (jazz musician) (from 1974-11 until 1975-01)
solo guitar:
Dean Parks (American session guitarist) (from 1974-11 until 1975-01)
arranger:
Walter Becker and Donald Fagen
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
recorded at:
ABC Recording Studios (recording studio associated with ABC Records, active circa 1970s) in Los Angeles, California, United States (from 1974-11 until 1975-01)
recording of:
Rose Darling (from 1974-11 until 1975-01)
writer:
Walter Becker and Donald Fagen
publisher:
Anchor Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1974) and American Broadcasting Music, Inc. (in 1975)
3:05
10Bad Sneakers
engineer:
Roger Nichols (US mastering, recording engineer and producer)
producer:
Gary Katz
bass:
Walter Becker (from 1974-11 until 1975-01), Wilton Felder (from 1974-11 until 1975-01) and Chuck Rainey (American bassist) (from 1974-11 until 1975-01)
drums (drum set):
Jeff Porcaro (from 1974-11 until 1975-01)
guitar:
Walter Becker (from 1974-11 until 1975-01) and Hugh McCracken (from 1974-11 until 1975-01)
keyboard and background vocals and lead vocals:
Donald Fagen (from 1974-11 until 1975-01)
percussion and vibraphone:
Victor Feldman (jazz musician) (from 1974-11 until 1975-01)
piano:
Donald Fagen (from 1974-11 until 1975-01) and Michael Omartian (from 1974-11 until 1975-01)
solo guitar:
Walter Becker (from 1974-11 until 1975-01)
background vocals:
Michael McDonald (R&B & soul singer) (from 1974-11 until 1975-01)
arranger:
Walter Becker and Donald Fagen
phonographic copyright (℗) by:
ABC Records, Inc (in 1975), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1975) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1975)
recorded at:
ABC Recording Studios (recording studio associated with ABC Records, active circa 1970s) in Los Angeles, California, United States (from 1974-11 until 1975-01)
recording of:
Bad Sneakers (from 1974-11 until 1975-01)
lyricist and composer:
Walter Becker and Donald Fagen
publisher:
Anchor Music Ltd., MCA Music Ltd., Universal/MCA Music Ltd. (not for release label use!), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1974) and American Broadcasting Music, Inc. (in 1975)
33:21
11Everyone’s Gone to the Movies
engineer:
Roger Nichols (US mastering, recording engineer and producer)
producer:
Gary Katz
bass:
Walter Becker (from 1974-11 until 1975-01), Wilton Felder (from 1974-11 until 1975-01) and Chuck Rainey (American bassist) (from 1974-11 until 1975-01)
drums (drum set):
Jeff Porcaro (from 1974-11 until 1975-01)
guitar:
Walter Becker (from 1974-11 until 1975-01)
keyboard and piano:
Donald Fagen (from 1974-11 until 1975-01)
percussion and vibraphone:
Victor Feldman (jazz musician) (from 1974-11 until 1975-01)
background vocals:
Carolyn Willis (from 1974-11 until 1975-01)
arranger:
Walter Becker and Donald Fagen
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
recorded at:
ABC Recording Studios (recording studio associated with ABC Records, active circa 1970s) in Los Angeles, California, United States (from 1974-11 until 1975-01)
recording of:
Everyone’s Gone to the Movies (from 1974-11 until 1975-01)
writer:
Walter Becker and Donald Fagen
publisher:
Anchor Music Ltd., American Broadcasting Music, Inc. (in 1972), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1972), Red Giant Inc. (in 1972) and Red Giant Music, Inc. (in 1972)
3:44
12The Fez
engineer:
Roger Nichols (US mastering, recording engineer and producer) and Elliot Scheiner
producer:
Gary Katz
mixer:
Roger Nichols (US mastering, recording engineer and producer) and Barney Perkins
bass:
Walter Becker and Chuck Rainey (American bassist)
drums (drum set):
Bernard “Pretty” Purdie
guitar and solo guitar:
Walter Becker
horn:
Bob Findley and Dick Hyde
keyboard:
Donald Fagen and Paul Griffin (American pianist, session musician)
percussion:
Gary Coleman (US percussionist)
saxophone:
Jim Horn (saxophonist, hornist, flutist and oboist), Plas Johnson and John Klemmer
trombone:
Dick Hyde
trumpet:
Chuck Findley (trumpet, trombone, horn player)
background vocals and lead vocals:
Donald Fagen
horn arranger:
Walter Becker, Donald Fagen and Chuck Findley (trumpet, trombone, horn player)
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990), ABC Records, Inc (in 1976), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1976) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1976)
engineered at:
A&R Studios (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States and ABC Studios (recording studio associated with ABC Records, active circa 1970s) in Los Angeles, California, United States
recording of:
The Fez
writer:
Walter Becker, Donald Fagen and Paul Griffin (American pianist, session musician)
publisher:
MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA–Duchess Music Corp, ABC/Dunhill Music, Inc. (in 1976), Anchor Music Ltd. (in 1976) and ELDG Music, Inc. (in 1976)
4:01
13Deacon Blues
executive engineer:
Roger Nichols (US mastering, recording engineer and producer)
producer:
Gary Katz
bass:
Walter Becker
drums (drum set):
Bernard Purdie
electric piano and Rhodes piano [Fender Rhodes]:
Victor Feldman (jazz musician)
guitar:
Larry Carlton and Lee Ritenour
synthesizer and lead vocals:
Donald Fagen
tenor saxophone:
Pete Christlieb
background vocals:
Venetta Fields, Clydie King and Sherlie Matthews (US vocalist)
conductor:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (horn)
horn arranger:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
phonographic copyright (℗) by:
ABC Records, Inc (in 1977) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1977)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 100) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 214)
recording of:
Deacon Blues
lyricist and composer:
Walter Becker and Donald Fagen
publisher:
MCA Music Ltd., Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Universal/MCA Music Ltd. (not for release label use!), ABC/Dunhill Music, Inc. (in 1977) and Anchor Music Ltd. (in 1977)
4.357:33
14Hey Nineteen
recorded in:
United States (from 1978 until 1980)
executive engineer:
Roger Nichols (US mastering, recording engineer and producer)
producer:
Gary Katz
mixer:
Elliot Scheiner (from 1978 until 1980)
bass guitar and guitar:
Walter Becker (from 1978 until 1980)
drums (drum set):
Rick Marotta (US drummer/percussionist) (from 1978 until 1980)
electric piano and synthesizer and lead vocals:
Donald Fagen (from 1978 until 1980)
guitar:
Hugh McCracken (from 1978 until 1980)
percussion:
Victor Feldman (jazz musician) (from 1978 until 1980) and Steve Gadd (drummer) (from 1978 until 1980)
background vocals:
Frank Floyd (US soul disco funk singer) (from 1978 until 1980) and Zachary Sanders (from 1978 until 1980)
arranger:
Steely Dan (group founded by Walter Becker and Donald Fagen)
phonographic copyright (℗) by:
Geffen Records (in 1980)
recording of:
Hey Nineteen (from 1978 until 1980)
lyricist and composer:
Walter Becker and Donald Fagen
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing Ltd. (UK), Warner Chappell Music Ltd. (no slash; used 1988–1996), Freejunket Music (in 1980) and Zeon Music (in 1980)
45:03
15Babylon Sisters
recorded in:
United States (from 1978 until 1980)
executive engineer:
Roger Nichols (US mastering, recording engineer and producer)
producer:
Gary Katz
mixer:
Elliot Scheiner (from 1978 until 1980)
alto saxophone, clarinet and tenor saxophone:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (from 1978 until 1980)
bass clarinet:
George Marge (from 1978 until 1980) and Walter Kane (US woodwind player) (from 1978 until 1980)
bass guitar:
Chuck Rainey (American bassist) (from 1978 until 1980)
clavinet and electric piano:
Don Grolnick (from 1978 until 1980)
drums (drum set):
Bernard Purdie (from 1978 until 1980)
flugelhorn and trumpet:
Randy Brecker (from 1978 until 1980)
guitar:
Steve Khan (from 1978 until 1980)
percussion:
Crusher Bennett (from 1978 until 1980)
background vocals:
Patti Austin (from 1978 until 1980), Diva Gray (from 1978 until 1980), Gordon Grody (from 1978 until 1980), Lani Groves (from 1978 until 1980), Leslie Miller (from 1978 until 1980) and Toni Wine (from 1978 until 1980)
lead vocals:
Donald Fagen (from 1978 until 1980)
brass [horns] arranger:
Rob Mounsey (from 1978 until 1980)
arranger:
Steely Dan (group founded by Walter Becker and Donald Fagen)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1980) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1980)
recording of:
Babylon Sisters (from 1978 until 1980)
lyricist and composer:
Walter Becker and Donald Fagen
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing Ltd. (UK), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996), Freejunket Music (in 1980) and Zeon Music (in 1980)
55:46
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