100% Rock, Volume 2

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Fanfare for the Common Man
Produzent(in):
Greg Lake
Bassgitarre:
Greg Lake
Pauke und Schlagzeug:
Carl Palmer
Synthesizer:
Keith Emerson
phonographisches Urheberrecht (℗) von:
Leadclass Ltd (copyrights holder) (in 1977), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
Bearbeitung von:
Fanfare for the Common Man von Emerson, Lake & Palmer
recording of:
Fanfare for the Common Man (ELP arrangement)
Komponist(in):
Aaron Copland (composer)
arranger:
Keith Emerson, Greg Lake und Carl Palmer
publisher:
Boosey & Hawkes Music Publishers, Ltd
Arrangement von:
Fanfare for the Common Man (for brass and percussion orchestra)
Emerson, Lake & Palmer42:59
2Take Me Home Tonight
Techniker(in):
Michael Frondelli, Phil Kaffel und Dave Leonard
Produzent(in):
Eddie Money und Richie Zito
Mix:
Scott Litt (producer and engineer), Eddie Money und Richie Zito
Sologesang:
Eddie Money (von 1985-11 bis 1986-05)
zusätzlich Gast vocals:
Ronnie Spector (von 1985-11 bis 1986-05)
Interpret(in):
Ronnie Spector (von 1985-11 bis 1986-05)
arranger:
Eddie Money und Richie Zito
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since 2009; operates worldwide except in JP) (in 1986)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten (von 1985-11 bis 1986-05), Oasis Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1985-11 bis 1986-05) und R.O. Studios in Concord, California (Kalifornien), Vereinigte Staaten (von 1985-11 bis 1986-05)
medley including a recording of:
Be My Baby (von 1985-11 bis 1986-05)
Verfasser(in):
Jeff Barry, Ellie Greenwich und Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music, Inc., Universal–Songs of PolyGram International, Inc. und Trio Music Co., Inc. (in 1963)
sub-publisher:
ABKCO Japan Publishing, Shinko Music Entertainment Co., Ltd., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Fujipacific Music inc. (bis 2014-12-31), EMI Music Publishing Japan C.F. division (bis 2021-06-30), Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1963), Fujipacific Music, Inc. (vom 2015-01-01 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
medley including a recording of:
Take Me Home Tonight (von 1985-11 bis 1986-05)
Verfasser(in):
Jeff Barry, Ellie Greenwich und Phil Spector
recording of:
Take Me Home Tonight
Verfasser(in):
Jeff Barry, Ellie Greenwich und Phil Spector
Eddie Money4.353:28
3Rosanna
recording engineer:
David Leonard (US producer and engineer), Greg Ladanyi, Jamie Ledner, Lon LeMaster, Niko Bolas, Peggy McCreary, Al Schmitt, Terry Christian (US recording and mixing engineer) und Tom Knox
Techniker(in):
Al Schmitt, Bruce Heigh, David Paich, Dick Gall (engineer/guitar technician), Greg Ladanyi, Steve Porcaro und Tom Knox
zusätzliche(r) Techniker(in):
Bruce Heigh (Aufgabe: additional recording), David Paich (Aufgabe: additional recording), Dick Gall (engineer/guitar technician) (Aufgabe: additional recording) und Steve Porcaro (Aufgabe: additional recording)
Produzent(in):
Bruce Dickinson (engineer and producer) und Toto (US rock group)
Mix:
Elliot Scheiner (Aufgabe: for 5.1 surround sound) und Greg Ladanyi
Bass:
David Hungate und Michael Porcaro
Bassgitarre:
David Hungate
Conga:
Lenny Castro
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Hammond-Orgel und Synthesizer:
David Paich und Steve Porcaro
Instrumente:
Lenny Castro
Keyboard:
David Paich und Steve Porcaro
Klavier:
David Paich
Perkussion:
Lenny Castro und Jeff Porcaro
Posaune:
James Pankow
Saxophon:
Jim Horn (saxophonist, hornist, flutist and oboist) und Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
Schlagzeug [drums]:
Jeff Porcaro
Trompete:
Gary Grant (brass) und Jerry Hey
Hintergrundgesang [background vocal]:
Tom Kelly (songwriter), Bobby Kimball, Steve Lukather (guitarist, vocalist, composer, producer and arranger) und David Paich
Sologesang:
Jean-Michel Byron, Bobby Kimball und Steve Lukather (guitarist, vocalist, composer, producer and arranger)
vocals:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) und Steve Porcaro
Blechblasinstrumente [horns] arranger:
Jerry Hey und David Paich
arranger:
David Paich und Jerry Hey
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony Music (global brand, excluding JP, owned by Sony Music Entertainment) (in 1982) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since 2009; operates worldwide except in JP) (in 1982)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 15)
recording of:
Rosanna
Texter und Komponist(in):
D. Paich
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Spirit Two Music und Hudmar Publishing Co. Inc. (in 1982)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division)
Toto45:31
4More Than a Feeling
assistierende(r) Techniker(in):
Bruce Hensel (Aufgabe: assistant), Deni King (engineer) (Aufgabe: assistant), Doug Ryder (Aufgabe: assistant), Bruce Hensal, Deni King (engineer) und Doug Rider
Techniker(in):
Tom Scholz und Warren Dewey
Produzent(in):
John Boylan und Tom Scholz
assistierende(r) Mix:
Steve Hodge (engineer and producer) und Steve Hodge (engineer and producer) (Aufgabe: assistant)
Akustikgitarre, Bassgitarre, Gitarre [lead guitar] und Gitarre [rhythm guitar]:
Tom Scholz (von 1975 bis 1976)
Perkussion und Schlagzeug:
Sib Hashian (von 1975 bis 1976)
Sologesang und Sologesang [Harmony]:
Brad Delp (von 1975 bis 1976)
arranger:
Brad Delp und Tom Scholz
co-arranger:
Jim Masdea
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1976), CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1976), Sony BMG Music Entertainment (2004–2008) (in 1976) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
aufgenommen bei:
Foxglove Studios in Watertown, Massachusetts, Vereinigte Staaten (in 1975), Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1976) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1976)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
früheste Veröffentlichung:
More Than a Feeling von Boston (US rock band)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 39), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 63), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 194), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 212) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 500)
recording of:
More Than a Feeling (von 1975 bis 1976)
Texter und Komponist(in):
Tom Scholz
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) und Pure Songs (in 1976)
Boston3.954:42
5Turbo Lover
Techniker(in):
Bill Dooley (engineer)
Produzent(in):
Tom Allom
Mix:
Tom Allom, Bill Dooley (engineer), Kenneth Downing und Glenn Tipton
E-Bass:
Ian Hill (UK bassist for Judas Priest) (von 1985-06 bis 1985-11)
E-Gitarre:
Kenneth Downing (von 1985-06 bis 1985-11) und Glenn Tipton (von 1985-06 bis 1985-11)
Schlagzeug:
Dave Holland (British rock drummer) (von 1985-06 bis 1985-11)
Solo-E-Gitarre:
Glenn Tipton (von 1985-06 bis 1985-11)
Sologesang:
Rob Halford (von 1985-06 bis 1985-11)
arranger:
Kenneth Downing, Rob Halford und Glenn Tipton
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1986) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2026)
aufgenommen bei:
Compass Point Studios in Nassau, Bahamas (von 1985-06 bis 1985-11)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Turbo Lover (music video) von Judas Priest
recording of:
Turbo Lover (von 1985-06 bis 1985-11)
Verfasser(in):
Kenneth Downing, Rob Halford und Glenn Tipton
publisher:
EMI April Music Inc.
Judas Priest3.655:29
6Heaven Can Wait
Techniker(in), Produzent(in) und Mix:
Todd Rundgren
Klavier:
Roy Bittan
Hintergrundgesang:
Rory Dodd und Todd Rundgren
Sologesang:
Meat Loaf
Saiteninstrumente arranger:
Kenny Ascher
arranger:
Todd Rundgren und Jim Steinman
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recording of:
Heaven Can Wait
Texter und Komponist(in):
Jim Steinman
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Neverland Music Co. und Peg Music Company
Meat Loaf4.154:41
7Can’t Fight This Feeling
Produzent(in):
Kevin Cronin (guitarist, singer and songwriter), Alan Gratzer (drummer) und Gary Richards
arranger:
Kevin Cronin (guitarist, singer and songwriter) und REO Speedwagon
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since 2009; operates worldwide except in JP) (in 1984) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Can’t Fight This Feeling (in 1984-08)
Texter und Komponist(in):
Kevin Cronin (guitarist, singer and songwriter)
publisher:
Bucks Music Group Ltd. (Bucks Music Group), Fate Music, The International Music Network Ltd und Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
sub-publisher:
大洋音楽 (Taiyō Music)
REO Speedwagon3.94:53
8Ace of Spades
Produzent(in):
Vic Maile (von 1980-08-04 bis 1980-09-15)
E-Bass und Sologesang:
Ian 'Lemmy' Kilmister (“Lemmy” from Motörhead) (von 1980-08-04 bis 1980-09-15)
E-Gitarre:
'Fast' Eddie Clarke (Motörhead guitarist) (von 1980-08-04 bis 1980-09-15)
Schlagzeug:
Phil 'Philthy Animal' Taylor (former Motörhead drummer) (von 1980-08-04 bis 1980-09-15)
phonographisches Urheberrecht (℗) von:
Castle Copyrights Ltd. (in 1980), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1980) und Universal Music (plain logo: “Universal Music”) (in 1980)
aufgenommen bei:
Jackson’s Studios in Rickmansworth, Hertfordshire, England, Vereinigtes Königreich (von 1980-08-04 bis 1980-09-15)
Musikvideos:
Ace of Spades von Motörhead
Teil von:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 3), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 10), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 33), TV Cream: Real 100 Best Singles Ever (Nummer: 41) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 442)
recording of:
Ace of Spades (von 1980-08-04 bis 1980-09-15)
Verfasser(in):
Eddie Clarke (Motörhead guitarist), Ian Fraser Kilmister (“Lemmy” from Motörhead) und Phil Taylor (former Motörhead drummer)
publisher:
Motor Music Ltd. (Motörhead publisher)
Motörhead4.22:47
9Gamma RayBirth Control39:44
10Hey Stoopid
recording engineer:
Paul Northfield (von 1990 bis 1991)
assistierende(r) Techniker(in):
George Cowan (US engineer), Scott Jochim, Dave Levy und Brian Scheuble
leitende(r) Produzent(in):
Bob Pfeifer
Produzent(in):
Peter Collins (producer)
assistierende(r) Mix:
Brian Scheuble
Bassgitarre:
Hugh McDonald (bassist) (von 1990 bis 1991)
Gast-Gitarre:
Joe Satriani (American rock guitarist, composer, record producer, and songwriter) (von 1990 bis 1991) und Slash (Guns N’ Roses guitarist) (von 1990 bis 1991)
Gitarre:
Stef Burns (von 1990 bis 1991)
Keyboard:
John Webster (Canadian keyboardist) (von 1990 bis 1991)
Schlagzeug:
Mickey Curry (von 1990 bis 1991)
Synclavier:
Steve Croes (von 1990 bis 1991)
Gast Hintergrundgesang:
Zachary Nevel (von 1990 bis 1991), Ozzy Osbourne (von 1990 bis 1991) und Joe Satriani (American rock guitarist, composer, record producer, and songwriter) (von 1990 bis 1991)
Hintergrundgesang:
Sherwood Ball (songwriter, not to be confused with guitarist Ernie Ball) (von 1990 bis 1991), Scott Bender (von 1990 bis 1991), Lance Bulen (von 1990 bis 1991), Stan Bush (von 1990 bis 1991), Cali (US musician, daughter of Alice Cooper) (von 1990 bis 1991), Gary Falcone (von 1990 bis 1991), Mike Finnigan (keyboardist) (von 1990 bis 1991), Kelly Keeling (von 1990 bis 1991), Corky McClennan (von 1990 bis 1991), Shaun Murphy (von 1990 bis 1991), Tony Palmucci (von 1990 bis 1991), Jack Ponti (von 1990 bis 1991), Vic Pepe (von 1990 bis 1991) und Terry Wood (US vocalist) (von 1990 bis 1991)
Sologesang:
Alice Cooper (the singer, active as a solo artist 1975–present) (von 1990 bis 1991)
arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger), Victor Pepe und Jack Ponti
Hintergrundgesang arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger), Jack Ponti und Vic Pepe
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1991), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since 2009; operates worldwide except in JP) (in 1991) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
aufgenommen bei:
Bearsville Studios in Bearsville, New York, Vereinigte Staaten (von 1990 bis 1991) und The Complex Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1990 bis 1991)
mixed at:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Hey Stoopid (von 1990 bis 1991)
Verfasser(in):
Alice Cooper (the singer, active as a solo artist 1975–present), Bob Pfeifer, Jack Ponti und Vic Pepe
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Ezra Music, Fifeman, Inc., Sony Music Publishing (worldwide except Japan, ended 1995) (, von 1991 bis 1995), Sony/ATV Music Publishing Scandinavia, Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Scandinavia, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., 1968‐09‐19–1999‐11‐09), BMG Songs, Inc. (vom 1991 bis ????), EMI Blackwood Music Inc. (vom 1991 bis ????), Ezra Music Corp. (vom 1991 bis heute), Fifeman Music (vom 1991 bis heute), Jack Ponti Music (vom 1991 bis heute), Little Elvis Music (vom 1991 bis heute) und WB Music Corp. (1929–2019) (von 1991 bis 2019-05-28)
sub-publisher:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper3.24:33
11Heart of Stone
recording engineer und Mix:
Wally Buck und Kevin Elson
Produzent(in):
Kevin Elson
Bassgitarre [bass]:
John Levén
Gitarre:
John Norum
Keyboard:
Mic Michaeli
Schlagzeug [drums]:
Ian Haugland
Hintergrundgesang:
Ian Haugland, Mic Michaeli und John Norum
Sologesang:
Joey Tempest (Swedish singer)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986)
produced for:
Elson Music Vision, Inc.
aufgenommen bei und mixed at:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten, Powerplay Studios in Maur, Zürich (Kanton Zürich), Schweiz und Soundtrade Studios in Solna City, Stockholms län (Stockholm county), Schweden
recording of:
Heart of Stone
Texter und Komponist(in):
Joey Tempest (Swedish singer)
Europe43:47
12Holding Out for a Hero
Programmierung:
Phil Shenale
Partner-Produzent(in):
Arthur Pyson, Neil Dorfsman und John Jansen (US recording engineer and producer)
Produzent(in):
Jim Steinman
Bassposaune:
Dave Taylor (US jazz bass trombonist)
drum machine [Linn Drums]:
Sterling Smith und Art Wood (US session drummer/percussionist)
elektronisches Schlagzeug / E-Drums [Simmons Drums]:
Art Wood (US session drummer/percussionist)
Gitarre:
Hiram Bullock
Klavier:
Sterling Smith
Posaune:
Jim Pugh (US trombonist) und Tom Malone (US trombonist)
Synthesizer:
Phil Shenale und Sterling Smith
Tenorsaxophon:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
Trompete:
Alan Rubin und Lew Soloff
Hintergrundgesang:
Rory Dodd, Eric Thayer und Holly Sherwood
Blechblasinstrumente [horn] arranger:
Tom Malone (US trombonist)
vocals arranger:
Rory Dodd, Eric Thayer und Holly Sherwood
zusätzlich vocals arranger:
Ellen Foley
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), SONY Music (Sony Music, global brand, excluding JP, owned by Sony Music Entertainment) (in 1984), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984) und Sony BMG Music Entertainment (2004–2008) (in 2008)
recording of:
Holding Out for a Hero
Texter:
Dean Pitchford
Komponist(in):
Jim Steinman
publisher:
BMG Music Publishing Ltd., Ensign Music Corp., Famous Chappell, Famous Chappell Ltd. (UK-based music publishing company.), Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Harmony UK, Sony/ATV Melody und Sony/ATV Music Publishing LLC (1995–2020)
basiert auf:
Stark Raving Love
Bonnie Tyler4.355:49
13This Flight Tonight
Produzent(in):
Roger Glover
phonographisches Urheberrecht (℗) von:
Nazareth (Dunfermline) Ltd. (bis 1973) und Mountain Records (British record company, established early 1970s, best known act is Nazareth) (in 1973)
cover recording of:
This Flight Tonight
Texter und Komponist(in):
Joni Mitchell
publisher:
Global Musikverlag (Global Musik GmbH & Co. KG), Joni Mitchell Publishing Corp., Siquomb Pub. Corp. und Warner Bros. Music (publisher; do NOT use as release label)
Nazareth3.83:21
14Black Magic Woman
Produzent(in):
Fred Catero und Carlos Santana
Bassgitarre:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (am 1970-07-04)
Conga:
Michael Carabello (percussionist) (am 1970-07-04) und Jose Chepito Áreas (am 1970-07-04)
Gitarre:
Carlos Santana (am 1970-07-04)
Keyboard:
Gregg Rolie (keyboardist and vocalist) (am 1970-07-04)
membranophone:
Michael Shrieve (drummer) (am 1970-07-04)
Timbales:
Jose Chepito Áreas (am 1970-07-04)
vocals:
Gregg Rolie (keyboardist and vocalist) (am 1970-07-04) und Carlos Santana (am 1970-07-04)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1970), Sony BMG Music Entertainment (2004–2008) (in 1970) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970, in 1974)
aufgenommen bei:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1970-07-04)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 28)
cover recording of:
Black Magic Woman (am 1970-07-04)
Texter und Komponist(in):
Peter Green (former member of Fleetwood Mac)
publisher:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. und Murbo Music Publishers, Inc.
recording of:
Black Magic Woman
Texter und Komponist(in):
Peter Green (former member of Fleetwood Mac)
publisher:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. und Murbo Music Publishers, Inc.
Carlos Santana3.83:16
15How Am I Supposed to Live Without You
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since 2009; operates worldwide except in JP) (in 1989)
recording of:
How Am I Supposed to Live Without You
Verfasser(in):
Michael Bolton und Doug James (songwriter, composer, keyboards)
publisher:
EMI Blackwood Music Inc., EMI Songs Ltd. und Is Hot Music Ltd.
sub-publisher:
フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Michael Bolton44:15
16A Whiter Shade of Pale
Produzent(in):
Denny Cordell (producer & label boss)
Bassgitarre:
David Knights
Gast-Schlagzeug:
Bill Eyden
Gitarre:
Ray Royer
Hammond-Orgel:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
vocals:
Gary Brooker
phonographisches Urheberrecht (℗) von:
Onward Music Ltd. (in 1967)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 57) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 271)
recording of:
A Whiter Shade of Pale
Texter:
Keith Reid
Komponist(in):
Gary Brooker und Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) und Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
basiert auf:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
basiert auf:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:05
17Baby Love
live recording of:
Baby Love
Texter und Komponist(in):
Jerry Seay
publisher:
Sat Songs Music
Mother’s Finest44:19
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6▶CD

Nennungen

Veröffentlichungsgruppe

Teil von:100% Rock (Nummer: 2) (Reihenfolge: 2)