Heart 80s Club Classics

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

| |
1▼CD
#TitleArtistRatingLength
1Celebration
Kool & the Gang?:??
2Last Night a DJ Saved My Life
co-producer:
Mike Cleveland (80's dance) and Reggie Thompson (engineer and producer)
phonographic copyright (℗) by:
Phenix, Inc. (company related to the label Sound Of New York.) (from 1983 to present)
recording of:
Last Night a D.J. Saved My Life
lyricist and composer:
Mike Cleveland (80's dance)
publisher:
Windswept Pacific Music Ltd.
Indeep3?:??
3Every Little Step
recording of:
Every Little Step
writer:
Antonio “L.A.” Reid (songwriter and producer) and Babyface (R&B musician Kenny Edmonds)
publisher:
Chappell Music Ltd., Hip Trip Music (publisher) and Kear Music (publisher)
Bobby Brown?:??
4Never Too Much
recording engineer and mixer:
Michael H. Brauer (engineer)
assistant engineer:
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) and Don Wershba (engineer)
engineer:
Carl Beatty (engineer)
executive producer:
Larkin Arnold
producer:
Luther Vandross
bass:
Marcus Miller (jazz musician)
congas:
Bashiri Johnson
drums (drum set):
Buddy Williams (drummer)
guitar:
Georg Wadenius (guitarist, bassist, keyboardist, singer, composer, producer)
keyboard [keyboards]:
Nat Adderley, Jr.
percussion:
Crusher Bennett
background vocals [female backup vocals]:
Tawatha Agee, Brenda White, Michelle Cobbs, Cissy Houston, Yvonne Lewis and Sybil Thomas
background vocals [male backup vocals] and lead vocals:
Luther Vandross
horn [horns] arranger and strings arranger:
Paul Riser
percussion [rhythm] arranger:
Nat Adderley, Jr. and Luther Vandross
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981), CBS, Inc. (US broadcasting company; file no releases here!) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since 2009; operates worldwide except in JP) (in 1981) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recorded at:
Mediasound Studios in New York, New York, United States
music videos:
Never Too Much by Luther Vandross
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 468) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 466)
recording of:
Never Too Much
lyricist and composer:
Luther Vandross
publisher:
April Music Ltd., Barry Platnick, CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., MCA Music Ltd., SBK Songs (publisher), SBK Songs Ltd. and Uncle Ronnie’s Music Company Inc.
Luther Vandross3.9?:??
5Ain't Nobody
recording of:
Ain’t Nobody
lyricist and composer:
David Wolinski
publisher:
Overdue Music
Rufus&Chaka Khan?:??
6Word Up!
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1986) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1986)
music videos:
Word Up by Cameo (American soul-influenced funk group)
part of:
TV Cream: Real 100 Best Singles Ever (number: 70) and VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 81)
recording of:
Word Up!
writer:
Larry Blackmon and Tomi Jenkins
publisher:
All Seeing Eye Music, Better Days Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Cameo4?:??
7Rhythm of the Night
producer:
Richard Perry (producer)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1985), Motown Records (not for label use; use “Motown” instead) (in 1985, in 2009), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1985) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (from 2016 to present)
music videos:
Rhythm of the Night by DeBarge
recording of:
Rhythm of the Night
lyricist and composer:
Diane Warren (US songwriter)
publisher:
Edition Sunset Publishing Ltd. and Realsongs
DeBarge3.65?:??
8Ride on Time
phonographic copyright (℗) by:
Tuneless ltd. (in 2009)
recording of:
Ride on Time
writer:
Daniele Davoli, Dan Hartman, Mirko Limoni and Valerio Semplici (Black Box)
publisher:
Discomagic Records and Lombardoni Edizioni Musicali
quotes lyrics from:
Love Sensation
Black Box?:??
9Somebody's Watching Me
recording engineer:
Arne Frager, Joe Q. Hall (engineer), Booker T. Jones III and Scott Skidmore
drum machine programming:
Rockwell (R & B – “Somebody’s Watching Me”) (in 1983)
producer:
Curtis Anthony Nolen and Rockwell (R & B – “Somebody’s Watching Me”)
drum machine, drums (drum set), organ, synthesizer and vocoder:
Rockwell (R & B – “Somebody’s Watching Me”) (in 1983)
background vocals:
Jermaine Jackson (soul/pop singer, of Jackson 5) (in 1983) and Michael Jackson (“King of Pop”) (in 1983)
vocals:
Michael Jackson (“King of Pop”)
arranger:
Curtis Anthony Nolen and Rockwell (R & B – “Somebody’s Watching Me”)
vocals arranger:
Curtis Anthony Nolen
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1983) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2021)
arranged for and produced for:
Super Three Productions
recorded at:
Mars Recording Studio (Hollywood) in Hollywood, Los Angeles, California, United States (in 1983)
mixed at:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California, United States
music videos:
Somebody’s Watching Me by Rockwell (R & B – “Somebody’s Watching Me”)
part of:
Billboard Hot 100: 2025-11-15 (number: 24)
recording of:
Somebody’s Watching Me
lyricist and composer:
Rockwell (R & B – “Somebody’s Watching Me”)
publisher:
EMI Music (do not use as release label! this is a music publisher) and Jobete Music (appears also as: Jobete Msc.)
Rockwell4.5?:??
10Push It
part of:
Grammy Award: Best Rap Performance nominees (number: 1989), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 54), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 374) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 440)
recording of:
Push It
writer:
Hurby Azor and Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Next Plateau Music Inc. and Turn Out Brothers Publishing
Salt‐N‐Pepa3.75?:??
11Teardrops
recording of:
Teardrops
writer:
Cecil Womack and Linda Womack
publisher:
Zomba Music Publishing Ltd. and Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1988)
Womack & Womack?:??
12A Night to Remember
recording of:
A Night to Remember
writer:
Nidra Beard, Dana Meyers and Charmaine Sylvers
publisher:
Notting Hill Music (UK) Ltd.
Shalamar3.65?:??
13It's a Love Thing
recording of:
It’s a Love Thing
writer:
Dana Meyers and William Shelby
publisher:
Mykinda Music, Notting Hill Music (UK) Ltd. and Spectrum VII
The Whispers?:??
14Forget Me Nots
recording of:
Forget Me Nots
writer:
Terri McFaddin, Patrice Rushen and Freddie Washington (US session bassist)
publisher:
Baby Fingers Music, Freddie Dee Music, Global Musikverlag (Global Musik GmbH & Co. KG) and Yamina Music
Patrice Rushen?:??
15Somebody Else's Guy
recording of:
Somebody Else’s Guy
writer:
Annette E. Brown and Jocelyn Brown
publisher:
Jocelyn Brown's Music, SM Publishing (UK) Limited (Sony Music, 2009–2020), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
Jocelyn Brown5?:??
16Don't Stop the Music
edit of:
Don’t Stop the Music by Yarbrough & Peoples
recording of:
Don’t Stop the Music
writer:
Jonah Ellis, Alisa Peoples and Lonnie Simmons (producer, songwriter)
publisher:
BMG Platinum Songs US and BMG Rights Management (UK) Ltd. (not for release label use! see annotation)
Yarbrough & Peoples3?:??
17Just Be Good to Me
recording of:
Just Be Good to Me
writer:
James Harris III (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
The S.O.S. Band?:??
18Why?
recording of:
Why
lyricist and composer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music and Sony/ATV Songs LLC
quotes lyrics from:
Why
Carly Simon?:??
19Rock the Boat
recording of:
Rock the Boat
lyricist and composer:
Wally Holmes (songwriter)
publisher:
Origin Network Pty Ltd and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Forrest?:??
2▼CD
#TitleArtistRatingLength
1The Message
producer:
J. Chase and Sylvia Robinson
vocals:
Duke Bootee and Melle Mel (Melvin Glover aka Melle Mel)
phonographic copyright (℗) by:
Sugar Hill Records (US late 70s/early 80s rap) (from 1982 to present)
edit of:
The Message (original version) by Grandmaster Flash & The Furious Five
recording of:
The Message (in 1982)
writer:
Edward Fletcher, Jiggs Chase, Melvin Glover (Melvin Glover aka Melle Mel) and Sylvia Robinson
publisher:
IQ Music Ltd.
Grandmaster Flash & The Furious Five4.35?:??
2Automatic
recording of:
Automatic
composer:
Brock Patrick Walsh (singer, producer, songwriter) and Mark Goldenberg
The Pointer Sisters?:??
3I Feel for You
bass, drum machine and guitar:
Reggie Griffin (in 1984)
chromatic harmonica:
Stevie Wonder (in 1984)
drums (drum set):
Steve Ferrone (in 1984)
keyboard and synthesizer:
Robbie Buchanan (Canadian producer) (in 1984), David Frank (American keyboardist, producer, writer; The System) (in 1984), Reggie Griffin (in 1984) and Philippe Saisse (in 1984)
background vocals and lead vocals:
Chaka Khan (in 1984)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1984)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 395)
cover recording of:
I Feel for You (in 1984)
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Chaka Khan3.75?:??
4Chain Reaction
assistant engineer:
Scott Glasel and John Haig (engineer)
engineer:
Jack Joseph‐Puig, Karl Richardson and Brian Tench
producer:
Albhy Galuten, Barry Gibb and Karl Richardson
mixer:
Jack Joseph‐Puig
phonographic copyright (℗) by:
Barry Gibb (in 1985), Maurice Gibb (in 1985) and Robin Gibb (in 1985)
recorded at:
Middle Ear Studio in Miami Beach, Florida, United States
recording of:
Chain Reaction
composer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music Publishing Ltd. and Gibb Brothers Music
Diana Ross4.25?:??
5Can You Feel It
engineer:
Tom Perry (engineer)
associate producer:
Greg Phillinganes
producer:
The Jacksons (formerly “The Jackson 5”)
bass guitar:
Nathan Watts
drums (drum set):
Ollie E. Brown (US drummer, session musician & record producer)
guitar:
Tito Jackson and David Williams (session guitarist and songwriter)
keyboard:
Ronnie Foster, Greg Phillinganes and Bill Wolfer (record producer, songwriter, musician and synthesizer programmer from USA)
vibraphone:
Gary Coleman (US percussionist)
choir vocals:
Lita Aubrey, Paulette Brown, Brigette Bush, Soloman Daniels, Rock Deadrick, Carolyn Dennis (American singer), Venetta Fields, Roy Galloway (soul singer), Gerry Garrett, Rhonda Gentry, Jim Gilstrap, Gerry Gruberth, Bunny Hull, Roger Kenerly II, Josie James, Roger Kenerly-Saint, Yolanda Kenerly, Lewis Price, Bob Mack, Arnold McCuller, Paulette McWilliams, Lisa Roberts, Phyllis St. James, Brian Stilwell, Audra Tillman, Carmen Twillie, Ronald Vann, Peter Wade (vocalist) and Gregory Wright
lead vocals:
Michael Jackson (“King of Pop”) and Randy Jackson (brother of Michael and Janet)
chorus master:
Stephanie Spruill (American soul/disco singer, songwriter, and percussionist)
strings arranger:
Tom Tom 84
arranger:
Jackie Jackson (member of the Jackson 5) and Michael Jackson (“King of Pop”)
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1980)
recorded at:
Hollywood Sound Studios in Los Angeles, California, United States (from 1980-01 until 1980-07) and Sound City Studios in Van Nuys, California, United States (from 1980-01 until 1980-07)
recording of:
Can You Feel It
writer:
Jackie Jackson (member of the Jackson 5) and Michael Jackson (“King of Pop”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
MJ: The Musical
The Jacksons4?:??
6I.O.U.
Freeez?:??
7Let the Music Play
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 417)
recording of:
Let the Music Play
writer:
Chris Barbosa (Rhythm Method) and Ed Chisolm
publisher:
Emergency Music (ASCAP-affiliated), Heath Levy Music Co. Ltd. and Shapiro, Bernstein & Co., Inc.
Shannon3.65?:??
8The Breaks
recording of:
The Breaks
writer:
James B. Moore (producer, composer), Kurtis Walker, Lawrence Smith (US hip hop producer), Robert Arthur Ford, Jr. (hip hop writer and producer) and Russell W. Simmons
publisher:
Neutral Gray Music
Kurtis Blow?:??
9It's Raining Men
recording of:
It’s Raining Men
writer:
Paul Jabara and Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick)
publisher:
EMI Songs Ltd., Olga Music, Postvalda Music, Songs of Manhattan Island Music Co., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
The Weather Girls4?:??
10Let's Get Serious
producer:
Stevie Wonder
arranger:
Stevie Wonder
recording of:
Let’s Get Serious
writer:
Lee Garrett and Stevie Wonder
Jermaine Jackson?:??
11Trapped
recording of:
Trapped
writer:
Don Abrams and Marston Freeman (songwriter)
publisher:
Moonwalk Music (publisher)
Colonel Abrams5?:??
12Saturday Love
recording of:
Saturday Love
writer:
Jimmy Jam (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
Cherrelle With Alexander O’Neal?:??
13Use It Up and Wear It Out
Odyssey?:??
14Let's Hear It for the Boy
producer:
George Duke
mixer:
Tom Perry (engineer), Tommy Vicari and Erik Zobler
analog synthesizer [Prophet V], electronic drum set [Linn Drums], Minimoog [Mini-Moog] and Moog [Memory Moog]:
George Duke
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals:
George Merrill, Shannon Rubicam and Deniece Williams (US soul/funk vocalist/songwriter)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since 2009; operates worldwide except in JP) (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Let’s Hear It for the Boy
lyricist:
Dean Pitchford
composer:
Thomas Snow (US keyboardist/songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
Deniece Williams3.6?:??
15Who's Zoomin' Who?
engineer:
Dr. Dave Frazer
producer:
Narada Michael Walden
additional mixer:
Michael Brauer (engineer)
bass synthesizer:
Randy Jackson (former bassist with Journey and American Idol judge)
drums (drum set) and piano:
Narada Michael Walden
guitar:
Corrado Rustici
keyboard:
Walter Afanasieff and Preston Glass
background vocals:
Jim Gilstrap, Preston Glass, Randy Jackson (former bassist with Journey and American Idol judge), Laundon Von Kendricks, Sylvester (US disco and soul singer-songwriter), Jeanie Tracy and Vickie Randle
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1985)
recording of:
Who’s Zoomin’ Who
writer:
Aretha Franklin, Preston Glass and Narada Michael Walden
publisher:
Bellboy Music, Carlin Music Corporation, Gratitude Sky Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Aretha Franklin3?:??
16Caribbean Queen (No More Love on the Run)
producer:
Keith Diamond
mixer:
Nigel Green (engineer)
phonographic copyright (℗) by:
Jive Records (may or may not be the company behind the Jive imprint; not for release label use!) (in 1984)
recording of:
Caribbean Queen
writer:
Keith Diamond and Billy Ocean
Billy Ocean4.15?:??
17You're the One for Me
recording of:
You’re the One for Me
writer:
Hubert Eaves III and James “D Train” Williams (R&B vocalist & songwriter)
publisher:
Diesel Music AB, Franmar Music and Zella Music
D‐Train?:??
18Breakin'... There's No Stopping Us
recording of:
Breakin’… There’s No Stopping Us
composer:
Ollie E. Brown (US drummer, session musician & record producer) and Jerry Knight
Ollie & Jerry?:??
3▼CD
#TitleArtistRatingLength
1Criticize
recording of:
Criticize
writer:
Jellybean Johnson and Alexander O’Neal
publisher:
Avant Garde Music (publisher) (in 1987) and Flyte Tyme Tunes (in 1987)
Alexander O’Neal?:??
2Let's Groove
recording of:
Let’s Groove
writer:
Wayne Vaughn and Maurice White (Earth, Wind & Fire)
publisher:
Campbell Connelly, EMI Songs, EMI Songs Australia Pty. Ltd. and EMI Songs Ltd.
Earth, Wind & Fire5?:??
3Love Come Down
recording of:
Love Come Down
lyricist and composer:
Kashif (Michael Jones, B.T. Express)
publisher:
MCA Music Ltd.
Evelyn “Champagne” King?:??
4Mama Used to Say
recording of:
Mama Used to Say
writer:
Bob Carter (keyboardist for Linx) and Junior Giscombe (Norman Washington Giscombe, Jr.)
Junior?:??
5All Night Long
recording of:
All Night Long
lyricist and composer:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
Mary Jane Girls?:??
6Flashdance... What a Feeling
recording of:
Flashdance… What a Feeling
lyricist:
Irene Cara and Keith Forsey (drummer, producer and songwriter)
composer:
Irene Cara and Giorgio Moroder
publisher:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony and WB Music Corp. (1929–2019)
part of:
The 56th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1983 winner)
Irene Cara?:??
7Pull Up to the Bumper
recording of:
Pull Up to the Bumper
writer:
Lowell “Sly” Dunbar, Grace Jones, Dana Manno and Robert “Robbie” Shakespeare
publisher:
Ackee Music Inc., Chenana Music Publishing, Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG) and Ixat Music
Grace Jones?:??
8Walk the Dinosaur
recording of:
Walk the Dinosaur
writer:
Randy Jacobs (guitarist and songwriter), David Was and Don Was
publisher:
MCA Gilbey, MCA Music Ltd., MCA Music Pub. (renamed since c. 1996 as Universal Music Publishing Group), Monkeys Dogs Cattle Ltd., Semper Fi and Universal Music Corp. (USA, affiliated with ASCAP)
Was (Not Was)?:??
9Soup for One
recording of:
Soup for One
lyricist and composer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Sony/ATV Songs (SOCAN) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic?:??
10I'll Be Good
recording of:
I'll Be Good
writer:
René Moore and Angela Winbush
René & Angela?:??
11I Can't Wait
mixer:
Peter Slaghuis
bass:
Gary Fountaine (Oregon-based bassist) and Nate Phillips (jazz bassist)
drums (drum set):
Marty Higgins
guitar [guitars]:
John Smith (Nu Shooz)
keyboard [keyboards]:
Jeff Lorber, Ron Regan (keyboardist, saxophonist), Steve Reid (guitarist, The Associates) and John Smith (Nu Shooz)
percussion and lead vocals [vocals]:
Valerie Day (singer, musician, songwriter, producer)
saxophone [sax]:
Ron Regan (keyboardist, saxophonist)
trumpet:
Lewis Livermore (trumpet player)
background vocals [backing vocals]:
Shannon Day and Lori Lamphear
additional arranger:
Jeff Lorber
music videos:
I Can't Wait by Nu Shooz
recording of:
I Can’t Wait
lyricist and composer:
John Smith (Nu Shooz)
publisher:
Poolside Music
Nu Shooz3.75?:??
12Theme From S'Express
recording of:
Theme From S’Express
lyricist and composer:
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) and Mark Moore (DJ, producer, member of S’Express)
publisher:
Edition Intro (publisher) and Rhythm King Music (Publishing arm of Rhythm King Records)
is based on:
Is It Love You’re After
S’Express?:??
13Jive Talkin'
Boogie Box High?:??
14Feel So Real
recording of:
Feel So Real
writer:
India Arrington and Steve Arrington
Steve Arrington?:??
15Check Out the Groove
recording of:
Check Out the Groove
writer:
Rodney Brown (US soul studio musician and producer) and Willie Lester
publisher:
Blue Image Music and Franmar Music
Bobby Thurston?:??
16You Gave Me Love
recording of:
You Gave Me Love
lyricist and composer:
Ida Reid
Crown Heights Affair5?:??
17History
recording of:
History
lyricist and composer:
Jochem Fluitsma and Eric van Tijn
Mai Tai?:??
18I Found Lovin'
recording of:
I Found Lovin’
writer:
Johnny Flippin and Michael Walker (lead singer of The Fatback Band)
is based on:
If You Want to Party (I Found Lovin’) (All Saints)
Fatback4.5?:??