Heart 80s Club Classics

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1The Message
producer:
J. Chase and Sylvia Robinson
vocals:
Duke Bootee and Melle Mel (Melvin Glover aka Melle Mel)
phonographic copyright (℗) by:
Sugar Hill Records (US late 70s/early 80s rap) (from 1982 to present)
edit of:
The Message (original version) by Grandmaster Flash & The Furious Five
recording of:
The Message (in 1982)
writer:
Edward Fletcher, Jiggs Chase, Melvin Glover (Melvin Glover aka Melle Mel) and Sylvia Robinson
publisher:
IQ Music Ltd.
Grandmaster Flash & The Furious Five4.35?:??
2Automatic
recording of:
Automatic
composer:
Brock Patrick Walsh (singer, producer, songwriter) and Mark Goldenberg
The Pointer Sisters?:??
3I Feel for You
bass, drum machine and guitar:
Reggie Griffin (in 1984)
chromatic harmonica:
Stevie Wonder (in 1984)
drums (drum set):
Steve Ferrone (in 1984)
keyboard and synthesizer:
Robbie Buchanan (Canadian producer) (in 1984), David Frank (American keyboardist, producer, writer; The System) (in 1984), Reggie Griffin (in 1984) and Philippe Saisse (in 1984)
background vocals and lead vocals:
Chaka Khan (in 1984)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1984)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 395)
cover recording of:
I Feel for You (in 1984)
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Chaka Khan3.75?:??
4Chain Reaction
assistant engineer:
Scott Glasel and John Haig (engineer)
engineer:
Jack Joseph‐Puig, Karl Richardson and Brian Tench
producer:
Albhy Galuten, Barry Gibb and Karl Richardson
mixer:
Jack Joseph‐Puig
phonographic copyright (℗) by:
Barry Gibb (in 1985), Maurice Gibb (in 1985) and Robin Gibb (in 1985)
recorded at:
Middle Ear Studio in Miami Beach, Florida, United States
recording of:
Chain Reaction
composer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music Publishing Ltd. and Gibb Brothers Music
Diana Ross4.25?:??
5Can You Feel It
engineer:
Tom Perry (engineer)
associate producer:
Greg Phillinganes
producer:
The Jacksons (formerly “The Jackson 5”)
bass guitar:
Nathan Watts
drums (drum set):
Ollie E. Brown (US drummer, session musician & record producer)
guitar:
Tito Jackson and David Williams (session guitarist and songwriter)
keyboard:
Ronnie Foster, Greg Phillinganes and Bill Wolfer (record producer, songwriter, musician and synthesizer programmer from USA)
vibraphone:
Gary Coleman (US percussionist)
choir vocals:
Lita Aubrey, Paulette Brown, Brigette Bush, Soloman Daniels, Rock Deadrick, Carolyn Dennis (American singer), Venetta Fields, Roy Galloway (soul singer), Gerry Garrett, Rhonda Gentry, Jim Gilstrap, Gerry Gruberth, Bunny Hull, Roger Kenerly II, Josie James, Roger Kenerly-Saint, Yolanda Kenerly, Lewis Price, Bob Mack, Arnold McCuller, Paulette McWilliams, Lisa Roberts, Phyllis St. James, Brian Stilwell, Audra Tillman, Carmen Twillie, Ronald Vann, Peter Wade (vocalist) and Gregory Wright
lead vocals:
Michael Jackson (“King of Pop”) and Randy Jackson (brother of Michael and Janet)
chorus master:
Stephanie Spruill (American soul/disco singer, songwriter, and percussionist)
strings arranger:
Tom Tom 84
arranger:
Jackie Jackson (member of the Jackson 5) and Michael Jackson (“King of Pop”)
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1980)
recorded at:
Hollywood Sound Studios in Los Angeles, California, United States (from 1980-01 until 1980-07) and Sound City Studios in Van Nuys, California, United States (from 1980-01 until 1980-07)
recording of:
Can You Feel It
writer:
Jackie Jackson (member of the Jackson 5) and Michael Jackson (“King of Pop”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
MJ: The Musical
The Jacksons4?:??
6I.O.U.
Freeez?:??
7Let the Music Play
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 417)
recording of:
Let the Music Play
writer:
Chris Barbosa (Rhythm Method) and Ed Chisolm
publisher:
Emergency Music (ASCAP-affiliated), Heath Levy Music Co. Ltd. and Shapiro, Bernstein & Co., Inc.
Shannon3.65?:??
8The Breaks
recording of:
The Breaks
writer:
James B. Moore (producer, composer), Kurtis Walker, Lawrence Smith (US hip hop producer), Robert Arthur Ford, Jr. (hip hop writer and producer) and Russell W. Simmons
publisher:
Neutral Gray Music
Kurtis Blow?:??
9It's Raining Men
recording of:
It’s Raining Men
writer:
Paul Jabara and Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick)
publisher:
EMI Songs Ltd., Olga Music, Postvalda Music, Songs of Manhattan Island Music Co., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
The Weather Girls4?:??
10Let's Get Serious
producer:
Stevie Wonder
arranger:
Stevie Wonder
recording of:
Let’s Get Serious
writer:
Lee Garrett and Stevie Wonder
Jermaine Jackson?:??
11Trapped
recording of:
Trapped
writer:
Don Abrams and Marston Freeman (songwriter)
publisher:
Moonwalk Music (publisher)
Colonel Abrams5?:??
12Saturday Love
recording of:
Saturday Love
writer:
Jimmy Jam (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
Cherrelle With Alexander O’Neal?:??
13Use It Up and Wear It Out
Odyssey?:??
14Let's Hear It for the Boy
producer:
George Duke
mixer:
Tom Perry (engineer), Tommy Vicari and Erik Zobler
analog synthesizer [Prophet V], electronic drum set [Linn Drums], Minimoog [Mini-Moog] and Moog [Memory Moog]:
George Duke
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals:
George Merrill, Shannon Rubicam and Deniece Williams (US soul/funk vocalist/songwriter)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since 2009; operates worldwide except in JP) (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Let’s Hear It for the Boy
lyricist:
Dean Pitchford
composer:
Thomas Snow (US keyboardist/songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
Deniece Williams3.6?:??
15Who's Zoomin' Who?
engineer:
Dr. Dave Frazer
producer:
Narada Michael Walden
additional mixer:
Michael Brauer (engineer)
bass synthesizer:
Randy Jackson (former bassist with Journey and American Idol judge)
drums (drum set) and piano:
Narada Michael Walden
guitar:
Corrado Rustici
keyboard:
Walter Afanasieff and Preston Glass
background vocals:
Jim Gilstrap, Preston Glass, Randy Jackson (former bassist with Journey and American Idol judge), Laundon Von Kendricks, Sylvester (US disco and soul singer-songwriter), Jeanie Tracy and Vickie Randle
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1985)
recording of:
Who’s Zoomin’ Who
writer:
Aretha Franklin, Preston Glass and Narada Michael Walden
publisher:
Bellboy Music, Carlin Music Corporation, Gratitude Sky Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Aretha Franklin3?:??
16Caribbean Queen (No More Love on the Run)
producer:
Keith Diamond
mixer:
Nigel Green (engineer)
phonographic copyright (℗) by:
Jive Records (may or may not be the company behind the Jive imprint; not for release label use!) (in 1984)
recording of:
Caribbean Queen
writer:
Keith Diamond and Billy Ocean
Billy Ocean4.15?:??
17You're the One for Me
recording of:
You’re the One for Me
writer:
Hubert Eaves III and James “D Train” Williams (R&B vocalist & songwriter)
publisher:
Diesel Music AB, Franmar Music and Zella Music
D‐Train?:??
18Breakin'... There's No Stopping Us
recording of:
Breakin’… There’s No Stopping Us
composer:
Ollie E. Brown (US drummer, session musician & record producer) and Jerry Knight
Ollie & Jerry?:??
3▶CD