Anthology

~ Release by Grant Green (see all versions of this release, 1 available)

Annotation

Copyright: © 2014 U-5
℗ 2014 U-5

Annotation last modified on 2026-10-08 23:31 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Sookie Sookie (Live) (Remastered)
recording engineer:
Ed Greene (engineer) (on 1970-08-15)
congas:
Joseph Armstrong (on 1970-08-15)
drums (drum set):
Idris Muhammad (on 1970-08-15)
guitar:
Grant Green (jazz guitarist) (on 1970-08-15)
organ:
Ronnie Foster (on 1970-08-15)
tenor saxophone:
Claude Bartee (saxophone) (on 1970-08-15)
vibraphone:
Willie Bivens (on 1970-08-15)
recorded at:
Cliché Lounge in Newark, New Jersey, United States (on 1970-08-15)
live instrumental cover recording of:
Sookie Sookie (on 1970-08-15)
composer:
Don Covay and Steve Cropper
Grant Green, Steve Cropper & Don Covay310:58
2Corcovado (Quiet Nights)
recording engineer:
Rudy van Gelder (on 1965-03-31)
engineer:
Rudy van Gelder
drums (drum set):
Elvin Jones (jazz drummer) (on 1965-03-31)
guitar:
Grant Green (jazz guitarist) (on 1965-03-31)
organ:
Larry Young (US jazz organist) (on 1965-03-31)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1965-03-31)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1965-03-31)
instrumental cover recording of:
Corcovado (original Portuguese version) (on 1965-03-31)
lyricist and composer:
Antônio Carlos Jobim
Grant Green6:00
3The Final Comedown
alto saxophone:
Phil Bodner (Woodwind player) (on 1971-12-13) and Harold Vick (on 1971-12-13)
bongos and congas:
Ralph MacDonald (on 1971-12-13)
cello:
Seymour Barab (on 1971-12-13) and Charles McCracken (cellist) (on 1971-12-13)
drums (drum set):
Grady Tate (on 1971-12-13)
electric bass guitar:
Gordon Edwards (funk/soul bassist) (on 1971-12-13)
flugelhorn and trumpet:
Irving Markowitz (trumpet, flugelhorn) (on 1971-12-13) and Marvin Stamm (on 1971-12-13)
flute, oboe and piccolo:
Phil Bodner (Woodwind player) (on 1971-12-13)
guitar:
Cornell Dupree (on 1971-12-13) and Grant Green (jazz guitarist) (on 1971-12-13)
harp:
Eugene Bianco (on 1971-12-13)
organ and piano:
Richard Tee (on 1971-12-13)
percussion, timbales, timpani and vibraphone:
George Devens (on 1971-12-13)
tenor saxophone:
Harold Vick (on 1971-12-13)
viola:
Julien Barber (on 1971-12-13) and Harry Zaratzian (on 1971-12-13)
conductor:
Wade Marcus (on 1971-12-13)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1971-12-13)
recording of:
The Final Comedown (on 1971-12-13)
composer:
Wade Marcus
Grant Green3.53:28
4Idle Moments (Remastered)
engineer:
Rudy van Gelder (on 1963-11-04)
producer:
Alfred Lion
double bass:
Bob Cranshaw (on 1963-11-04)
drums (drum set):
Al Harewood (on 1963-11-04)
guitar:
Grant Green (jazz guitarist) (on 1963-11-04)
piano:
Duke Pearson (on 1963-11-04)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (on 1963-11-04)
vibraphone:
Bobby Hutcherson (on 1963-11-04)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1963-11-04)
recording of:
Idle Moments
composer:
Duke Pearson
Grant Green & Duke Pearson314:56
5Cantaloupe Woman
engineer:
Rudy van Gelder (on 1971-05-21)
bass:
Chuck Rainey (American bassist) (on 1971-05-21)
congas:
Ray Armando (on 1971-05-21)
drums (drum set):
Idris Muhammad (on 1971-05-21)
electric piano:
Emmanuel Riggins (piano,keyboards) (on 1971-05-21)
guitar:
Grant Green (jazz guitarist) (on 1971-05-21)
vibraphone:
Billy Wooten (on 1971-05-21)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1971-05-21)
recording of:
The Cantaloupe Woman (on 1971-05-21)
composer:
Ben Dixon (Jazz drummer)
Grant Green & Ben Dixon5:35
6Ain't It Funky Now
Grant Green & James Brown9:58
7The Selma March
recorded in:
New York, New York, United States (on 1965-05-26)
producer:
Creed Taylor
bongos and congas:
Candido Camero (Cuban conga and bongo player) (on 1965-05-26)
drums (drum set):
Ben Dixon (Jazz drummer) (on 1965-05-26)
guitar:
Grant Green (jazz guitarist) (on 1965-05-26)
organ:
Larry Young (US jazz organist) (on 1965-05-26)
tenor saxophone:
Harold Vick (on 1965-05-26)
Grant Green8:26
8Jean De Fleur (Alternate Version) (Remastered)
engineer:
Rudy van Gelder (on 1963-11-04)
producer:
Alfred Lion
double bass:
Bob Cranshaw (on 1963-11-04)
drums (drum set):
Al Harewood (on 1963-11-04)
guitar:
Grant Green (jazz guitarist) (on 1963-11-04)
piano:
Duke Pearson (on 1963-11-04)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (on 1963-11-04)
vibraphone:
Bobby Hutcherson (on 1963-11-04)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1963-11-04)
recording of:
Jean de Fleur
composer:
Grant Green (jazz guitarist)
Grant Green8:10
9'Round About Midnight
Grant Green7:03
10Besame Mucho
recording engineer:
Rudy van Gelder (on 1962-04-26)
producer:
Alfred Lion
congas:
Carlos “Patato” Valdés (on 1962-04-26)
double bass:
Wendell Marshall (on 1962-04-26)
drums (drum set):
Willie Bobo (on 1962-04-26)
guitar:
Grant Green (jazz guitarist) (on 1962-04-26)
piano:
Johnny Acea (US jazz pianist) (on 1962-04-26)
shekere [chekere]:
Garvin Masseaux (on 1962-04-26)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-04-26)
instrumental recording of:
Bésame mucho (Kiss Me Much, Bésame, bésame mucho como si fuera esta noche la última vez) (on 1962-04-26)
lyricist and composer:
Consuelo Velázquez (in 1940)
publisher:
Peer International Corporation (BMI)
Grant Green & Consuelo Velasquez7:12
11Mambo Inn (Remastered)
recording engineer:
Rudy van Gelder (on 1962-04-26)
producer:
Alfred Lion
congas:
Carlos “Patato” Valdés (on 1962-04-26)
double bass:
Wendell Marshall (on 1962-04-26)
drums (drum set):
Willie Bobo (on 1962-04-26)
guitar:
Grant Green (jazz guitarist) (on 1962-04-26)
piano:
Johnny Acea (US jazz pianist) (on 1962-04-26)
shekere [chekere]:
Garvin Masseaux (on 1962-04-26)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-04-26)
recording of:
Mambo Inn (on 1962-04-26)
writer:
Bauza and Woodlen
composer:
Edgar Sampson
Grant Green & Mario Bauzá5:53
12That Lucky Old Sun (Just Rolls Around Heaven All Day)
recorded in:
New York, New York, United States (on 1965-05-26)
producer:
Creed Taylor
bongos and congas:
Candido Camero (Cuban conga and bongo player) (on 1965-05-26)
drums (drum set):
Ben Dixon (Jazz drummer) (on 1965-05-26)
guitar:
Grant Green (jazz guitarist) (on 1965-05-26)
organ:
Larry Young (US jazz organist) (on 1965-05-26)
tenor saxophone:
Harold Vick (on 1965-05-26)
instrumental recording of:
That Lucky Old Sun (on 1965-05-26)
lyricist:
Haven Gillespie (in 1949)
composer:
Beasley Smith (in 1949)
publisher:
Beasley Smith Music, Haven Gillespie Music Publishing Co. and Robbins Music Corp.
Grant Green, Ben Dixon & Larry Young5:21
13Ease Back (Remastered)
engineer:
Rudy van Gelder
producer:
Francis Wolff (photographer and record producer)
bass:
Jimmy Lewis (jazz bassist) (on 1969-10-03)
drums (drum set):
Idris Muhammad (on 1969-10-03)
electric piano:
Clarence Palmer (on 1969-10-03)
guitar:
Grant Green (jazz guitarist) (on 1969-10-03)
tenor saxophone:
Claude Bartee (on 1969-10-03)
vibraphone:
Willie Bivens (on 1969-10-03)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1969-10-03)
cover recording of:
Ease Back (on 1969-10-03)
composer:
Arthur L. Neville, George Joseph Porter, Jr., Joseph Modeliste and Leo Nocentelli
Grant Green, Art Neville & George Porter Jr.5:46
14It Ain't Necessarily So
engineer:
Rudy van Gelder (on 1962-01-13)
producer:
Alfred Lion
bass:
Sam Jones (US jazz bassist) (on 1962-01-13)
drums (drum set):
Art Blakey (on 1962-01-13)
guitar:
Grant Green (jazz guitarist) (on 1962-01-13)
piano:
Sonny Clark (on 1962-01-13)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-01-13)
recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (on 1962-01-13)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., 1968‐09‐19–1999‐11‐09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
Grant Green & George Gershwin10:23
15Nomad (Remastered)
engineer:
Rudy van Gelder (on 1963-11-04)
producer:
Alfred Lion
double bass:
Bob Cranshaw (on 1963-11-04)
drums (drum set):
Al Harewood (on 1963-11-04)
guitar:
Grant Green (jazz guitarist) (on 1963-11-04)
piano:
Duke Pearson (on 1963-11-04)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (on 1963-11-04)
vibraphone:
Bobby Hutcherson (on 1963-11-04)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1963-11-04)
recording of:
Nomad
composer:
Duke Pearson
Grant Green & Duke Pearson312:17