The Complete Works (Edition Bachakademie)

~ Release by Johann Sebastian Bach (see all versions of this release, 2 available)

Tracklist

1▶CD: Vol 1. Cantatas CD 1
2▶CD: Vol 1. Cantatas CD 2
3▶CD: Vol 1. Cantatas CD 3
4▶CD: Vol 1. Cantatas CD 4
5▶CD: Vol 2. Cantatas CD 1
6▶CD: Vol 2. Cantatas CD 2
7▶CD: Vol 2. Cantatas CD 3
8▶CD: Vol 2. Cantatas CD 4
9▶CD: Vol 3. Cantatas CD 1
10▶CD: Vol 3. Cantatas CD 2
11▶CD: Vol 3. Cantatas CD 3
12▶CD: Vol 3. Cantatas CD 4
13▶CD: Vol 4. Cantatas CD 1
14▶CD: Vol 4. Cantatas CD 2
15▶CD: Vol 4. Cantatas CD 3
16▶CD: Vol 4. Cantatas CD 4
17▶CD: Vol 5. Cantatas CD 1
18▶CD: Vol 5. Cantatas CD 2
19▶CD: Vol 5. Cantatas CD 3
20▶CD: Vol 5. Cantatas CD 4
21▶CD: Vol 6. Cantatas CD 1
22▶CD: Vol 6. Cantatas CD 2
23▶CD: Vol 6. Cantatas CD 3
24▶CD: Vol 6. Cantatas CD 4
25▶CD: Vol 7. Cantatas CD 1
26▶CD: Vol 7. Cantatas CD 2
27▶CD: Vol 7. Cantatas CD 3
28▶CD: Vol 7. Cantatas CD 4
29▶CD: Vol 8. Cantatas CD 1
30▶CD: Vol 8. Cantatas CD 2
31▶CD: Vol 8. Cantatas CD 3
32▶CD: Vol 8. Cantatas CD 4
33▶CD: Vol 9. Cantatas CD 1
34▶CD: Vol 9. Cantatas CD 2
35▶CD: Vol 9. Cantatas CD 3
36▶CD: Vol 9. Cantatas CD 4
37▶CD: Vol 10. Cantatas CD 1
38▶CD: Vol 10. Cantatas CD 2
39▶CD: Vol 10. Cantatas CD 3
40▶CD: Vol 10. Cantatas CD 4
41▶CD: Vol 11. Cantatas CD 1
42▶CD: Vol 11. Cantatas CD 2
43▶CD: Vol 11. Cantatas CD 3
44▶CD: Vol 11. Cantatas CD 4
45▶CD: Vol 12. Cantatas CD 1
46▶CD: Vol 12. Cantatas CD 2
47▶CD: Vol 12. Cantatas CD 3
48▼CD: Vol 12. Cantatas CD 4
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1Kantate, BWV 156 „Ich steh mit einem Fuß im Grabe“: I. Sinfonia
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin) and Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
phonographic copyright (℗) by:
Hänssler Classic (from 1994 to present)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia (from 1973-03 until 1973-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
is based on:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
2:48
2Kantate, BWV 156 „Ich steh mit einem Fuß im Grabe“: II. Aria (Tenor) con Choral (Sopran) „Ich steh mit einem Fuß im Grabe“
soprano vocals:
Figuralchor der Gedächtniskirche Stuttgart
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": II. Aria (Tenor) con Choral (Sopran) "Ich steh mit einem Fuß im Grabe" (from 1973-03 until 1973-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Johann Hermann Schein (composer) (in 1628)
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
5:41
3Kantate, BWV 156 „Ich steh mit einem Fuß im Grabe“: III. Recitativo (Bass) „Mein Angst und Not“
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": III. Recitativo (Bass) "Mein Angst und Not" (from 1973-03 until 1973-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1727)
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
1:44
4Kantate, BWV 156 „Ich steh mit einem Fuß im Grabe“: IV. Aria (Alt) „Herr, was du willst, soll mir gefallen“
alto vocals:
Hildegard Laurich (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": IV. Aria (Alt) "Herr, was du willst, soll mir gefallen" (from 1973-03 until 1973-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1727)
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
4:48
5Kantate, BWV 156 „Ich steh mit einem Fuß im Grabe“: V. Recitativo (Bass) „Und willst du, daß ich nicht soll kranken“
vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": V. Recitativo (Bass) "Und willst du, daß ich nicht soll kranken" (from 1973-03 until 1973-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1727)
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
1:07
6Kantate, BWV 156 „Ich steh mit einem Fuß im Grabe“: VI. Choral „Herr, wie du willst, so schicks mir mit“
choir vocals:
Figuralchor der Gedächtniskirche Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": VI. Choral "Herr, wie du willst, so schicks mir mit" (from 1973-03 until 1973-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Kaspar Bienemann (in 1582)
part of:
Breitkopf 389 Choralgesänge (number: 150)
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
1:07
7Kantate, BWV 157 „Ich lasse dich nicht, du segnest mich denn!“: I. Duetto (Tenor, Bass) „Ich lasse dich nicht, du segnest mich denn!“
bass vocals:
Philippe Huttenlocher (baritone)
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1982-10 until 1983-07)
recording of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!": I. Duetto (Tenor, Bass) "Ich lasse dich nicht, du segnest mich denn!" (from 1982-10 until 1983-07)
premiered in:
Pomßen, Sachsen (Saxony), Germany (on 1727-02-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!"
4:10
8Kantate, BWV 157 „Ich lasse dich nicht, du segnest mich denn!“: II. Aria (Tenor) „Ich halte meinen Jesum feste“
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1982-10 until 1983-07)
recording of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!": II. Aria (Tenor) "Ich halte meinen Jesum feste" (from 1982-10 until 1983-07)
premiered in:
Pomßen, Sachsen (Saxony), Germany (on 1727-02-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Christian Friedrich Henrici (in 1727)
part of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!"
6:28
9Kantate, BWV 157 „Ich lasse dich nicht, du segnest mich denn!“: III. Recitativo (Tenor) „Mein lieber Jesu du“
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1982-10 until 1983-07)
recording of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!": III. Recitativo (Tenor) "Mein lieber Jesu du" (from 1982-10 until 1983-07)
premiered in:
Pomßen, Sachsen (Saxony), Germany (on 1727-02-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Christian Friedrich Henrici (in 1727)
part of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!"
1:27
10Kantate, BWV 157 „Ich lasse dich nicht, du segnest mich denn!“: IV. Aria, Recitativo ed Arioso (Bass) „Ja, ja, ich halte Jesum feste“
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1982-10 until 1983-07)
recording of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!": IV. Aria, Recitativo ed Arioso (Bass) "Ja, ja, ich halte Jesum feste" (from 1982-10 until 1983-07)
premiered in:
Pomßen, Sachsen (Saxony), Germany (on 1727-02-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Christian Friedrich Henrici (in 1727)
part of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!"
5:55
11Kantate, BWV 157 „Ich lasse dich nicht, du segnest mich denn!“: V. Choral „Meinen Jesum laß ich nicht“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1982-10 until 1983-07)
recording of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!": V. Choral "Meinen Jesum laß ich nicht" (from 1982-10 until 1983-07)
premiered in:
Pomßen, Sachsen (Saxony), Germany (on 1727-02-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Christian Keymann (17th century hymnwriter) (in 1658) and Christian Friedrich Henrici (in 1727)
part of:
Breitkopf 389 Choralgesänge (number: 245)
part of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!"
0:59
12Kantate, BWV 158 „Der Friede sei mit dir“: I. Recitativo (Bass) „Der Friede sei mit dir“
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1983-07)
recording of:
Kantate, BWV 158 "Der Friede sei mit dir": I. Recitativo (Bass) "Der Friede sei mit dir" (in 1983-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 158 "Der Friede sei mit dir"
1:37
13Kantate, BWV 158 „Der Friede sei mit dir“: II. Aria (Bass) con Choral „Welt, ade, ich bin dein müde“
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1983-07)
recording of:
Kantate, BWV 158 "Der Friede sei mit dir": II. Aria (Bass) con Choral (Sop) "Welt, ade, ich bin dein müde" (in 1983-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Georg Albinus (in 1649)
part of:
Kantate, BWV 158 "Der Friede sei mit dir"
5:50
14Kantate, BWV 158 „Der Friede sei mit dir“: III. Recitativo ed Arioso (Bass) „Nun, Herr, regiere meinen Sinn“
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1983-07)
recording of:
Kantate, BWV 158 "Der Friede sei mit dir": III. Recitativo ed Arioso (Bass) "Nun, Herr, regiere meinen Sinn" (in 1983-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 158 "Der Friede sei mit dir"
1:28
15Kantate, BWV 158 „Der Friede sei mit dir“: IV. Choral „Hier ist das rechte Osterlamm“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1983-07)
recording of:
Kantate, BWV 158 "Der Friede sei mit dir": IV. Chorale "Hier ist das rechte Osterlamm" (in 1983-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 158 "Der Friede sei mit dir"
1:14
16Kantate, BWV 159 „Sehet, wir gehn hinauf gen Jerusalem“: I. Arioso (Alt) „Sehet, wir gehn hinauf gen Jerusalem“
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-06 until 1983-07)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": I. Arioso e recitativo (Alt, Bass) "Sehet, wir gehn hinauf gen Jerusalem" (from 1983-06 until 1983-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
3:39
17Kantate, BWV 159 „Sehet, wir gehn hinauf gen Jerusalem“: II. Aria (Alt) con Choral (Sopran) „Ich folge dir nach“
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-06 until 1983-07)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": II. Aria (Alt) con Choral (Sopran) "Ich folge dir nach" (from 1983-06 until 1983-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Paul Gerhardt (17th century hymn writer) (in 1656)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
4:15
18Kantate, BWV 159 „Sehet, wir gehn hinauf gen Jerusalem“: III. Recitativo (Tenor) „Nun will ich mich, mein Jesu“
vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-06 until 1983-07)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": III. Recitativo (Tenor) "Nun will ich mich, mein Jesu" (from 1983-06 until 1983-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
1:23
19Kantate, BWV 159 „Sehet, wir gehn hinauf gen Jerusalem“: IV. Aria (Bass) „Es ist vollbracht“
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-06 until 1983-07)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": IV. Aria (Bass) "Es ist vollbracht" (from 1983-06 until 1983-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
5:48
20Kantate, BWV 159 „Sehet, wir gehn hinauf gen Jerusalem“: V. Choral „Jesu, deine Passion ist mir lauter Freude“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-06 until 1983-07)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": V. Choral "Jesu, deine Passion ist mir lauter Freude" (from 1983-06 until 1983-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Paul Stockmann (in 1633)
part of:
Breitkopf 389 Choralgesänge (number: 194)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
1:17
49▶CD: Vol 13. Cantatas CD 1
50▶CD: Vol 13. Cantatas CD 2
51▶CD: Vol 13. Cantatas CD 3
52▶CD: Vol 13. Cantatas CD 4
53▶CD: Vol 14. Cantatas CD 1
54▶CD: Vol 14. Cantatas CD 2
55▶CD: Vol 14. Cantatas CD 3
56▶CD: Vol 14. Cantatas CD 4
57▶CD: Vol 15. Cantatas CD 1
58▶CD: Vol 15. Cantatas CD 2
59▶CD: Vol 15. Cantatas CD 3
60▶CD: Vol 15. Cantatas CD 4
61▶CD: Vol 16. Cantatas CD 1
62▶CD: Vol 16. Cantatas CD 2
63▶CD: Vol 16. Cantatas CD 3
64▶CD: Vol 16. Cantatas CD 4
65▶CD: Vol 17. Cantatas CD 1
66▶CD: Vol 17. Cantatas CD 2
67▶CD: Vol 17. Cantatas CD 3
68▶CD: Vol 17. Cantatas CD 4
69▶CD: Vol 18. Congratulatory And Hommage Cantatas CD 1
70▶CD: Vol 18. Congratulatory And Hommage Cantatas CD 2
71▶CD: Vol 18. Congratulatory And Hommage Cantatas CD 3
72▶CD: Vol 18. Congratulatory And Hommage Cantatas CD 4
73▶CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 1
74▶CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 2
75▶CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 3
76▶CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 4
77▶CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 1
78▶CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 2
79▶CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 3
80▶CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 4
81▶CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 1
82▶CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 2
83▶CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 3
84▶CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 4
85▶CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 1
86▶CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 2
87▶CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 3
88▶CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 4
89▶CD: Vol 23. Magnificat · Sacred Vocal Works CD 1
90▶CD: Vol 23. Magnificat · Sacred Vocal Works CD 2
91▶CD: Vol 23. Magnificat · Sacred Vocal Works CD 3
92▶CD: Vol 23. Magnificat · Sacred Vocal Works CD 4
93▶CD: Vol 24. A Book Of Chorale-Settings CD 1
94▶CD: Vol 24. A Book Of Chorale-Settings CD 2
95▶CD: Vol 24. A Book Of Chorale-Settings CD 3
96▶CD: Vol 24. A Book Of Chorale-Settings CD 4
97▶CD: Vol 25. Organ Works CD 1
98▶CD: Vol 25. Organ Works CD 2
99▶CD: Vol 25. Organ Works CD 3
100▶CD: Vol 25. Organ Works CD 4
101▶CD: Vol 26. Organ Works CD 1
102▶CD: Vol 26. Organ Works CD 2
103▶CD: Vol 26. Organ Works CD 3
104▶CD: Vol 26. Organ Works CD 4
105▶CD: Vol 27. Organ Works CD 1
106▶CD: Vol 27. Organ Works CD 2
107▶CD: Vol 27. Organ Works CD 3
108▶CD: Vol 27. Organ Works CD 4
109▶CD: Vol 28. Organ Works CD 1
110▶CD: Vol 28. Organ Works CD 2
111▶CD: Vol 28. Organ Works CD 3
112▶CD: Vol 28. Organ Works CD 4
113▶CD: Vol 29. Organ Works CD 1
114▶CD: Vol 29. Organ Works CD 2
115▶CD: Vol 29. Organ Works CD 3
116▶CD: Vol 29. Organ Works CD 4
117▶CD: Vol 30. Harpsichord Music CD 1
118▶CD: Vol 30. Harpsichord Music CD 2
119▶CD: Vol 30. Harpsichord Music CD 3
120▶CD: Vol 30. Harpsichord Music CD 4
121▶CD: Vol 31. Keyboard Works CD 1
122▶CD: Vol 31. Keyboard Works CD 2
123▶CD: Vol 31. Keyboard Works CD 3
124▶CD: Vol 31. Keyboard Works CD 4
125▶CD: Vol 32. Keyboard Works CD 1
126▶CD: Vol 32. Keyboard Works CD 2
127▶CD: Vol 32. Keyboard Works CD 3
128▶CD: Vol 32. Keyboard Works CD 4
129▶CD: Vol 33. Keyboard Works CD 1
130▶CD: Vol 33. Keyboard Works CD 2
131▶CD: Vol 33. Keyboard Works CD 3
132▶CD: Vol 33. Keyboard Works CD 4
133▶CD: Vol 34. Keyboard Works CD 1
134▶CD: Vol 34. Keyboard Works CD 2
135▶CD: Vol 34. Keyboard Works CD 3
136▶CD: Vol 34. Keyboard Works CD 4
137▶CD: Vol 35. Keyboard Works CD 1
138▶CD: Vol 35. Keyboard Works CD 2
139▶CD: Vol 35. Keyboard Works CD 3
140▶CD: Vol 35. Keyboard Works CD 4
141▶CD: Vol 36. Keyboard Works CD 1
142▶CD: Vol 36. Keyboard Works CD 2
143▶CD: Vol 36. Keyboard Works CD 3
144▶CD: Vol 36. Keyboard Works CD 4
145▶CD: Vol 37. Keyboard Works CD 1
146▶CD: Vol 37. Keyboard Works CD 2
147▶CD: Vol 37. Keyboard Works CD 3
148▶CD: Vol 37. Keyboard Works CD 4
149▶CD: Vol 38. Orchestral Music CD 1
150▶CD: Vol 38. Orchestral Music CD 2
151▶CD: Vol 38. Orchestral Music CD 3
152▶CD: Vol 38. Orchestral Music CD 4
153▶CD: Vol 39. Works For Violin CD 1
154▶CD: Vol 39. Works For Violin CD 2
155▶CD: Vol 39. Works For Violin CD 3
156▶CD: Vol 39. Works For Violin CD 4
157▶CD: Vol 40. Harpsichord Concertos CD 1
158▶CD: Vol 40. Harpsichord Concertos CD 2
159▶CD: Vol 40. Harpsichord Concertos CD 3
160▶CD: Vol 40. Harpsichord Concertos CD 4
161▶CD: Vol 41. Works For Solo Violin And Solo Cello CD 1
162▶CD: Vol 41. Works For Solo Violin And Solo Cello CD 2
163▶CD: Vol 41. Works For Solo Violin And Solo Cello CD 3
164▶CD: Vol 41. Works For Solo Violin And Solo Cello CD 4
165▶CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 1
166▶CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 2
167▶CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 3
168▶CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 4
169▶CD: Vol 43. Restored Oboe Concerti · Musical Offering CD 1
170▶CD: Vol 43. Restored Oboe Concerti · Musical Offering CD 2
171▶CD: Vol 43. Restored Oboe Concerti · Musical Offering CD 3